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#1 New York Times bestselling author Johanna Lindsey's "mastery of historical romance" (Entertainment Weekly) takes center stage in her eagerly anticipated new novel of the aristocratic Malory family -- a passionate, witty, and high-spirited tale that provides startling new information about a prominent member of the family.
After her mother died, vivacious Katey Tyler fled her dull Connecticut town, hoping to meet her relatives in England and find adventure and romance on a grand tour of Europe. She had no idea that her life-changing travels would have both in spades -- as well as danger and intrigue -- when she catches the eye of ship owner Boyd Anderson and inadvertently stumbles upon a high-stakes kidnapping.
When Sir Anthony Malory's young daughter is abducted from London's Hyde Park, her kidnapper mistakenly sends the ransom note to the home of Sir Anthony's brother, James. With James and his wife, Georgina, in the Caribbean, the demands are received by their houseguest -- Georgina's youngest brother, Boyd Anderson. Searching for the girl with Anthony, the notoriously hot-headed American sea captain fully intends to make the foolhardy villain pay. But he hardly expects to find exquisite Katey Tyler, recently a passenger on his ship, at the center of the plot!
Little does Katey realize that in having caught the attention of Boyd Anderson -- and in meeting up with the Malorys -- she's about to experience more excitement than the typical young lady encounters on a grand tour, and her life will never be dull again. A multitude of surprises await Katey, from the startling truth about her mother's early life to the lengths a man will go to win the affections of a lady who has every reason to despise him -- but who can't resist the seductive, impassioned love he has to offer her.
With the delightful humor, lovable characters, and tempestuous passions that have placed Johanna Lindsey's eight previous Malory novels among the best-loved and most widely read romantic novels of our time, No Choice But Seduction sweeps readers away on an irresistible adventure that is as bold and charming as the heroine at its heart.
- Sales Rank: #296279 in Books
- Brand: Pocket Books
- Published on: 2009-04-21
- Released on: 2009-04-21
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.10" w x 4.19" l, .57 pounds
- Binding: Mass Market Paperback
- 480 pages
- Great product!
From Booklist
American Katey Tyler’s plans to travel the world in search of adventure take a slight detour when ends up in an English jail. Englishman Boyd believes that she had played a part in the kidnapping of his brother-in-law Anthony Malory’s daughter Judith, when, in reality, Katey had rescued Judith. Boyd eventually discovers the truth, but it’s too late. Katey swears she will never forgive Boyd, which is a problem since he plans on marrying her. The plot is stereotypical fairy-tale romance, but fans of best-selling Lindsey’s Regency historical series featuring the Malorys won’t mind since the author’s signature blend of witty writing, charmingly unique characters, and a sexy love story continues to be irresistible. --John Charles
Review
"Witty...sexy...irresistible." -- Booklist
Experience "Lindsey's mastery of historical romance." -- Entertainment Weekly
About the Author
Johanna Lindsey is world-renowned for her “mastery of historical romance” (Entertainment Weekly), with more than sixty million copies of her novels sold. She is the author of fifty-two previous national bestselling novels, many of which reached the #1 spot on the New York Times bestseller list. Lindsey lives in New Hampshire with her family.
Most helpful customer reviews
47 of 50 people found the following review helpful.
Don't bother..
By Jody Allen
I don't expect complicated stories from this author but she has created a wonderful family in the Malorys. However, this book was an incredible disappointment. Katey and Boyd's story was at best a nouvella plunked down in what appears to be a book of boring backstory telling the reader all about the family members and their stories at the expense of Katey and Boyd's. First off her loyal readers know those stories and it would only have been important to tell the uninformed reader if it was relevant to this couples' story but it wasn't. The problem then was she spent so much time in the backstory of the Malory clan and the absolutely incredible cliched story of Sir Anthony and Katey that she forgot about Boyd and his need to court his lady.
At best all the reader saw was Boyd's lust for Katey and her need to be part of a family, this isn't the stuff of good romance fiction and Lyndsey knows that as should her editor. As this was a romance, where was the sexual tension and the "ah" factor? No black moment, no sexual tension. Don't expect it in this book, it isn't there. Sadly she finally spent the last three pages of the book bringing Katey and Boyd together which was the biggest sellout to her loyal readers and after thought at best. This couple deserve their own book and this one clearly isn't it. Makes one wonder if she actually wrote this book or was it the last book on a publisher's contract.
I would say buy the book used later on, but Loyal readers know the Malory stories already and Katey and Boyd just don't have enough of a story to bother to purchase this one new or used.. So my suggestion is to read her back list if you aren't familair with the Malorys and hope her next offering is more judiciously edited by her editor.
0 of 0 people found the following review helpful.
Malory novel
By Aamirah Davids
A engrossing read as always. She never disappoints.. Love the heroine..because more grit is given to the lead... Totally enjoyable read..
25 of 26 people found the following review helpful.
Far from her best
By Beanbag Love
I've enjoyed the Malory series and the off-shoot Anderson books, but this one just irritated me.
The interaction between the hero and heroine was rushed at first when the vital foundation of their attraction needed to occur and they spent the rest of the time alternating in treating each other badly. Both had moments where they were 'too-stupid-to-live' and, although the reader knows from his inner thoughts and motivations that Boyd is not a villain, some of his actions were beyond smarmy and inexcusable.
The Malorys appeared which is usually a bonus, but at one point Anthony and James (whose glib back-and-forth is becoming tiresome IMO) took over the entire story with a reveal that wasn't even hinted at until halfway through the book. Considering how much the characters involved appeared in the first half, that whole plot point (even with its importance) seemed like an afterthought. Boyd eventually dropped out entirely due to this story line and we didn't even check back in with him until three pages before the end when he showed up for the HEA.
During the Big Moment (similar to Danny's experience in 'A Loving Scoundrel') Boyd wasn't even there. It was Katey with the two Malory brothers and all of the chapters dealing with that business were long and detailed (in some cases taking pages to retell other Malory novels which is annoying to say the least when they weren't crucial to this story).
I'm very open to new things in novels. I don't need the traditional template. But this was unorganized and had a 'dashed off' feel to it. It felt as if the author had grabbed a few romance novel staples, strung them together and plugged a couple of decent characters into the creation. As a result, I didn't like either of their actions leading to the HEA and felt they needed more moments that were unsullied by manipulation.
I give it two stars because somehow I really did want them to end up together. And I could see why Katey came around and I was glad it finally happened. Otherwise I would have given it only one star.
I like Johanna Lindsay and I think she created two good characters here, which is very important, but then she did them a disservice by weighing them down with a top-heavy, disorganized story line.
And one last note. While I do enjoy seeing the Malorys I don't think it's necessary to retell each of their novels with so much detail. It takes away from the current story. They're just support characters at this point, so it's not necessary to refer to so many details that don't have an impact on the story at hand.
EDIT TO ADD: It's been brought to my attention and now I remember that the twist was indeed foreshadowed, however I never felt the connection itself had been set up. Possibly the feeling that it had dropped into my lap was the unnecessary nature of the twist along with the incredible coincidence involved in having it come about. But fair is fair, the hints did occur. I stand corrected. :)
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