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Queenpin: A Novel, by Megan Abbott
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By the author of Dare Me and The End of Everything
A young woman hired to keep the books at a down-at-the-heels nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet—as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.
- Sales Rank: #320578 in Books
- Brand: Abbott, Megan
- Published on: 2007-06-05
- Released on: 2007-06-05
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .60" w x 5.50" l, .40 pounds
- Binding: Paperback
- 180 pages
From Publishers Weekly
Edgar-finalist Abbott (Die a Little) delivers a sharp, slender, hardboiled tale of a protégé's schooling by a notorious, been-there-done-that moll. The first time the unnamed 22-year-old female narrator lays eyes on Gloria Denton, her first thought is I want the legs. The setting is the Club Tee Hee, an indeterminate Las Vegas–L.A. nowhere where the kid is doing the mobbed-up books, and Gloria comes in every few weeks to count Jerome's vig. The kid absorbs very entertaining lessons in how to dress, move, behave, and how to pick up, transport and distribute payoffs and winnings—until she falls for sweet-talking gambler Vic Riordan. Abbott is pitch-perfect throughout: Gloria Denton, still turning heads in her 40s, is as hard a moll as any, and the kid is a beautiful combination of foil and tool as she strives to emulate her role model. The collision, violent and inevitable, rips away the facade of glitz and glamour, and leaves their low-end edifice starkly exposed.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Working from her story in the anthology Damn Near Dead (2006), noir's reigning crown princess delivers a royally entertaining rumination on toxic female friendships set in the harsh neon underbelly of early-1960s Las Vegas. The tale of an avaricious assistant to a Virginia Hill-style Mob courier unfolds so cinematically it's difficult not to picture it onscreen--perhaps pitched as The Grifters meets Casino, with Sharon Stone and Scarlett Johansson under the leering direction of Quentin Tarantino. "Gloria's girl," they call her when she's corralling payoffs from casino managers, fixing odds at the track, and doling out pad money to the cops. But she's out for a glorious score, and the taste of a gem heist she sets up only makes her ravenous for more. It's too bad that head for nasty business is paired with a body built for even nastier sin--and a heart foolish enough to go out to Vic Riordan, a self-destructive gambler nearing his final spin of the wheel. It'd be nice to get a better glimpse of her motivations, but this is a sleek, slick, seductive treat. Frank Sennett
Copyright © American Library Association. All rights reserved
Review
"Quite a stunning achievement. With Queenpin, her third superb book, Megan Abbott proves beyond all doubt she is the new Queen of Noir."
-- Ken Bruen, author of Priest and American Skin
"Subtle, seductive, stunningly violent, this perfectly executed hardboiled title of complex relationships between grifters is a stone-cold classic."
-- Allan Guthrie, author of Hard Man and Kiss Her Goodbye
"Megan Abbott continues to be my absolute favorite new author."
-- Lisa Scottoline, author of Dirty Blonde
"Classy, daring, and alluringly amoral, Abbott's portrayal of a woman desperate for the "good life" illuminates the deep motives of a femme fatale, as she chooses tough over soft and pleasure within pain in order to satisfy her thrill-seeking personality in an era when opportunities are scarce. A slick, murderous adventure with passion enough to draw any reader inside."
-- Vicki Hendricks, author of Cruel Poetry
Most helpful customer reviews
5 of 5 people found the following review helpful.
Superb revival of a gritty genre
By Paige Ellen
I've read all three of Ms Abbott's novels now. She is a quick read and will not strain your brain. However, her recollection of the time about which she writes is a delight. She also writes in a manner tough enough to invoke early Spillane and his peers (if he has any). The switch to dangerous females in lead roles is also quite fun. I read a lot of modern mystery writers, i.e. Fairstein, Scottoline, Barr, Henry, Stabenow, Graves, etc and Megan Abbott's perspective is refreshing. Her writing is crisp and moves along very nicely and easily holds the reader's attention. Give her a try; you won't regret it. Just remember, if you are looking for complex plot structure and deep detailed character development, go elsewhere. This is about scheming and action. Delightful to read.
18 of 19 people found the following review helpful.
Fabulous Noir
By Gayle
Die A Little is still my favorite, but this book is a sleek dark rocket. I could not put it down. When my husband read Die A Little, he said he loved it, and would read anything else Megan Abbott wrote, but that he wished James M. Cain had done a pass over it. He got his wish in this book. Lean and mean, but still displaying Abbott's own poetic voice, Queenpin is a knockout noir, taut and twisted, neon surface glitter hiding subterranean depths.
2 of 4 people found the following review helpful.
Better and better with every book
By Jeff
Ms. Abbott's novels have progressively become faster paced and more darkly plotted. Although short of the break necked pace of a later James Ellroy work, Queenpin moves with flash and verve through a world of shadowy characters. Another reviewer has commented accurately that there is solid thinking behind her plots in every book and there is no exception to that observation here.
What is unique is the concept of a 'Queen-pin' as opposed to a 'Kingpin.' Although the Queenpin initially is drawn as a caricature, we learn more about her history as the plot advances. Although she never becomes a full person, she is real enough for the purposes of the book.
Especially interesting is Abbott's portrayal of the power of sex in this book. Seen here, sexual need is indistinguishable from the lure of hard drugs to an addict. More uniquely, the women crave it more than the men. This makes for striking juxtapositions compared to a conventional noir novel.
Abbott's ability to describe violence has also progressed. Despite the title of her first book, it was not that violent. The violence in 'The Song is You' was more often implied than described in detail. Queenpin throws any squeamishness over its shoulders, yielding nothing to her male noir peers.
You can read her works in any order, as the stories are not at all interconnected. However, I'd suggest reading in chronological order. It reminds me of a fast forward video clip of a beautiful floor blossoming. We can only hope she is working on her fourth novel now.
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