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In this acclaimed fiction debut, "a rich, often ironic homage to Yiddish culture and language" (Publishers Weekly), Peter Manseau weaves 100 years of Jewish history, the sad fate of an ancient language, and a love story shaped by destiny into a truly great American novel.

In a five-story walkup in Baltimore, nonagenarian Itsik Malpesh—the last Yiddish poet in America—spends his days lamenting the death of his language and dreaming of having his memoirs and poems translated into a living tongue. So when a twenty-one-year-old translator and collector of Judaica crosses his path one day, he goes to extraordinary efforts to enlist the young man’s services. And what the translator finds in ten handwritten notebooks is a chronicle of the twentieth century. From the Easter Sunday Pogrom of Kishinev, Russia, to the hellish garment factories of Manhattan’s Lower East Side, Itsik Malpesh recounts a tumultuous, heartrending, and colorful past. But the greatest surprise is yet to come: for the two men share a connection as unlikely as it is life-affirming.

With the ardent and feisty Itsik Malpesh, Peter Manseau has created a narrator for the ages and given him a story that will win over readers’ hearts and keep them turning pages long into the night. Songs for the Butcher’s Daughter is a literary triumph.

• Sales Rank: #1182495 in Books
• Brand: Manseau, Peter
• Published on: 2009-06-09
• Released on: 2009-06-09
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.10" w x 5.50" l,
• Binding: Paperback
• 400 pages

From Publishers Weekly
Known for Vows, his memoir of growing up the son of a former priest and nun, Manseau uses an alter ego to tell the story of fictional Yiddish poet Itsik Malpesh, born in the Moldovan city of Kishinev in 1903. Itsik's story is told through his Yiddish memoirs, which he helps a young American Catholic (working, like Manseau once did, as a Yiddish archivist) translate. Inspired by the image of Sasha, the brave butcher's daughter who was present at his birth, Itsik reaches America in young adulthood through haphazard luck, a taste for troublemaking and the inventiveness of a printer. Sasha continually inspires and confounds Itsik throughout his life, becoming an apt symbol for Yiddish humor, sorrow and idealism. As Itsik's darkly picaresque immigrant narrative unfolds, it competes with the translator's modern romance and with insights into the art of translation and the history of Yiddish. Occasional narrative missteps are not enough to undercut this rich, often ironic homage to Yiddish culture and language. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Fleeing violent anti-Semitism in Russia and then in Poland in the 1920s, Yiddish poet Itzik Malpesh stepped off the boat in New York at age 16 in the Golden Land, “alone, with nowhere to go and no way to get there.” Now, in his 90s and living in Baltimore, he employs a 21-year-old religious scholar to translate his memoirs into English. Far from your usual immigrant journey to the promised land, the intricate narrative weaves together Malpesh’s account of his “life and crimes,” including his job scrubbing floors, with the translator’s discoveries of the poet’s secret life, then and now. Always on Malpesh’s journeys what sustains him is the story of his birth during a pogrom, when Sasha, the ritual butcher’s daughter, just four years old, chased away the killers and saved the baby. Ever since being told of the girl's courageous feat, his romantic obsession has been to find Sasha––until she arrives in America in the 1930s, a tough, beautiful, Hebrew-speaking Israeli, who despises Yiddish and the old ways and tells him what really happened. Rooted in the sharp, bittersweet Yiddish tradition reminiscent of Isaac Bashevis Singer, Manseau’s thrilling tale of secrets and revelations captures the diversity among Jews, then and now, in shtetl, city, and kibbutz, and the elemental meaning of bashert, or destiny. Like the translator in the story, the writer Manseau is not Jewish. --Hazel Rochman

Review
"An extraordinary novel, and Itsik Malpesh is one of literature's most stunning achievements." -- Junot Díaz

"Songs for the Butcher's Daughter is a completely original and exciting novel that, from its first few lines, holds the reader mesmerised. We are in the hands of a supreme storyteller, an author of wit and charm, one who has a breathtaking flair for language. This is a seriously impressive and accomplished work for a debut novel, identifying Manseau as a writer of great and exciting potential, one able to see the world vividly, even through other people's eyes." -- Weekend Australian

"In his debut novel, [Manseau] reaches across cultures to compose a living, breathing portrait of a bad-tempered but charmingly eloquent poet and the young man chosen to bring his words forward in time...The translator's inexperience puts [poet] Malpesh's cynical voice into perspective, as the young man's clumsy first experiences with modern-day romance stand in stark, sometimes poignant contrast to Malpesh...who remembers his 90-something years with equal parts impish humor and profound melancholy...A terrific book with a believable protagonist who's given ample room to tell his tale." -- Kirkus Reviews

"Songs for the Butcher's Daughter is a book about writing, a warm, funny, and fascinating testament to the power of words, a power that outlives a dying language and transcends love." -- Jewish Book World

"Seductive and playful, the novel, with many unforgettable scenes, is also a serious meditation on language, love, loyalty and memory." -- New York Jewish Week

"Ranging from pogroms to poetry, from the purity of sex to the impurity of translation, from the Pale of Settlement to the Lower East Side to Eretz Yisroael, [and] written with utmost integrity as well as dramatic momentum, Songs for the Butcher's Daughter is a delicious read." -- Melvin Jules Bukiet, author of Sign and Wonders

"One of the most original and gripping novels I've read in a long time. From the very first page, I knew I was in the hands of a mesmerizing storyteller and born writer. Blessed with a biting wit, a huge heart, and a dazzling flair for language -- how we use it and how it defines us -- Manseau is the real thing. This is a gorgeous debut novel." -- Ellen Feldman, author of The Boy Who Loved Anne Frank

"Huge in scope and soul, Songs for the Butcher's Daughter is a sweeping, lyrical, utterly consuming epic. Peter Manseau is a writer with the heart of a mystic, and his novel is an extraordinary gift." -- Elisa Albert, author of The Book of Dahlia and How This Night Is Different

"Songs for the Butcher's Daughter explores with profound insight the treacherous territory of language: its elusive, inconstant and enigmatic character and its fundamental role in how we define ourselves as human beings." -- Linda Olsson, author of Astrid and Veronika

"Peter Manseau has created a rich tapestry of European and American Jewish life at the turn of the twentieth century. This beautifully written novel of love and tragedy is a magic-realist tale filled with wonderful detail. We join Mr. Manseau on a hundred-year journey that weaves together the Old and New Worlds." -- Martin Lemelman, author of Mendel's Daughter

Most helpful customer reviews

40 of 48 people found the following review helpful.
Nicely presented, but a strange dichotomy of messages
By Patrick W. Crabtree
Sometimes, depending upon our respective backgrounds, readers enjoy a book on varying grounds. I enjoyed this one quite a lot but I doubt for the reasons which the author intended -- the story that I seized upon was perhaps a different one than what Manseau believed himself to have written. I'll try to clarify this as I explain further.

