Rabu, 16 Juli 2014

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The Caged Virgin, by Ayaan Hirsi Ali

The caged virgin

  • Sales Rank: #1307251 in Books
  • Published on: 2007
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .55" w x 5.08" l, 1.10 pounds
  • Binding: Paperback
  • 208 pages

Most helpful customer reviews

17 of 20 people found the following review helpful.
Diagnosis of a malaise and a prescription for healing
By Peter Uys
In this perceptive work, Ayaan Hirsi Ali examines a major issue of our times with admirable fluency and erudition. In the preface she points out the similarities in attitude towards Islamic culture now by the Western adherents of multiculturalism and towards communist regimes by leftists then. Besides an abiding hatred for the West in some circles, it is because of the victim culture and moral relativism that oppressive practices are ignored. Muslims are perceived to be victims of the West. For the same reason, Israel is fiercely condemned while the Palestinians get a free pass. She considers this patronizing and exemplary of racism in its purest form; the idea of the "other" that can do no wrong and must be shielded from criticism. Ibn Warraq exposes all aspects of this harmful fallacy in his classic study Defending the West.

Hirsi Ali asks the advocates of the multicultural society to acquaint themselves with the suffering of women who are treated as chattels. The notion of "group rights" are detrimental to Muslim women, and without emancipation, the socially disadvantageous position of Muslims will persist. She laments the fact that Muslim women are not listened to and calls for self-examination in intellectual discourse. Hirsi Ali also deals with the clash of cultures in Europe as revealed by amongst others Bruce Bawer in While Europe Slept, and examines the triangles of power in the Muslim world itself: the triangle of the strong leader, the clergy and the army, and the triangle of apathy, fundamentalism and refugees/emigration. On this subject, I also recommend Now They Call Me Infidel by Nonie Darwish.

The author provides a brief history of her early childhood in Somalia and her personal emancipation after emigrating to the Netherlands, explaining why she had to leave Holland for the USA. This is engagingly related in her brilliant work Infidel. There is an interview with prominent Canadian Muslim reformer Irshad Manji, a chapter on female genital mutilation and 10 tips for Muslim women who wish to escape their oppressive circumstances. A full transcript of the documentary film Submission is included, the film that led to the death of Theo van Gogh. Hirsi Ali claims that instead of empowering Muslim students through research and training, European universities have become activist centers to further Arab political aims.

She considers Muslims in Europe and around the world to comprise three broad categories: terrorists and the radicals that assist them, the tiny group of reformers that embraces the open society and the large number of undecideds who are caught in a mental vise, the painful contradiction between the harsh tenets of an intolerant religion and the values of the open society. She believes that the first victims of Muhammad are the minds of Muslims themselves as they exist in a situation of cognitive dissonance. Western cultural relativists flinch from criticism of Muhammad for fear of offence, thereby making it more difficult for western Muslims to review their own moral values.

This thought-provoking work provides first-hand experience and knowledge of a particular worldview and serves as an appeal for clear thinking, empowerment and individual liberation. Hirsi Ali nails it when she shows how various evils result from beliefs based on fear. Her insights have universal application as of course they are valid for any religion or cult. Although not flawless, The Caged Virgin is a bright light of courage and reason in the darkness of oppression and brainwashing. The book concludes with bibliographic notes and an index. Because They Hate by Brigitte Gabriel provides further valuable information on the development and results of religious radicalism whilst in The Unlearned Lessons of the Twentieth Century, French philosopher Chantal Delsol explains the civilizational fatigue of contemporary Europe of which one effect is the existence of enclaves where medieval brutality goes unchallenged.

1 of 1 people found the following review helpful.
Essential for understanding the position of Muslim women in the west and the conflict of values for Muslim refugees
By tina
Everyone should read this book or the author's updated version. The author provides a highly readable explanation of the basic beliefs of Islam, its conflicts with western values, the struggles of Muslim refugees in the west (focusing on women), and distinguishes between the religious and the cultural/traditional position of Muslim women. Ayaan Hirsi Ali presents very articulate arguments about Muslim women issues and proposes reasonable responses in western society. She also points out the unintentional effects of political correctness and religious tolerance on the rights of Muslim women in the west.

1 of 1 people found the following review helpful.
Is There Hope for Muslim Women?
By Ann W. Smith
It's hard to comprehend the mindset Islamic men have toward women. Will moderate Muslims ever step forward and voice
change?

