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It started with punk. Hip-hop, rave, graffiti, and gaming took it to another level, and now modern technology has made the ideas and innovations of youth culture increasingly intimate and increasingly global at the same time.
In The Pirate's Dilemma, VICE magazine's Matt Mason -- poised to become the Malcolm Gladwell of the iPod Generation -- brings the exuberance of a passionate music fan and the technological savvy of an IT wizard to the task of sorting through the changes brought about by the interface of pop culture and innovation. He charts the rise of various youth movements -- from pirate radio to remix culture -- and tracks their ripple effect throughout larger society. Mason brings a passion and a breadth of intelligence to questions such as the following: How did a male model who messed with disco records in the 1970s influence the way Boeing designs airplanes? Who was the nun who invented dance music, and how is her influence undermining capitalism as we know it? Did three high school kids who remixed Nazis into Smurfs in the 1980s change the future of the video game industry? Can hip-hop really bring about world peace? Each chapter crystallizes the idea behind one of these fringe movements and shows how it combined with technology to subvert old hierarchies and empower the individual.
With great wit and insight -- and a cast of characters that includes such icons as the Ramones, Andy Warhol, Madonna, Russell Simmons, and 50 Cent -- Mason uncovers the trends that have transformed countercultural scenes into burgeoning global industries and movements, ultimately changing our way of life.
- Sales Rank: #664076 in Books
- Published on: 2009-05-05
- Released on: 2009-05-05
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .70" w x 5.50" l, .82 pounds
- Binding: Paperback
- 288 pages
- ISBN13: 9781416532200
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Music journalist Mason, a former pirate radio and club DJ in London, explores how open source culture is changing the distribution and control of information and harnessing the old system of punk capitalism to new market conditions governing society. According to Mason, this movement's creators operate according to piratical tactics and are changing the very nature of our economy. He charts the rise of the ideas and social experiments behind these latter-day pirates, citing the work of academics, historians and innovators across a multitude of fields. He also explores contributions by visionaries like Andy Warhol, 50 Cent and Dr. Yuref Hamied, who was called a pirate and a thief after producing anti-HIV drugs for Third World countries that cost as little as $1 a day to produce. Pirates, Mason states, sail uncharted waters where traditional rules don't apply. As a result, they offer great ways to service the public's best interests. According to Mason, how people, corporations and governments react to these changes is one of the most important economic and cultural questions of the 21st century. Well-written, entertaining and highly original, Mason offers a fascinating view of the revolutionary forces shaping the world as we know it. (Jan. 8)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"Pirates bring choice and cause change. In this stunning book,Matt Mason forgets the parrots and the eye patches, but manages to teach us all a great deal. I learned a lot." -- Seth Godin, author of The Dip: A Little Book That Teaches You When to Quit (and When to Stick)
"Through a tornado of hip-hop beats and remarkable stories, Matt Mason takes us on a riveting journey to the heart of innovation. In this explosive book, he shows us that companies face a stark choice: Will you allow yourself to be gutted by a pirate or will you actually become one?" -- Frans Johansson, author of The Medici Eeffect: Breakthrough Insights at the Intersection of Ideas, Concepts, and Cultures
"Matt Mason free runs over a half century of global popular culture to describe the shape of our possible future. The Pirate's Ddilemma is a series of leaps of imagination, and it always lands with style." -- Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Ggeneration and editor of Total Chaos: The Art and Aesthetics of Hip-Hop
"This entertaining survey introduces us [to] today's copyright scofflaws, who may be tomorrow's bold entrepreneurs. 9 out of 10 stars." --Wired
"Reading The Pirate's Dilemma is like stepping into a parallel universe [that is] vast and deep...Mason nimbly guides us through decades of the underground youth scene [in a] tour [that] is diverting and written in a pleasing patter...Something more...than a business book [and] more satisfying -- more authentic, as he might put it -- than most books that rave about the Web 2.0." -James Pressley, Newsday
"An attractive argument...A theory that's pro-technology, pro-money and pro-youth all at once [and Mason] does a good job of proving it...For once, someone is telling young people that we have power, and that we're not selfish and apathetic but demanding 'a more democratic strain of capitalism' while still looking out for our enlightened self-interest." --Nona Willis Aronowitz, The New York Observer
"Well-written, entertaining and highly original, Mason offers a fascinating view of the revolutionary forces shaping the world as we know it." --Publishers Weekly
"Smart and thought-provoking...Mason has crafted a fascinating primer on the intersection of piracy, youth culture, and business." --The Phoenix
"Mason, a writer for uber-hip magazine-cum-branding-effort VICE, offers up an entertaining thesis...For the executive's nightstand." --U.S. News and World Report
"Wacky and intriguing stories." --Fast Company, "Smart Books 2008"