Here we have chiefly a love story, perhaps even a couple. The opening backdrop is that of Jewish persecution which mostly transpires in Europe but some in the U.S. as well. We get to know the protagonist from his birth and we follow him for his lifetime... in fact, this fictional work is his life story. He is a Yiddish-speaking Jewish man by the name of Itsik Malpesh, born in Kishinev (Russia), a temporary resident of Odessa, and eventually an immigrant to Baltimore, Maryland.

For a long while the reader is shrewdly drawn into Itsik's world which seems a cruel one indeed. In fact, it's a cruel time and place for all Jewish people as Itsik is born into a period of Russian Pogroms. Yet, as I approached the end of this novel, in retrospect, I had to revise my thinking about Itsik because his numerous life disasters seemed a direct result of his own obstinacies and intolerance for taking good advice. Only when he was forced to do certain things did life smile upon him a bit including both his immigration to the United States as well as the obtaining of a job.

But even in the face of good advice, Itsik often managed to train wreck his own existence. Ultimately, he commits an act which is notably glossed over but which would have been an outright horror for his victim -- and I could not personally get past this singular incident and share any further empathy with Itsik. In fact, his agenda became more and more clear to me as self-serving. In Itsik's world, everything is all about Itsik and I doubt that the author really intended for his readers to reach this particular conclusion.

Many others will perhaps draw a different picture from this story, in contrast to my own reading experience. I suppose it's possible to say that if life has treated you horrifically enough, then maybe you have some sort of right to be excused later on down the road for your own heinous acts; however, that's simply not a philosophy which, personally, I can either accept or support.

Itsik spoke practically no English until later in life and, given this actuality, he wrote his poems in Yiddish and later required a translator for his work. Thus, for the purposes of the novel we get an intermittent "translator's note" (that is always more like a short chapter) which tells a converging story. It's relevant to point out that the "translator" here is a Catholic. Toward the end of the book, these two tales do in fact come to a junction and that format is one of the book's big pluses. This is a unique presentation and it's nicely facilitated.

The novel itself flows like oil and, in that regard, is some of the best contemporary writing which I've recently experienced. You can read this book in two days without much difficulty. I will comment that it's helpful if you have some prior knowledge of 20th Century European history and/or of Jewish culture -- but if you don't, you'll still generally get the big picture of the story.

In summary, I would definitely recommend this title to anyone interested in recent Jewish history or in good, solid fiction -- but those who are emotionally sensitive should be prepared for a few bumps along the way.

14 of 15 people found the following review helpful.
How did a Catholic boy write this?
By Susan Tunis
I am a secular Jew. Like myself, this novel is far more ethnic than religious. It's incredibly Jewish, but at the same time wonderfully inclusive. What I mean is, you do NOT have to be Jewish to read and enjoy this novel. In fact, it is a tale literally being told by an outsider.

Songs for the Butcher's Daughter is a story within a story. On the surface, it is the fictionalized autobiography of Itsik Malpesh, "the last Yiddish poet in America." Born in 1903 in the middle of a Russian pogrom, Malpesh leads a picaresque life that takes him from the town of his birth to Odessa, from Odessa to New York, and eventually to Baltimore, Maryland. It's a long, eventful, tragic, dramatic, funny, and occasionally joyful life. In the course of its telling, Malpesh documents anti-Semitism in the old world, the birth of Israel, the death of Yiddish, the American immigrant experience, and a saga of star-crossed love. But it's so much more. Itsik's is such a human story! It's beautiful and compelling and grabbed me right from the opening pages.

The story within this story comes in the form of copious "translator's notes." Itsik's memoir was written in his native tongue, Yiddish. His story is being filtered through an unlikely translator, a young, non-Jewish, college grad with an all-but-useless theology degree. The most marketable of his skills is his knowledge of the Hebrew alphabet. It's enough to get him a job in a warehouse of Yiddish literature run by a Jewish organization. Bored beyond belief, this nameless narrator teaches himself the language and embarks on his own journey which eventually leads to nonagenarian Itsik Malpesh.

Amazingly, Itsik's story and the narrator's story have strange little connections that reminded me of the subtle connections between the stories in David Mitchell's Cloud Atlas. However, these coincidental connections shouldn't have surprised, as the past never really seemed to stay the past in Itsik's long life. People came and went and reappeared when and where you least expected them. Or perhaps where you most expected them. Call backs and foreshadowing were used to good effect, and overall the writing of this debut was impressive. The story started to drag just a bit late in the novel, but the ending was so satisfying that it hardly seems worth mentioning. This is a truly auspicious debut, and I will be waiting with considerable interest to see what Peter Manseau writes next.

39 of 47 people found the following review helpful.
Envy; Or, Yiddish in America
By Jeffrey Sharlet
Disclosure: I read this in manuscript. Peter's a friend and a former collaborator. He reviewed my recent book kindly. But all that said, I've a very good reason to loathe this book: because it's so good. There we were, sort of moving along on parallel tracks as writers. Then, this. Peter's left me in the dust. I ought to hate this book as a symbol of my own failures as a writer. But it really is so good that I can't hate it. Songs for the Butcher's Daughter is, depending on how you look at it, the weirdly inevitable culmination of Yiddish literature, or its last gasp. (Don't worry -- it's in English.) Peter is really *not* Jewish. His mother was a nun. His father still is a Catholic priest. (Don't ask. But if you do -- if you're that kind of Jew -- read Peter's deeply Yiddish Catholic memoir, *Vows: A Story of a Priest, a Nun, and their Son*.) I met him years ago when we both worked at the National Yiddish Book Center. We were a bunch of Jews enamored of the idea of Yiddish. Peter, the unbelieving Catholic, was one of the few people there who could actually read Yiddish. He was inspired to learn it by an African American cantor named Julius Lester.

Not that Peter was a convert. I think he was the one who introduced me to this line by the great Yiddish poet Yankev Glatshteyn that I've been quoting ever since: Der got fun meyn ungloybn iz priptek. The God of my unbelief is magnificent. Peter and I used it as an epigraph for a book we wrote together, *Killing the Buddha: A Heretic's Bible*, but it'd work well for his new novel, *Songs for the Butcher's Daughter*, too. The plot: A goy much like Peter works at an outfit much like the Yiddish Book Center where he falls in love with a baal tshuva much like -- well, she's happily married now, so we'll just remind ourselves this is fiction. She, of course, doesn't know Yiddish, so she asks him to help her read an old Yiddish book in which she stores her bubbe's ancient love letters. Meanwhile, our hero gets a call from an equally ancient Yiddish writer who also needs a translator, for his memoirs. He's a Glatshteyn-like character, which is to say that he's like Edelshtein in Cynthia Ozick's story "Envy, or Yiddish in America." Which is to say, this old Yiddish writer feels forgotten by the world, unjustly ignored, bitter, envious of those were rescued from the Yiddish ghetto through the services of a translator.