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Senin, 14 Juli 2014

~~ Download Shock of Gray: The Aging of the World's Population and How it Pits Young Against Old, Child Against Parent, Worker Against Boss, Company Ag

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Shock of Gray: The Aging of the World's Population and How it Pits Young Against Old, Child Against Parent, Worker Against Boss, Company Ag

A fascinating report on the astounding economic and political ramifications we face as the majority of the world’s population grows old—chosen by the National Chamber Foundation of the US Chamber of Commerce as one of the top ten books every business and government leader should read.

 The New York Times bestselling author of China, Inc. reports on the astounding economic and political ramifications of our aging world.

 The world’s population is rapidly aging—by the year 2030, one billion people will be sixty-five or older. And for the first time in history, the number of people over age fifty will be greater than that of those under age seventeen. Few of us understand the resulting massive effects on economies, jobs, and families, or grasp how our most personal decisions both age the world and drive unprecedented change in the global economy. Veteran journalist Ted C. Fishman masterfully explains how the shrinking of our families and the lengthening of our life spans change nearly every important relationship we have—to ourselves, our families, our communities, our workplaces, our nations, and the world.

What happens when too few young people must support older people? How do smaller families cope with aging loved ones? What happens when countries need millions of young workers but lack them? How are entire industries being both created and destroyed by demographic change? How do communities and countries remake themselves for ever-growing populations of older citizens? Who will suffer? Who will benefit? With vivid reporting from American cities and around the world, and through compelling interviews with families, employers, workers, economists, gerontologists, health-care professionals, corporate executives, and small business owners, Fishman reveals the astonishing and interconnected effects of global aging, and why nations, cultures, and crucial human relationships are changing in this timely, brilliant, and important read.

  • Sales Rank: #1267360 in Books
  • Published on: 2012-10-02
  • Released on: 2012-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 1.00" w x 5.69" l, .90 pounds
  • Binding: Paperback
  • 416 pages

From Publishers Weekly
Armageddon looms thanks to increasing longevity, according to this fretful jeremiad. Fishman (China, Inc.) visits a number of locales--luxury retirement communities in Sarasota, Fla.; the rust-belt city of Rockford, Ill.; a village in Spain; Beijing--and everywhere finds a skyrocketing population over 65 with attendant problems: soaring medical costs, overwhelmed caretakers and government pension systems, and oldsters who feel sad and neglected. Fishman weaves these findings with all manner of demographic, economic, and cultural discontents, including plummeting birth rates, environmental degradation, underpaid immigrants, American industrial decline, globalization, and outlandish teen fashions. Unfortunately, conflating all this under the rubric of aging's "shockwave" obscures more than it reveals; while focusing on an unsolvable existential predicament--you can't keep people from aging--Fishman avoids investigating solutions to specific problems he raises, which are mainly issues of trade, industrial policy, and economic inequality, not necessarily longevity.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Who would've thought that America's aging population has spurred globalization? Ted Fishman's exciting book-a series of stories really-knocked me off balance as I learned what's in store for us as the world's populace grows older and older. The observations in "Shock of Gray" are not just revelatory but profound." -Alex Kotlowitz

"Far-reaching and highly relevant...[with] a fast pace, global scope and jaw-dropping facts...Fishman has a keen ear...and he motors enjoyably through a huge quantity of date and anecdotes, sending out provocative flares along the way." -"New York Times Book Review"

"In 20 years, there will be 1 billion people over the age of 65, and "China Inc."'s Ted Fishman has found the current examples that, along with an inexhaustible supply of demographic trends, illustrate the knotty-and at times terrifying-issues of global aging that await us. A must-read for young and old alike." - "Fast Company"

"Readers should consider its messages and economic implications. What do we really want for ourselves, as individuals and a nation, as we age....The true mission of "Shock of Gray" is a...call to confront the demographic drama now unfolding in many middle- and high-income countries, not to proffer solutions." -"Los Angeles Times"

"The Chicago journalist behind "China, Inc. "is back with an investigation that's both timely and terrifying. The subtitle--"The Aging of the World's Population and How it Pits Young Against Old, Child Against Parent, Worker Against Boss, Company Against Rival, and Nation Against Nation"--says it all. (Though with his characteristic smarts, Fishman says it with a lot more nuance.)" -NewCityLit.com

About the Author
Ted Fishman is a seasoned financial and economic journalist whose work has appeared in The New York Times Magazine, Money, Harper’s, Esquire, USA TODAY, and GQ. A Princeton graduate, Fishman is also a former floor trader and member of the Chicago Mercantile Exchange, where he ran his own derivatives arbitrage firm. He lives in Chicago.

Most helpful customer reviews

34 of 35 people found the following review helpful.
A Look at Our Future
By Orrin R. Onken
The book does not present a lot that is new unless you are new to the subject. I thought to myself as I read that it was a Cliff's notes version of year's worth university study in gerontology. The book is good for a beginner, or as a refresher, but does not have a lot to offer to someone already familiar with the discipline.