Review
"Pirates bring choice and cause change. In this stunning book,Matt Mason forgets the parrots and the eye patches, but manages to teach us all a great deal. I learned a lot." -- Seth Godin, author of The Dip: A Little Book That Teaches You When to Quit (and When to Stick)
"Through a tornado of hip-hop beats and remarkable stories, Matt Mason takes us on a riveting journey to the heart of innovation. In this explosive book, he shows us that companies face a stark choice: Will you allow yourself to be gutted by a pirate or will you actually become one?" -- Frans Johansson, author of The Medici Eeffect: Breakthrough Insights at the Intersection of Ideas, Concepts, and Cultures
"Matt Mason free runs over a half century of global popular culture to describe the shape of our possible future. The Pirate's Ddilemma is a series of leaps of imagination, and it always lands with style." -- Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Ggeneration and editor of Total Chaos: The Art and Aesthetics of Hip-Hop
"This entertaining survey introduces us [to] today's copyright scofflaws, who may be tomorrow's bold entrepreneurs. 9 out of 10 stars." --Wired
"Reading The Pirate's Dilemma is like stepping into a parallel universe [that is] vast and deep...Mason nimbly guides us through decades of the underground youth scene [in a] tour [that] is diverting and written in a pleasing patter...Something more...than a business book [and] more satisfying -- more authentic, as he might put it -- than most books that rave about the Web 2.0." -James Pressley, Newsday
"An attractive argument...A theory that's pro-technology, pro-money and pro-youth all at once [and Mason] does a good job of proving it...For once, someone is telling young people that we have power, and that we're not selfish and apathetic but demanding 'a more democratic strain of capitalism' while still looking out for our enlightened self-interest." --Nona Willis Aronowitz, The New York Observer
"Well-written, entertaining and highly original, Mason offers a fascinating view of the revolutionary forces shaping the world as we know it." --Publishers Weekly
"Smart and thought-provoking...Mason has crafted a fascinating primer on the intersection of piracy, youth culture, and business."--The Phoenix
"Mason, a writer for uber-hip magazine-cum-branding-effort VICE, offers up an entertaining thesis...For the executive's nightstand." --U.S. News and World Report
"Wacky and intriguing stories."--Fast Company, "Smart Books 2008"
Most helpful customer reviews
11 of 12 people found the following review helpful.
Good for outsiders of the movement
By Antonio Lopez
This book is slightly maddening. The intention is valid: to steer people towards thinking about piracy in a new light. The "pirate's dilemma" is whether to persecute and shut down piracy, or to recognize it as a kind of creative competition. If you can't beat them, join them. The thrust of Mason's argument can be summarized by the two models of music industry approaches to P2P file sharing: either go the route of Apple and create a cheap, viable option for consumers, or the RIAA route and sue its customers.
As a former DJ, Mason cuts and pastes his way through the book with anecdotes. At first I found the approach a little obnoxious-- a kind of overly cheerful airline-style of magazine writing. As a former punk, I found the whole chapter on punk capitalism a little superficial, which lacked a discussion of a really important DIY capitalist, Discord Records. The section of the "Tao of Pirates" was also missing an important discussion of pirate culture, i.e. the black beard types that are so discussed so interestingly in Wilson's Pirate Utopias. I think the word pirate is used too general. Basically, anyone under 50 is a pirate these days, and I don't thing that's true. Also, the remix section failed to credit Dada.
But as I read on, I warmed up to the book and found the discussion of guerrilla marketing and hip hop pretty good. There was some history and anecdotes that I wasn't aware of, so I was pleasantly surprised here and there. Still, if you want a more in-depth analysis of the economic situation of open source, read Benkler's The Wealth of Networks: How Social Production Transforms Markets and Freedom.
Ultimately I think Mason's intentions are good. I'm not sure celebrating the cooptation of underground culture by capitalism is something that is to be happy about, but I suppose as the pirates become more mainstream, maybe our society will be better for it, and that to me, is the ultimate Pirate's Dilemma.
8 of 10 people found the following review helpful.
Dissappointingly devoid of meaningful content.
By William Howard
I think, if it had stuck to the brief it claimed to have on the front cover, I would have loved this book. But it didn't at all. This book has it's interesting moments, but it is effectively a chance for a former pirate DJ to try to convince you of three things. (I) Pirate radio is awesome. (II) DJ's are gods of the modern era. (III) Any and all significant cultural advances accomplished since the 60s are solely the result of music's influence.
Now, your mileage may vary on how useful any of those statements are, but I can't stand radio in any form, and DJ's typically make me want to punch someone, which means that the 3rd statement is the only one that could have any truck with me. Sadly, the book very much puts the cart before the horse. It is probable there's interchange, but for the author's purposes we're to consider EVERYTHING in terms of music. Then there's the way he uses Pirate in the book, it becomes a generalist term that applies to almost all innovators, which kind of misses the point of WHY piracy is an issue.