So, what else is new? That's the story of Yiddish literature in a nutshell. Ah, but the story our hero translates -- the old man's memoir -- that's the treasure. You know Irving Howe's *Treasury of Yiddish Stories*? This story, *Songs for the Butcher's Daughter,* the translated memoir-within-the-novel, it's all the really good parts Howe left out: sex, violence, perversion, and -- oh, the worst of it, the nastiest of it, is a secret. If you know Yiddish literature -- af yidish, that is -- you might see it coming, because what Peter has done is to mine all the untranslated Yiddish literature on the dusty shelves of the Yiddish Book Center to create the great American patchwork Yiddish novel, in English. This is it: the greatest hits of Yiddish, bent, twisted, and -- forgive me -- born again in this novel by a man who is literally an abomination in the eyes of his own faith. To what end? A novel that captures the fundamental and enduring uneasiness of Yiddish in America like no other I've read, including Singer; a painful, cruel, bitter, funny and weirdly loving book that may well be the closest Yiddish will ever come to American English prose. It's not a translation or an approximation; it's a case of possession. This book is a dybbuk.

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"We knew from the beginning how critical it was to have our own publication, to set forth our agenda for freedom...to urge change, to use the pen alongside the sword," writes David Hilliard in the preface to this stunning collection of pages from the original groundbreaking editions of the Black Panther Party's official news organ and original essays by Hilliard, Elaine Brown, Dr. Stan Oden, Craig Laurence Rice, Kumasi, and Joshua Bloom.

First called The Black Panther Community News Service and then The Black Panther Intercommunal News Service (BPINS), the weekly periodical was nationally and internationally distributed. It was "sold in small stores in black communities, through subscriptions, and, mostly, on the streets by dedicated Party members," writes Brown, a party leader and author of A Taste of Power, in this edition.

In its heyday, the Party sold several hundred thousand copies of the newspaper per week and was highly regarded for the quality of its content by media professionals and its legion of readers alike. It ultimately became the most influential independent black newspaper in the United States, known not only for its fearless reportage and analysis but its stunning photographs and illustrations, including provocative and humorous political cartoons.

Published in time to mark the 40th anniversary of the BPINS, this book is, at once, an invaluable document of a little-known aspect of American history and a celebration of one of the most stunning accomplishments of a cultural and political movement that changed the nation. The original DVD, included in the back of the book, makes this a multimedia package that readers across generations can appreciate, documenting events and leaders of the past who still resonate and influence culture and politics today.

• Sales Rank: #1063034 in Books
• Published on: 2007-11-06
• Released on: 2007-11-06
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .60" w x 8.50" l, 1.63 pounds
• Binding: Paperback
• 192 pages

Features

• FIrst edition
• paperback

About the Author
David Hilliard was a founding member and former chief of staff of the Black Panther Party. Since 1993, he has directed the activities of the Dr. Huey P. Newton Foundation, a grassroots community-based nonprofit organization committed to preserving and fostering NewtonÕs intellectual legacy and the original vision of the Black Panther Party. He is the author of numerous books, including This Side of Glory and Huey, Spirit of the Panther. HilliardÕs work has been featured in the New York Times, the Washington Post, the Chicago Tribune, and the Los Angeles Times, as well as on National Public Radio, Pacifica Radio, Fox News, CNN, and C-Span.

Most helpful customer reviews

12 of 14 people found the following review helpful.
Copies of original Panther papers mark their positive place in history
By Jeffrey Alexander
Forget His Story. This is a chance to view the diverse programs and liberties the Panthers fought and died for. It's incredible to see the focused, scope of their mission, as shown through the original copies of the Black Panther Press. Tracking down mint, original copies would cost a lot of money, but former Panther Brother Dave Hilliard does us all a great service by resurrecting these important documents to counteract the right wing's dismissive propaganda designed to distract citizens from the group's honorable mission of equality.
There is only a forward penned by Hilliard, the documents are presented in their initial form for you to make your own informed decisions about the Black Panther Party.

6 of 6 people found the following review helpful.
I didnt expect this quality!
By Andre Wright
I was expecting this book to arrive with hard to read newspaper articles (which still wouldve been worth it) and clippings. The pages are all glossy and some are even in color; I was really surprised by the quality of the newspaper transfers to text. The quality of this paperback is absolutely outstanding and well worth the buy. The Black Panthers also comes with a DVD documentary. I'm beyond satisfied with this purchase.

11 of 13 people found the following review helpful.
history
By Douglas E. Irwin
as a former panther this is very reflective of some of the past i had forgotten

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While sailing in the Caribbean, young Alex Hawke witnesses an act of unspeakable horror as modern-day pirates brutally murder his parents. It is a tragedy that will haunt him forever, and shape his destiny....
As a direct descendant of a legendary English privateer, Lord Alexander Hawke is skilled in the ways of sea combat -- and one of England's most decorated naval heroes. Now, Hawke returns to the Caribbean on a secret mission for the American government. A highly experimental stealth submarine is missing. She carries forty nuclear warheads, and is believed to be in the hands of an unstable government just ninety miles from the American mainland. In a race against time, Hawke must locate the sub before a strike can be launched against the U.S. -- and, after a lifetime of nightmares, finally avenge himself upon the men who slaughtered his family....
Featuring electrifying action, international intrigue, and a hero worthy of the finest adventure fiction, Hawke heralds the exciting debut of a bold new talent.

• Sales Rank: #325600 in Books
• Brand: Pocket Books
• Model: 1775985
• Published on: 2006-10-31
• Released on: 2006-10-31
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x 1.30" w x 4.13" l,
• Binding: Mass Market Paperback
• 608 pages

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• Great product!

Amazon.com Review
A James Bond for the 21st century, Alex Hawke is suave, sexy, smart, wealthy, and deadly. And he's got the bloodlines to prove it--the direct descendant of a famous English pirate, the British secret agent is back in the Caribbean where his ancestor once amassed a legendary fortune and where, decades ago, his own parents were brutally tortured and murdered for a secret Alex, to this day, doesn't know he has in his possession. What brings Alex back to the scene of a crime he only vaguely remembers witnessing as a child is a mission to find and recover a stealth submarine that's gone missing less than a hundred miles from the American mainland, complete with 40 nuclear warheads and a rogue terrorist's finger on the countdown button. It's a hoary premise, but Bell makes it work with skillful plotting, quick characterizations, and a lively hero who deserves a sequel, not to mention the big screen treatment. --Jane Adams

From Publishers Weekly
Bell's action-adventure novel actively courts comparisons to Ian Fleming's James Bond novels, even touching down on Thunderball Atoll in the Bahamas, in a nod to Fleming's 1961 Thunderball. Bell's hero is Alex Hawke, a jet-set business mogul who does "highly secret freelance work for the governments of the United States and Britain." Thirty years before the story begins, seven-year-old Alex Hawke watches from a hiding place as his mother and father are slaughtered by three modern-day pirates. The adult Hawke, descendant of the famous English pirate, Blackhawke, owns the finest of the world's goods, makes love to the most beautiful women and defeats the world's most heinous villains. He is, in short, a cartoon. When his friend and ex-lover, Consuelo de los Reyes, the beautiful and foul-mouthed secretary of state, asks him to save America with a difficult and exceedingly dangerous piece of derring-do, he leaps at the chance. The assignment involves a cabal of Cubans who have deposed Castro, bought themselves a secret submarine from the Russians and are preparing to launch 40 nuclear missiles at the United States. Hawke assembles an arsenal of cool weapons and exotic machinery, calls in a squad of deadly ex-SEAL anti-terrorist pals and saves the world. Along the way, he avenges his parents' brutal murder. Bell's first effort, Nick of Time, was a well-received pirate book for boys. This novel is a pirate book for adult boys. It's a fast, fun read, but the elaborately constructed homage to the master-Fleming and the inimitable Bond-tips over into unintentional parody more often than it should.
Copyright 2003 Reed Business Information, Inc.

