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From #1 New York Times bestselling author and “queen of royal fiction” (USA TODAY) Philippa Gregory—a dazzling new novel about the intriguing, romantic, and maddening Mary, Queen of Scots.
Fleeing violent rebellions in Scotland, Mary looks to Queen Elizabeth of England for sanctuary. Though promised protection, Mary, perceived as a serious threat to the English crown, is soon imprisoned by her former friend as a “guest” in the house of George Talbot, Earl of Shrewsbury, and his indomitable wife, Bess of Hardwick. The newly married couple welcomes the condemned queen into their home, certain that serving as her hosts and jailers will bring them an advantage in the cutthroat world of the Elizabethan court.
To their horror, they grow to realize that the task will bankrupt their estate and lose them what little favor they’ve managed to gain as their home becomes the epicenter of intrigue and rebellion against Queen Elizabeth. And Mary is not as hopeless as she appears, manipulating the earl and spinning her own web of treachery and deceit, as she sharpens her weapons to reclaim her Scottish throne—and to take over Queen Elizabeth’s of England.
- Sales Rank: #28886 in Books
- Brand: Gregory, Philippa
- Published on: 2009-07-14
- Released on: 2009-07-14
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.00" w x 5.25" l, .85 pounds
- Binding: Paperback
- 464 pages
From Booklist
Using the multiple-viewpoint technique that worked well in The Boleyn Inheritance (2006), Gregory fictionalizes a little-explored episode in the life of Mary, Queen of Scots. In 1568, after fleeing rebellious Scottish lords, Mary is placed into the custody of George Talbot, Earl of Shrewsbury, and his wife, Bess of Hardwick. This turns their Derbyshire estate into a hotbed of intrigue and possible treason. George, normally loyal to a fault, falls in love with Mary; Bess secretly reports to William Cecil, Queen Elizabeth’s spymaster, while fretting about her foolish husband and the continual draining of their funds; Mary plays them against one another while plotting to escape, with Cecil noting her every move. Gregory skillfully evokes the suspenseful atmosphere—it was never certain that the 1569 Rising of the North in favor of Catholic Mary would fail—but the protagonists’ inner thoughts, as presented in short alternating chapters, are unnecessarily repetitive. Although this isn’t her best work, Gregory’s writing is sharpest toward the end, as the unavoidable consequences of Mary’s long imprisonment are finally felt by all. --Sarah Johnson
Review
"Mary's hell-bent assuredness combines deliciously with brisk chapt ers and rich historical detail. Indulge." -- People
"A mesmerizing novel that will keep readers turning pages deep into the night...as sweet and thorny as a wild English rose." -- BookPage
"Mary's hell-bent assuredness...combines deliciously with brisk chapters and rich historical detail. Indulge." -- People
About the Author
Philippa Gregory is the author of several bestselling novels, including The Other Boleyn Girl, and is a recognized authority on women’s history. Her Cousins’ War novels are the basis for the critically acclaimed Starz miniseries The White Queen. Her most recent novel is Three Sisters, Three Queens. She graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent. She holds an honorary degree from Teesside University, and is a fellow of the Universities of Sussex and Cardiff. She welcomes visitors to her website, PhilippaGregory.com.
Most helpful customer reviews
90 of 90 people found the following review helpful.
Good Points and Bad Points
By ILizbeth
First the good points about this books.
1. This is Philippa Gregory, so you know that the writing will be well done and the research thorough
2. Very interesting take on the relationship between Mary, Queen of Scots and her husband Bothwell
Now the bad points:
1. As others have noted, practically nothing happens in this book. It drags
2. Most of the action happened in the past and is being retold
3. Unlike TOBG which had snappy dialogue that made you keep turning the pages, this feels like one long monologue told by several different people all droning on and on
All in all, three stars.
192 of 199 people found the following review helpful.
It's not a bad book, but nor is it terribly compelling.
By Julia Flyte
"The Other Queen" is about Mary, Queen of Scots' imprisonment in England, focusing on the early years of her imprisonment. Like "The Boleyn Inheritance", the story alternates between three perspectives. The narrators are George Talbot, Earl of Shrewsbury and his wife, Bess of Hardwick who were charged with responsibility for the Queen; the third narrator is Mary, Queen of Scots. Bess is an ambitious social climber who initially thinks that hosting Queen Mary will be a way to advance the family fortunes, but who is dismayed to find that it drains their financial resources instead. George on the other hand becomes infatuated with the Queen, which causes irreparable friction in his own marriage.
I've enjoyed other books by Philippa Gregory, but The Other Queen lacks momentum. It's a long book and not a lot happens (and when things do happen, they're invariably taking place somewhere else, rather than happening to the characters who are telling the story). You get the feeling that most of the exciting parts of Mary's life have already taken place, so there is lots of time spent filling in her back story. I enjoyed the book in a mild way, but it felt so repetitive: countless variations on Bess complaining about money, George idealizing Mary and Mary telling us how charming she is. Bess was actually quite a remarkable woman for her time, but she comes across as being so unpleasant that she failed to elicit my sympathy. I was also disappointed that Elizabeth I barely appears - only in one short scene, when Talbot goes to London to meet with her.
As always, Philippa Gregory has done her research. I didn't necessarily agree with her interpretation of Mary's personality, but I couldn't fault it on historical grounds. It did feel however as if she couldn't quite make up her mind what the nature of Mary and Bothwell's relationship had been and why Mary had chosen to marry him, which I think is something that she needed to establish more clearly. Towards the end of the book events also get twisted and compressed, presumably to bring about a neater conclusion. Mary's execution (still 15 years away) is described in a dream sequence: couldn't Philippa Gregory come up with a better way to include it?
I kept waiting for the book to get going, but it never really did. At one stage Bess writes: "I can hardly believe that this nightmare goes on, goes on and on, and we never achieve victory and we never achieve peace". In many ways that reflects how I felt about the book. It's not a bad book, but nor is it terribly compelling.
71 of 77 people found the following review helpful.
`She can speak three languages, but she can tell the truth in none of them.'
By Jennifer Cameron-Smith
In 1568, Mary Queen of Scots sought refuge in England. She has trusted Elizabeth I's promise of sanctuary only to find herself imprisoned on Elizabeth's behalf by George Talbot, Earl of Shrewsbury, and his wife Bess of Hardwick.
Ms Gregory has taken the familiar story of the imprisonment of Mary Queen of Scots in England and presented the viewpoints of those obliged by Queen Elizabeth to act as her gaolers. The impact on the Shrewsburys should not be underestimated: keeping Mary Queen of Scots captive was not without its costs (both monetary and political). While Mary herself lived, she was both wittingly and unwittingly a focal point for political and religious intrigue.
In terms of the main characters in the novel, Mary herself comes across as manipulative and naive. Bess of Hardwick is far more interesting than her husband George, while Elizabeth herself is torn between removing the threat to her throne and herself and a reluctance to execute a fellow monarch. Ms Gregory presents an intriguing, if not always exciting, picture of a number of people thrown together by fate. This particular version of the story, focussed as it is on Mary's long period of imprisonment, not likely to bring much joy to those who prefer to see more action or a more sympathetic depiction of Mary. I enjoyed the novel without being fully swept up by it.
Jennifer Cameron-Smith
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