The book is strongest in its examination of the economics and sociology of an aging world population. It looks at Spain and Japan, because the problems of an aging population have already arrived there. The problems in those country foreshadow our own. Fishman looks at China because that country is a powerful economic engine, and looks at the United States because we live here.

The discussion of the physiology of aging is shorter but interesting. The chart of normal physical decline by decade accurately summarizes current thought and makes for entertaining reading. No discussion of the physical side of aging is complete without looking at what lets us live longer. The book delivers again the message that most of the decisions which determine how long we live are made at the societal level (pure water, uncontaminated food, decent sewers, and literacy). Some were made by our parents, but for those of us who don't smoke or go to war, there isn't much we can, as individuals, do about our longevity.

Fishman writes well about the social and economic aspects of aging. I think he gave the short end of the stick to the psychological aspects. He talks a lot about dementia and loss of cognitive capacity, but doesn't address any of the theories of adult development. He talks about the physical declines we see in our thirties, forties, fifties, but does not talk about the psychological responses and defenses that we use to adapt to the physical decline. I think that the book would have been better with more discussion of current thought in that area.

Fishman is a reporter, not an academic. Attempting to make the facts and statistics palatable he uses case studies--beginning with a person, or a family, or country--thereafter expanding from the specific to the general. After a few chapters of that, I found the technique tedious. I didn't want to meet another fascinating elder, or interesting town, or developing country. I wanted to get to the facts and figures.

I was generally pleased with the book. The subtitle is inflammatory--to sell books I suppose--but the text is not. We are facing problems as our population ages, but they are problems that arise from our self-interested decisions to quit living in poverty and seek fulfilling lives. The problems will require solutions that will change the societies we live in, but in many respects those changes will be for the better.

12 of 13 people found the following review helpful.
Read it or be left behind!
By G. P. Critser
Fishman has brought his characteristic reporting and analytical skills to one of the most important population trends of our day. What makes the book of note is the fact that it is written by a journalist rather than a gerontologist or any member of the gerontological establishment, who have been unwilling in the past to cast aging as a problem.Important also for business-minded folk who want a leg up on the future. Get the book!

9 of 10 people found the following review helpful.
Epic Research
By Dan Buettner
Ted Fishman established his reporting prowess, trend recognition ability and story-telling flair with his excellent book, "China Inc."
"Shock of Gray" is an even more important work as it brings to life one of the most important issues of our time--the aging of the world. Most of us would like to live longer, healthier lives but what does that mean for our economy? For the legacy we leave our children? For the chances that we'll be able to live out our retirement? Mr. Fishman takes us around the world as he answers these questions with graceful clarity. We will be referencing this book for many decades to come. --Dan Buettner

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Graffiti Girl, by Kelly Parra

Graffiti art. It's bold. It's thrilling. And it can get a girl into serious trouble....

Raised by her single mom (who's always dating the wrong kind of man) in a struggling California neighborhood, Angel Rodriguez is a headstrong, independent young woman who channels her hopes and dreams for the future into her painting. But when her entry for a community mural doesn't rate, she's heartbroken. Even with winning artist Nathan Ramos -- a senior track star and Angel's secret crush -- taking a sudden interest in Angel and her art, she's angry and hurt. She's determined to find her own place in the art world, her own way.

That's when Miguel Badalin -- from the notorious graffiti crew Reyes Del Norte -- opens her eyes to an underground world of graf tags and turf wars. She's blown away by this bad boy's fantastic work and finds herself drawn to his dangerous charm. Soon she's running with Miguel's crew, pushing her skills to the limit and beginning to emerge as the artist she always dreamed she could be. But Nathan and Miguel are bitter enemies with a shared past, and choosing between them and their wildly different approaches to life and art means that Angel must decide what matters most before the artist inside of her can truly break free.