From Booklist
In the same vein as James Bond and Clive Cussler's Dirk Pitt, Alexander Hawke is a daring, dashing, and devastatingly handsome billionaire adventurer who occasionally does "favors" for the American and British governments. A descendent of the infamous English pirate Blackhawke, seven-year-old Hawke watched modern-day pirates murder his mother and father aboard their yacht in the Caribbean. Now 30 years later, and with an extensive military and counterintelligence background, Hawke agrees to help out an ex-girlfriend (the U.S. secretary of state) and search for a missing experimental Russian stealth submarine armed with 40 nuclear missiles built at the end of the cold war. Unfortunately for the U.S., the submarine has fallen into the hands of three diabolical brothers who have overthrown Castro and taken control of the Cuban government. And surprise, surprise--the brothers are the same erstwhile pirates who murdered Hawke's parents. Predictable and formulaic, but Clancy and Cussler fans will gobble this testosterone fest down whole and come back looking for more. Michael Gannon
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Inaccuracies and authors bias make this an unwelcome read
By Darren Harrison
I picked up this novel as a Kindle after finishing all the Alistair MacLean and Ian Fleming novels and searching for a new author to collect - Ted Bell will not be that author. I was troubled by all the inaccuracies in the book. A case in point, early in the book our hero Alex Hawke chastises a companion for smoking saying that cigarettes were the cause in John Wayne's death. Whilst Wayne did die of cancer, it was stomach cancer and not lung cancer, and most people accept that Wayne's involvement in the 1956 film The Conqueror close to the Utah atomic bomb tests was the cause for his cancer (a disproportionate number of the people who worked on the movie died of cancer brought on by exposure to the radiation from the tests). The book is peppered with similar inaccuracies showing poor research on the author’s part. Added to that is the fact that our hero Alex Hawke is possibly the most wholly unlikeable hero I have ever come across in fiction. He is rude, crass and intolerant. In meeting two Russian agents for a shady arms deal Hawke makes fun of the fall of the Soviet Union and Russians in general. Although I am no fan of the Soviet Union or communism it’s jarring and amateurish to see the authors obvious personal bias showing so clearly through the work. Earlier in the novel he has a U.S. Navy lowlife make fun of Chinese people. Although I can forgive Sax Rohmer and the like for their overt racism, they were a product of their time. Bell wrote the book Hawke in 2003 and his writing seems hopelessly out-of-step with modern sensibilities. Added to that is the fact that Hawke works simultaneously for both the British and American governments. For goodness sake make your mind up Hawke. I can buy an agent that works for one or the other, or an agent that is temporarily on loan to one from the other. Since Hawke is an Englishmen I would have preferred if he just worked for British intelligence in his off-time and once I awhile does a few jobs for Uncle Sam that are in-keeping with British interests. I have since discovered Desmond Bagley whose novels are much more to my liking and having much more fun reading Bagley's adventure novels.

47 of 50 people found the following review helpful.
Finally, I meet Alex Hawke
By Susan Tunis
I don't know about you, but the longer an author's backlist is, the more hesitant I am to begin reading a series. One the bright side, you won't be waiting on pins and needles for a sequel, but there's a lot of territory to catch up on. I've been buying Ted Bell's Alexander Hawke thrillers since the very first one was published. Now that there are five books in this series, I've finally gotten around to reading the first one. Debut novels are often rough. I was pleasantly surprised by this one.

The novel's prologue recounts what is likely the single most traumatic experience of Alex Hawke's life--the cold-blooded murder of his parents when he was seven years old. Young Alex witnessed the whole thing, but has blocked the events from his memory. It's a terrible start on life, but Alex has a few advantages as well. He's the scion of a wealthy and influential British family. He's raised by a loving grandfather and given all the best advantages in life.

After the prologue we meet the adult Alex Hawke. In addition to being a captain of industry, he does covert jobs for the British and American governments. That's not as random as it seems. As a younger man, Alex had served with distinction in the special forces of the military. He has ties to the rich and powerful everywhere. And business interests around the globe provide the ideal cover for his presence in hot spots.

In this case, the hot spot is Cuba. Hawke is instructed to find who has bought a very dangerous submarine, but what he finds in addition is a coup d'état ninety miles off the US coast. What's more, the situation has gotten very personal when the bad guys drag Hawke's girlfriend Victoria into the mix. Fortunately, Hawke has backup. Aside from the American government he's working for, he's brought his own most trusted allies. Foremost among them is Ambrose Congreve, a semi-retired Scotland Yard inspector, and Hawke's closest friend. Also, there is Stokely Jones, a former New York cop who acts as Hawke's body guard and Chief of Security. Hawke has surrounded himself with a loyal team that would go to hell and back for him. I expect we'll get to know each of them better as the series progresses.

As I mentioned above, it's a strong debut. The writing is fine and the pacing is good. The plot featured some good twists and turns, and even had a fun buried pirate treasure sub-plot. Hawke's a character you can build a series around, and while his extreme wealth and other gifts are a bit preposterous, it's kind of fun to see how the other .00001 percent lives. (Was I the only one sort of picturing Richard Branson as I read the book?) There was really only one thing I had a big problem with, and oddly enough it was one of the supporting characters. Specifically, it was Stokely Jones, who spoke all of his lines in an ignorant and affected dialect. An example, "Ain't far. See all them Christmas lights hanging in the trees on that island over there? Only a couple of miles. We could swim it, but Mr. Congreve, he old fashioned." Not only is it annoying to read, I found it somewhat insulting to a minority of which I'm not a member. I really hope it gets toned down in subsequent novels.

And I guess I'll find out, as based on this debut, I plan to move forward with the series. I'm looking forward to getting a better handle on Alex Hawke, and seeing how the supporting cast continues to develop.

0 of 0 people found the following review helpful.
Very entertaining
By RENDEZVOUS
Awesome series, I enjoyed every book and will purchase more from this author

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> Fee Download A Season on the Mat: Dan Gable and the Pursuit of Perfection, by Nolan Zavoral

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For twenty-one years, Dan Gable's Iowa Hawkeyes dominated wrestling to an extent rarely seen in any sport: twenty-one consecutive Big 10 titles and fifteen national championships. In A Season on the Mat, award-winning reporter Nolan Zavoral explores Iowa's storied wrestling program and Gable's record of excellence in an unprecedented, intimate look at the man and his methods during his final season as a head coach.