The books real gift is in teaching music trivia, and providing some form of introduction to Hip-hop as big business, but here he hardly does anything new, and he mostly hides behind pretentious words to make out that everything has meaning. Fashion is even glorified as emblematic of what our culture should be like. For someone who is on the surface offering a counter-culture account of the changes going on in the world and what the future will be, he doesn't actually attack much of the mainstream.
His only other really interesting assertion is that new youth-cultures can't form presently due to the instant spotlight effect that corporates give to anything with any promise in the constant quest for marketing. I'd just like to say, this is one of the weakest arguments I've ever heard. It seems fairly evident to me that the reason we aren't getting new large scale youth movements is that the Internet has made most movements small and decentralized, and because WOW is just so awesomesauce that most people don't bother anymore.
19 of 26 people found the following review helpful.
Read This Book!
By Steve Adams
Earlier this year Matt (the author) sent me a message and said that he was writing a book about how corporations have trouble adapting to the changing times and needs of people in the Information Age. Just recently he started his blog The Pirate's Dilemma ([...]) that explains this phenomenon further every day. I couldn't wait for the book to drop so I asked him to shoot me one...one was already forthcoming and it appeared in the mail the very next day via his publicist. Let me break it down for y'all:
As we all know, youth culture has helped to change and reshape the world over and over again throughout history. Ever since World War 2 ended and the world at large became aware that teenagers even existed, the world hasn't been the same since. The old saying is that necessity is the mother of invention, whenever there has been an overlooked or under represented segment in society they have made their presence felt by creating their own culture. This culture usually comes with it's own brand of music, dancing or a style of dress. Once this culture hits the public consciousness then corporations develop the need/want to turn this audience into consumers of their product and convey a message to them that they "get" you and support your lifestyle. The thing is that since the advent of cool hunting and mass advertising has oversaturated the marketplace people can just tune out all those advertisments. Furthermore, with so many advances in technology today the knowledgeable consumer can pretty much create their own products and cut out the big corporations.
Since these same corporations are trying to jump on that new niche culture to gain a cache of cool, these new niche markets/cultures have adapted to the climate and become harder and harder to nail downby ad agencies. The same 40 songs being played over and over again on the radio that all sound exactly the same have driven many listeners away and res. The same old stories about Britney Spears, Lindsay Lohan, Paris Hilton and whoever's been kicked off the reality show du jour getting reported on your daily news rather than real journalism has driven people away from the news media. Where do these people go? Well, since we have the technology at our disposal we begin to bridge those gaps ourselves, pooling our collective resources, sharing information and creating that we we can't find in existance currently.
This in turn pisses of these big businesses and corporations. They are usually slow to adapt to change and they want to stay in power. This struggle for leverage and ownership goes on between big businesses and the consumer. The consumer wants more leeway, looser boundaries, more input and better service from the provider and big business tries to tighten the reins and throw lawsuits at these pirates threatening the status quo. The way they see it, these pirates are causing them to lose money. The way the consumer sees it, we weren't going to spend the money because the product doesn't fit our needs anymore.
In this quickly changing world where computer technology improves the speed of the transmission of data every three to six months they'll become a time where information can be passed instaneously. If you put up the wrong information on a messageboard, several messages will correct it within seconds. Any mistakes on Wikipedia acan be fixed almost immediately as opposed to a closed source website that would have the erroneous information posted there for only God knows how long. We are in the Information Age and technology has given us the tools to modify, create, and innovate the world around us. Corporations and big businesses don't know how to handle this new age where all of the power is in the hands of the consumer. No longer do they dictate to us what we want, need or what is valid...now we do it to THEM.
The music industry and film/television industry realize are in flux as music and films are being streamed and downloaded either before or the same time as the premiere dates. The news media is being outdone by bloggers and independent journalists that want serious and unbiased news coverage. In this book, Matt Mason brilliantly tells the history of the phenomenon of youth culture and how it has reinvented capitalism and the world as a whole. The whole D.I.Y. ethic that existed in Punk, Disco and Hip Hop has slowly branched out over the years into fields that you normally think weren't even related. They in turn snowballed and have all in effect given birth to The Pirate's Dilemma.
This book is completely fascinating and it grabs your attention from the beginning to the end. I read it straight through in one sitting and I read it over again the day after I got it. You will be so sucked in that you really don't want to put it down. Matt Mason seamlessly tied together how the youth culture of the 60's, the advent of Punk Capitalism, the birth of Disco and subsequently Hip Hop lead into the creation of the personal computer. He then takes us from the ealrly years of the Computer Age to the present day and touches on several subjects all at once without once making you feel like your being beat over the heads with useless information. Who knew that a nun from Dorchester, MA was indirectly responsible for the creation of Disco, House and Garage?Who would've thunk that a bunch of college dropouts who dropped LSD were responsible for the Mac, iPod and iPhone (I did)? I even got my first mention in ever print to make it that much better.
If you're looking for a new book to get get some wrinkles in your brain then this one comes highly recommended from me. Cop this joint mos def!
Dart Adams
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