A Season on the Mat chronicles the dramatic 1996-97 season, in which Gable led his team -- far from his most talented -- to a record-breaking performance at the national championship, at which it scored the most points in collegiate wrestling history. Zavoral takes the reader behind the scenes into the stifling heat of the wrestling room, where young men from places like Rock Falls, Illinois, or Philip, South Dakota, sacrifice everything they have just to be a part of the Hawkeye program.

From his difficult upbringing, interrupted by the tragedy of his sister's brutal murder, through the single defeat that haunts him to this day, to the ups and downs of his phenomenal coaching career, Gable has come to symbolize to many all that is special about this demanding, elemental sport. Part biography, part chronicle, part portrait of this unique subculture, A Season on the Mat is the best and most thorough look at one of the most important and most overlooked figures in American athletics.

• Sales Rank: #536569 in Books
• Brand: Brand: Simon n Schuster
• Published on: 2007-01-09
• Released on: 2007-01-09
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .80" w x 5.50" l, .62 pounds
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

6 of 6 people found the following review helpful.
I Thoroughly Enjoyed This Book
By CPT Trainer/Behaviorist
A Season on the Mat is a story with three main characters: 1) Dan Gable, 2) The University of Iowa wrestling team, and 3) The team's varsity starters. The book is written in a compelling manner with excellent character development. I found myself cheering (sometimes almost out loud) when reading of the success of the team and the team's key athletes. Similarly, I found myself sorrowful when reading about their rare moments of failure.

Nevertheless, the key character within the book is wrestling icon Dan Gable. Zavoral does an excellent job of providing an objective portrayal of Gable that should satisfy both the amateur wrestling aficionado and the uninitiated. I enjoyed reading about the life of Dan Gable; his relationship with his parents, his wife, his children, the state of Iowa, the University of Iowa administration, his assistant coaches, and his wrestlers; and the two key life moments that motivated him to worker harder than anyone else to reach the pinnacle as a wrestler and coach. Moreover, whereas most Gable biographies are written by sycophants who communicate only Gable's venerable qualities, Zavoral is equitable in also discussing Gable's eccentricities.

Most reviewers have written favorably (and I would say accurately) regarding A Season on the Mat. Yet, a minority of reviewers have stated that the book lacks "justice," is "cheerless," and is "shallow." To this specious minority I say, "We must not have been reading the same book." The book provides justice in its balanced and detailed depiction of Dan Gable. Furthermore, I found myself almost cheering out loud when Gable's athletes overcame adversity via sweat and hard work to finally reach the podium at the culmination of a long and arduous season.

Yes, the book is a little "shallow" when detailing the histories and experiences of the team's varsity starters or when describing the rigors of weight cutting or a Dan Gable practice. However, the book is not intended to be a 900 page tome that provides each character the same importance and coverage as the title character, Dan Gable. Nor is the book intended to be an encyclopedia of everything one needs to do to succeed at wrestling. Rather, the book is intended as a chronicle of the trials, tribulations, travails and outcomes relative to Gable's last season as Head Coach of the University of Iowa wrestling program. Therein, the book is highly successful as a quick, entertaining, page turner that tells a meritorious story of personal and athletic achievement.

0 of 0 people found the following review helpful.
If you like Dan Gable and want to know more about him
By Ritzy
If you like Dan Gable and want to know more about him, this is a great biography. While it mainly deals with 1 season with the Hawkeyes, the author talks about Gable lots.
The author talks some about wrestling as a sport such as rules of the sport, what is a single and double lake takedown, etc, that takes away from the book. I assume anyone reading this book already knows about that and makes the book even longer than it already is and is NOT needed.
While there are some elementary parts, the book overall gives us, readers a real look at what wrestlers sacrifice. This book gives all former wrestlers a true reminiscence of what it was like compete.

The book is long and the font is small but the book is DEFINITELY engaging and you will appreciate all the details of what a season on the mat with the Hawkeyes is truly about.

2 of 6 people found the following review helpful.
Somewhat cheerless, and poorly written
By A Customer
Though sort of a one dimensional attempt at deifying wrestling legend Dan Gable, Nolan Zovoral is a little out of his element here. He seems to be grasping at something that he either fails to grasp, or can't convey if he does. Though I was a quite successful at wrestling at a period about 4 years after Gable, and have been involved in the sport for over 25 years, this story leaves me turned off. Perhaps it's because of it's incredibly narrow path -- one I consciously selected NOT to follow. Sure, it's very interesting, up to a point, to know about Gable's life at Iowa -- but one gets the impression he really had no other life, period. Brief sketches of his family life don't tie into the theme very well, and one is introduced to his wife on a bleak winter bus trip to a wrestling match as she stares straight ahead -- apparently not in tune with the banter going on in the bus. The story (not autobiographical, as one 'critic' above has said) switches clumsily back and forth between Gable's one dimensional youth and his final year of coaching -- usually with bus ride scenarios or in the wrestling room. Gable's parents are painted narrowly, his dad drinking and his mother smoking, with ocassional fist fights breaking out between them; there doesn't seem to be much of anything in the waywidening their children's interests. We get to know his mother as she smokes and cooks meals for Gable and his Olympic training partners. I mean there must have been more family wamth than that going on!! Gable always seems to be sitting in the stands, hobbling about on crutches, or even once in awhile offering coaching advice...? Though an incredible wrestling figure, perhaps the most revered name in wrestling, one has to wonder: what's it worth? Several back, knee and hip operations (one waiting for him at the end of every very painful season) have left him a physical mess, while still under 50! Gable's coaching success has to be weighed in the balance with other, less positive aspects of his seemingly very narrow life. And wrestling readers should grasp this unspoken message as well as that which is written. The positive things about the book show what the best can do when totally focused on their goals. What is it that they do then, when these goals are obtained? Coach wrestling. This book surely does little to soften the image of wrestling. It's really suitable reading for well, wrestlers. Who else would want to run thru an entire season on a bus, in a wrestling room or in a sauna? Hell, even hardcore wrestlers get damned sick of that after awhile...

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~~ Free PDF One Wrong Step (Borderline), by Laura Griffin

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SHE NEVER PLANNED TO GET INVOLVED WITH HER EX AGAIN, ESPECIALLY NOT IN HIS MURDER....

But that's just what happens when Celie Wells has an encounter with her former husband, and he turns up dead an hour later. Now, after working hard to distance herself from his crooked ways and shady connections, she finds she's smack dab in the middle of his murder investigation. And it isn't just the police who have their eye on her, but an enraged drug lord who is seeking payback.
The only person who seems to be on her side is old acquaintance John McAllister. But the sexy reporter has a nose for news, as well as a reputation as a playboy. Is he helping Celie out because he wants a story...or a one-night stand? She knows John's interest is potentially hazardous to her heart. But not accepting his help could put her life at even greater risk -- and she can't afford one wrong step.

• Sales Rank: #100902 in Books
• Brand: Griffin, Laura
• Model: 3782104
• Published on: 2008-04-29
• Released on: 2008-04-29
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.00" w x 4.19" l, .44 pounds
• Binding: Mass Market Paperback
• 384 pages

Features

• ISBN13: 9781416537380
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
New York Times bestselling author Laura Griffin is the author of the Tracers series, the Alpha Crew series, the Moreno & Hart series and several other novels. A two-time RITA Award winner and the recipient of the Daphne du Maurier Award, she lives in Austin, where she is working on her next book. Visit her website atLauraGriffin.com and on Facebook at Facebook.com/LauraGriffinAuthor.

Excerpt. © Reprinted by permission. All rights reserved.
PROLOGUE

Mayfield, Texas

8:35 a.m.

John McAllister slid behind the wheel of his black Jeep Wrangler feeling grateful for beautiful women, strong coffee, and clean getaways.

Swigging caffeine, he sped away from the Stop-N-Go parking lot and tried to decide which route to the newspaper office would make him the least late for work. Fortunately, Melanie -- or was it Mallory? -- lived in one of the nicer parts of town, not far from the business district where the Mayfield Gazette was headquartered. John had left her bed moments ago, jotted a quick note, and heard her shuffling in the bedroom as he'd slipped out the front door. He didn't like mornings after, and the combination of too much tequila and not enough sleep had made this one a narrow escape.

John glanced in the backseat, and, hot damn, his luck was holding. The dry cleaning he'd picked up on his way to happy hour yesterday hadn't been stolen, rained on, or mutilated in the bar parking lot or Melinda's -- that was her name -- driveway. If he avoided traffic snarls and changed shirts on the fly, he might actually show his face at the staff meeting before it adjourned.

As he pulled up to a stoplight, John stripped off the T-shirt he'd worn last night. He ripped open the plastic dry cleaning bag, shrugged into a crisp white shirt, and buttoned up. He was about to unzip his jeans and tuck in the shirttail when he noticed the young brunette in the red Mustang convertible pulled up beside him. Her mouth hung open as she stared at him with naked admiration. It was a look he usually enjoyed, but the light had turned green, so he settled for giving the woman a friendly wink before shifting into gear.

Mayfield had a lot going for it. Warm weather. Hot women. A fresh flock of tourists migrating to the beaches every summer. The sun wouldn't hit full, skin-scorching intensity for a few hours yet, and on mornings like this, John was almost glad he lived here. Almost. If it weren't for the increasingly serious shit going down along the border, this place would be paradise.

As he shifted into fourth, he heard the familiar howl of an approaching police cruiser. Check that -- two police cruisers. Check that -- three or more.

What the fuck? John pulled over and watched five black-and-whites race by. In the distance he heard yet another emergency vehicle, this one coming from the direction of the closest fire station.

John followed in the cruisers' wake, cursing himself for leaving his police scanner on his desk overnight. His editor would be pissed. His only shot at redemption would be getting whatever this story was and hoping nothing important had transpired last night while he was burning up the sheets with Melinda.

The cruisers turned down a street lined with King palms and, set farther back from the curb, expensive brickand-stucco homes. This was an upscale neighborhood, and many of the houses had waterfront views, three-car garages, and boat slips. Whatever this emergency was, it wasn't your typical liquor store holdup.

The police cars screeched to a halt in front of a white stucco residence, and five pairs of officers hopped out, guns drawn.

John parked across the street from the house, a Mexican-style three-story with a red tile roof. A gray Volvo SUV was parked in the driveway with one of the back passenger doors open. The cops surrounded it. John climbed out of his Jeep and saw a young officer -- the first responder, most likely -- already kneeling on the driveway next to, holy shit, a body. It looked like a woman in a dark dress, but it was hard to tell for sure. A pool of blood surrounded the mutilated mass that had once been her head.

John scanned the area for any sign of the gunman, but all he saw were neighbors in bathrobes and warm-ups who had been lured outside by the commotion. Not far up the block, a silver-haired man with a Chihuahua bouncing around his ankles talked to a cop and gestured wildly down the street. John caught the words "black Hummer" and "bat outta hell." His gaze shifted back to the Volvo. A spray of bullet holes perforated the rear fender.

Shit, a drive-by.

In this neighborhood? This wasn't gang-on-gang violence. More like someone gunning down a judge or a city official. Not that most city officials lived around here. The mayor had some money, but even he lived several streets over.

John caught the neighbor's eye. "Hey, you know who lives here?"

The cop glared at him, but Chihuahua Guy was eager to help out. "The Prices," he said. "Pam and Barry."

"Thanks." John walked off before the cop could get territorial.

Pamela Price. The assistant U.S. attorney was currently prosecuting some midlevel members of the Saledo drug cartel. Her murder would spook every law enforcement official in the Rio Grande Valley.

A shrieking ambulance skidded to a halt in front of the house, and two paramedics dashed up the driveway. John approached the crime scene, which was already being secured by several uniforms with rolls of yellow tape. As John watched the paramedics kneel down beside the victim, he realized she wasn't alone. Lying next to her, in a second pool of blood, was another body.

A little boy. In blood-covered overalls.

Beside the back tire lay a blue-and-red Spider-Man backpack. Pamela Price must have been buckling her kid into his car seat when the Hummer came by, and the fuckers had shot them both.

One of the medics strapped an oxygen mask over the boy's face while the other scrambled to stanch the bleeding. Blood was everywhere, turning the paramedics' latex gloves scarlet and forming an ever- expanding puddle around the mother and child.

John's stomach turned. He spotted a cluster of trash cans and raced over just in time to puke his guts up. He crouched down, leaning a hand against the neighbor's house. The smell of vomit and garbage filled his nostrils, and the humidity closed in on him. He was going to hurl again if he didn't get some air.

A low hedge separated the Prices' property from their neighbors'. John walked into the adjacent backyard and plunked himself down on a patio chair in front of a weathered boathouse. He took a deep breath and tried to spit out the vile taste in his mouth.

Damn, what was wrong with him? He'd covered the crime beat for nearly a decade now. He'd been to countless homicide scenes; he'd seen corpses.

He thought of the Spidey backpack and shuddered. He needed a cigarette.

Something mewed, and John glanced around, expecting a cat. No cat, but the noise continued, growing louder every second. The mewing gave way to something vaguely human, and John stood up. Low, keening noises were coming from the boathouse.

The tide was out, and the wooden decking surrounding the boat slip stood several feet out of the water. Four pilings supported the structure, which had a sundeck on top. The boat slip was empty except for two nylon straps flapping in the wind.

A flash of pink behind the nearest piling caught his eye.

"Hello?" he called.

The noises stopped. John glimpsed some brown hair a few feet off the ground. A child.

He stepped closer. "Anyone there?"

The hair didn't belong to a child, but to a doll. The doll came into view and, attached to it, the white-knuckled hand of a little girl. She was slack-jawed, trembling, and staring at John with huge brown eyes. Her little body was shaking so violently, the doll looked like it was having a seizure.

It took him a second to notice the blood splatters all over her pink dress. He rushed forward.

"Are you hurt?"

She lurched back, nearly falling off the dock.

Shit.

He didn't want to scare her into the bay. Slowly this time, he stepped toward her. She stepped back again, not even noticing she was inches from the edge.

Could she swim? He had no fucking idea. She looked about four, maybe a tall three. She was about the same height as one of his nieces, and she had long brown pigtails. He studied the blood on her dress. It didn't seem to be coming from her. More likely it was her mother's blood, or her brother's.

What should he do here? He knew jack shit about kids.

He needed to get help. But what if she fell in while he was gone? What if she couldn't swim? What if that wasn't her mother's blood and this girl was injured?

She moved closer to the piling, wrapping an arm around it and squeezing her eyes shut. She started the freaky animal sound again.

Cautiously, he stepped onto the dock. A plank creaked under his foot, and her eyes flew open. She looked at him, then over his shoulder at what was probably her house. John hoped she didn't have a line of sight to the ambulance.

She clutched the doll closer to her chest.

He'd seen the doll before, or something like it, at his sister's place. His niece's doll carried around a purple backpack and spoke Spanish. What the hell was its name? Dyna. Dyna the Adventurer or something like that.

"Is that...Dora you've got there?" Dora the Explorer. Damn, he'd pulled that out of his ass.

She looked from him to the doll and nodded. The noise stopped.

John crouched down. "My niece has a doll like that. Her name's Hannah. What's your name?"

She didn't answer. But she didn't move toward the water, either, so he took that as encouragement. Sweat slid down his temples, and his jeans and boots were streaked with vomit. He probably looked pretty frightening to this kid.

"Hey!"

John whirled around. A cop was jogging toward him, reaching for his holster. John held up his hand.

"Don't come closer!"

The cop drew his gun anyway. John darted a look at the girl. Her eyes bugged out, and a trickle of fluid ran down her leg. She started keening again.

"You're scaring her!" John yelled. "Put that away! Please? I think she's hurt, and I'm trying to get her off this dock."

The cop hesitated a moment, then holstered the weapon. But the kid still looked terrified, and John wanted the cop out of her sight.

"We need a paramedic," John told ...

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6 of 6 people found the following review helpful.
A great follow up to "One Last Breath"
By Tracy Vest
Rape survivor and recent divorcee Celie Wells has moved to Austin to start over. A surprise visit from her ex-husband brings danger to her door. Richard is an accountant who stole money from the Mexican mob who is on the lam. When Richard turns up dead behind the wheel of Celie's stolen SUV and a cache of mob money is missing, Celie becomes the object of obsession for the mob, the FBI, and a sexy reporter John McAllister. As Celie tries to flee from the good guys and the bad guys and stay out of playboy John's bed, she discovers that some temptations are just too much to resist.

Griffin's sequel to the superb "One Last Breath" can stand on its own, but it really helps to red the first to have a full rounded reading experience. The chemistry between Celie and John emerges from the pages. With tension kept to the maximum, well crafted secondary characters, and an interesting romance, Griffin manages to avoid the sophomore slump. I just wish she could write faster, as I have a feeling another sequel is in the works.

0 of 0 people found the following review helpful.
Five Stars
By Peggy Sue Chesterfield
Awesome read!!

4 of 6 people found the following review helpful.
Ok for mystery suspense, but I wasn't emotionally drawn in or entertained enough.
By Jane
STORY BRIEF:
This is book 2 in the Borderline Series. It can be read as a stand alone book. You don't need to read book 1, although I preferred book 1 over book 2. In book 1 "One Last Breath," Robert and Cecelia are secondary characters and are married to each other. Robert stole money from Saledo, a drug lord, emptied his and Cecelia's bank accounts and fled the country. Book 2 begins with Robert returning several months later to visit Cecelia. An hour after he leaves her, he is killed by Saledo's thugs. Saledo's people are now after Cecelia because they think she knows where the stolen money is. John is a journalist. He first met Cecelia years earlier when she was a witness in a trial. When he learns she is in town he gets involved and starts helping her. The FBI is also involved due to the Saledo connection.

REVIEWER'S OPINION:
For some reason, the characters and their developing relationship weren't as good as in the author's other books. The characters sound good, but I wasn't emotionally drawn into them. John is a gorgeous playboy journalist, who is used to having many women. John first saw Cecelia years ago. Now he sees her and for some reason he no longer wants other women. I didn't understand that. Apparently he is tired of meaningless sex, and she won't be meaningless. Cecelia is finishing her college degree in social work, works in a homeless shelter for kids, is trying to get pregnant (as a single mom)- her dream is having a baby. And she is being threatened by thugs. Wow, does she have a lot going on. She lies to some people. She has her reasons. I couldn't get excited or interested enough to want to read about her. I think the author has a good writing style. She doesn't use any of my pet peeves which I admire. But this particular mix of characters and story just didn't move me or entertain me enough.

DATA:
Story length: 364 pages. Swearing language: strong. Sexual language: mild. Number of sex scenes: 2. Total number of sex scene pages: 8. Setting: current day Texas, Mexico and Russia. Copyright: 2008. Genre: romantic mystery suspense.

OTHER BOOKS:
For a list of my reviews of other books by this author, see my 5 star review of "Thread of Fear" posted 5/10/09.

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## Fee Download The Devil's Punchbowl (Penn Cage), by Greg Iles

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From New York Times bestselling author Greg Iles comes his most electrifying thriller yet. The Devil's Punchbowl reveals a world of depravity, sex, violence, and the corruption of a Southern town.

As a prosecuting attorney in Houston, Penn Cage sent hardened killers to death row. But it is as mayor of his hometown -- Natchez, Mississippi -- that Penn will face his most dangerous threat. Urged by old friends to try to restore this fading jewel of the Old South, Penn has ridden into office on a tide of support for change. But in its quest for new jobs and fresh money, Natchez, like other Mississippi towns, has turned to casino gambling, and now five fantastical steamboats float on the river beside the old slave market at Natchez like props from Gone With the Wind.

But one boat isn't like the others.

Rumor has it that the Magnolia Queen has found a way to pull the big players from Las Vegas to its Mississippi backwater. And with them -- on sleek private jets that slip in and out of town like whispers in the night -- come pro football players, rap stars, and international gamblers, all sharing an unquenchable taste for one thing: blood sport -- and the dark vices that go with it. When a childhood friend of Penn's who brings him evidence of these crimes is brutally murdered, the full weight of Penn's failure to protect his city hits home. So begins his quest to find the men responsible. But it's a hunt he begins alone, for the local authorities have been corrupted by the money and power of his hidden enemy. With his family's lives at stake, Penn realizes his only allies in his one-man war are those bound to him by blood or honor:

Caitlin Masters, the lover Penn found in The Quiet Can Game and lost in Turning Angel

Danny McDavitt, the heroic helicopter pilot from Third Degree

Tom Cage, Penn's father and legendary local family physician

Walt Garrity, a retired Texas Ranger who served with Penn's father during the Korean War

Together they must defeat a sophisticated killer who has an almost preternatural ability to anticipate -- and counter -- their every move. Ultimately, victory will depend on a bold stroke that will leave one of Penn's allies dead -- and Natchez changed forever.

After appearing in two of Iles's most popular novels, Penn Cage makes his triumphant return as a brilliant, honorable, and courageous hero. Rich with Southern atmosphere and marked by one jaw-dropping plot turn after another, The Devil's Punchbowl confirms that Greg Iles is America's master of suspense.

• Sales Rank: #20055 in Books
• Brand: Pocket Star
• Published on: 2011
• Released on: 2009-12-29
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x 1.60" w x 4.13" l,
• Binding: Paperback
• 707 pages

Features

• Great product!

From Publishers Weekly
Starred Review. Bestseller Iles's stellar third suspense novel to feature Penn Cage (after Turning Angel) finds the former prosecutor and bestselling novelist serving as the mayor of Natchez, Miss., his hometown. Frustrated by his limited ability to change the system, Cage is plunged into a deadly duel of wits with some bad guys after a childhood friend, Tim Jessup, now a card dealer, alerts him to illegal dog fighting and sexual abuse connected with a floating casino. Before Jessup can deliver proof of his allegations, he's tortured and killed. Convinced Jessup managed to pass on the evidence to the mayor, Jessup's boss confronts and threatens Cage. Daniel Kelly, an old friend working for a private security organization, lends support, sneaking Cage's 11-year-old daughter out of town to safety. Iles brilliantly creates opportunities for his characters to demonstrate principle and courage, both on a large and small scale, making this much more than just an exciting read. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"A knockout thriller that's just the right degree of chilly to combat the dog days of summer... Iles' knack for perfectly integrating character and plot could serve as a master's class for other authors." -- The Dallas Morning News

About the Author
Greg Iles was born in 1960 in Germany, where his father ran the U.S. Embassy medical clinic during the height of the Cold War. After graduating from the University of Mississippi in 1983, he performed for several years with the rock band Frankly Scarlet and is currently a member of the band The Rock Bottom Remainders. His first novel, Spandau Phoenix, a thriller about Nazi war criminal Rudolf Hess, was published in 1993 and became a New York Times bestseller. Iles went on to write numerous bestselling novels, including Third Degree, True Evil, Turning Angel, Blood Memory, The Footprints of God, and 24 Hours (released by Sony Pictures as Trapped, with full screenwriting credit for Iles). He lives in Natchez, Mississippi.

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46 of 52 people found the following review helpful.
A gripping thriller from Iles, perhaps a bit too long
By Bill Garrison
For many years, Greg Iles appealed to me as an author because each book was a totally unique experience. With THE DEVIL'S PUNCHBOWL, Iles brings back crusading lawyer/writer/polician Penn Cage for his third appearance in a novel that tackles corruption in Natchez, the cost of doing the right thing, and the choices one must make. Although the story never draged, the novel seemed too long and the book lacked the typical internal struggles that have haunted the characters in other Iles novels.

Cage has been mayor for two years, and was instrumental in expanding the riverboat casino industry in the city. Cage is considering resigning to spend more time with his family when a childhood friend Tim Jessup tells Cage of some horrible evils and corruption occuring on one boat, the Magnolia Queen. Jessup offers evidence of prostitution and dog fighting and promises to get more if Cage is willing to help. Cage agrees, but Jessup is murdered the next night and then his entire family is threatened by the sauve Englishman Jonathan Sands. Sands wants the evidence Jessup took, or Cage's family could be in danger.

Cage is conflicted and doesn't know if he should fight Sands, or just look for the evidence, surrender it, and ignore Sands like every one else in the town. Of course, Cage decides to fight. He enlists the help of ex-girlfriend Caitlin Masters, who left town when he decided to run for mayor. He also has the services of Danny McDavvit, a pilot, Kelly, a ruthlessly efficient soldier, a ex-marine sniper and an old Texas Ranger. With his all star team in town to fight Sands, the action scenes are numerous and exciting.

The best parts of the book are the portrayal of the dog fighting culture. It is new and fresh and enlightening. Even at over 500 pages, the plot flows seamlessly. On the downside, the book went on forever. Cut out a few fights and you lose one hundred pages and still retain the power of the novel. In the author notes, Iles says he couldn't fit all he wanted into this novel, so look for another Penn Cage novel sometime next year.

71 of 83 people found the following review helpful.
Greg Iles returns to form
By mackattack9988
I really enjoyed a couple of the earliest Greg Iles' novels (Spandau Phoenix, Quiet Game) and found them to be uniquely suspenseful with great complexity. While still good and better than a lot of other new fiction, the last few books were not quite as good as the earlier ones, in my opinion. Iles took his time completing this one, and it shows. I would much rather wait for a more finely-tuned yarn than to get a lesser product on schedule or in a shorter time. Devil's Punchbowl was worth the wait. Penn Cage is the best character Iles has crafted, and he's back in this novel. Greg Iles is a great storyteller, but what makes his best novels special is how the story is unfolded and shaped and how much extra depth there is besides just the plot. It's so much more than a mere whodunit that is the model for so many other popular authors. Looking forward to the next one - keep them coming!

19 of 21 people found the following review helpful.
Greg Iles has the magic back
By ellen
As many know, I am an uber Greg Iles fan. Have been since book one - although my favorites are Mortal Fear, and The Quiet Game.
For those of you not familiar with Penn Cage, his kith and kin, it would be good to read The Quiet Game, which holds one of my favorite quotes ever, told by a former FBI agent Stone, "The hour of justice does not strike on the dials of this world."
This outing Iles is back in his element, the old south dealing with the new. Now there are offshore gambling boats and the money and corruption that comes with that -
Time has passed and Caitlin and Penn have gone their separate ways, and he has also broken up with another lady - Annie, his daughter, has grown into a well adjusted pre-teen, thanks to Penn's parents.
Penn's boyhood friend, Tim Jessup, a card dealer at the Magnolia Queen, has uncovered horrible things going on - not only prostitution, but dogfighting off grounds.
For those of you who haven't been familiar with dogfighting, those of us in the south who have dealt with hearing about Michael Vick's involvement however extensive, with a dogfighting ring, the horrid 'sport' is heavily written about and a large part of this book. I was sickened by the extent, but Iles shows us it is beyond any thriller book author can possibly imagine, more cruel than anyone could think up - all in the cause of money.
This is not for the feint of heart.
When Penn's friend Tim is murdered, Penn had been waffling between quitting his mayorship of Natchez and leaving, but when his friend's death happens, he goes forth full steam.
Caitlin Masters, his old girlfriend, returns and we see the transition between them being estranged to working together for a common goal, to her opinion - it's just dogfighting, to a more violent awakening that the folks who do this aren't just folks providing entertainment.
Iles brings back the excitement of characterization, the beauty of the landscape, the horror of corruption.
This is who I call our generation's Faulkner.
It is a long book, and can be a stand alone book, but it is the third of the Penn Cage books, with at least one more coming -
But if you want to read the magic that introduces Penn, get The Quiet Game, and go from there.
Iles is a truly talented author and a worthy read.

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