  • Sales Rank: #1201826 in Books
  • Published on: 2007-05-15
  • Released on: 2007-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .70" w x 5.00" l, .38 pounds
  • Binding: Paperback
  • 247 pages

Review
"This book blew me away. Kelly Parra writes with the keen eye of an artist. Graffiti Girl is warm, gutsy, and true-to-life -- an unflinching, honest portrayal of young adults. A seamless and impressive debut." ~ Anne Frasier, Bestselling author 
"I finished GRAFFITI GIRL the other day and it was AWESOME! It was exciting and romantic, and Angel is a strong heroine any girl can relate to. I'm already looking forward to your next one... " ~ Allison van Diepen, author of Street Pharm

"With characters as bold and exciting as the art they love, and an honesty that keeps them raw and real, Graffiti Girl shows us that the only thing better than discovering your talent is finding yourself along the way."
-- Jenny O'Connell, author of Plan B and The Book of Luke

From the Author
Graffiti Girl Honors* Double RWA® RITA® Finalist *
* California Readers High School Reading Collection *
* Tomas Rivera Mexican American Children's Book Nominee *
* Latino Young Adult Novel Top Pick by Latinidad® *
* Selected for the National Book Foundation "BookUpNYC" program * * Recommended by the California Latino Legislative Caucus for Reading Education *

About the Author
Kelly Parra is the author of the acclaimed novel Graffiti Girl. She lives in a diverse agricultural town in Central California with her husband and two beautiful children. Visit her website: KellyParra.com.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Slice of Life You Don't Want To Miss!
By Carolyn Woolston
This is a unique, eye-opening, down-to-earth novel that surprised the heck out of me. Written from a "young adult" point of view, Parra's debut work kept me riveted! I will never look at another piece of graffiti the same way again.

Angel's struggle for acceptance as an artist and as a person touched me deeply, made me laugh, and offers an insight into the small-town multi-cultural American high school scene. HIGHLY RECOMMENDED!

2 of 4 people found the following review helpful.
At least she wrote a book, which I cannot say I have done.
By Joe Rothberger
This book was a waste of time and money. sure it has a plot and a moral...but after you get past that there is nothing....i will likly deposit this book in a recycling bin after i am done with it. :)

0 of 0 people found the following review helpful.
Listen, red light, yellow light, green light, go, Crazy little woman in a one man show
By Jess @ From Me to You ... Book Reviews
2.5 out of 5 stars. It's a teen romp that has bold characters but falls a little flat during the plot (at least for me). So slow-paced that I had to force myself to finish the book. Good ending but it could have been better.

Review By: From Me to You ... Book Reviews
-- read more of this review on my blog: frommetoyouvideophoto.blogspot.com --

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Sabtu, 12 Juli 2014

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Skin (Hot Cops, Book 2), by Karin Tabke

From the author of Good Girl Gone Bad comes the sizzling tale of an undercover cop who shows a little skin to get in with the mob -- and the sexy mafia princess who gets in the way....

Curvaceous and feisty, Francesca Donatello is the owner of Skin, an upscale woman's magazine and her pride and joy. To boost sales, she's decided to feature a smoldering male centerfold in each issue -- even though it was once forbidden by her rigid father, a recently murdered mob boss. He always doubted her ability as a businesswoman, and now Francesca is even more determined to succeed. So when she meets sexy, charismatic model Reese Barrett, she knows he is perfect, and perfectly chiseled, for the job.

From the moment Reese sheds his clothes for the photo shoot, business becomes pleasure, and both are overcome with unadulterated desire for each other. But what Francesca doesn't realize is that Reese is a cop who's using her to infiltrate the Donatello family and find out who murdered her father. Even she is a suspect. But it soon becomes apparent that someone wants Francesca as dead as her father. As they dodge bullets and bodies Francesca and Reese shed secrets and inhibitions -- and learn that they must trust each other to survive.

  • Sales Rank: #1997787 in Books
  • Published on: 2007-04-17
  • Released on: 2007-04-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.31" l, .65 pounds
  • Binding: Paperback
  • 368 pages

About the Author
Karin Tabke is a bestselling author of historical and contemporary romance, the CEO of her own business, and wife of a veteran police officer. Her books include the first three novels in the Blood Sword Legacy series: Master of Surrender, Master of Torment, and Master of Craving; the contemporary romance Have Yourself a Naughty Little Santa; and three erotic novels, Good Girl Gone Bad, Skin, and Jaded. For more information visit her website at KarinTabke.com.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER ONE

"Strip."

"I beg your pardon?"

"Drop your drawers, take off your clothes, get naked."

Reese hesitated. The woman sitting behind the desk stood, the movement slow and fluid. Her expression, though, screamed impatience.

"Look..." She glanced at the file he'd handed her when he was ushered into her office. "Reese, Skin is an upscale chick rag. How the hell can I tell if you have the goods if I don't see them first?"

He'd never been shy about shucking his clothes for a woman, but he'd never been commanded to do it in the middle of the day in the downtown office of a very attractive and very irritated female. He stood.

Miss Donatello had legs long enough to wrap around him twice and a waist he bet he could span with his hands. Her full breasts bobbed in rhythmic sensuality with her every move under the fitted white shirt. His gaze dipped lower, admiring the way her black leather skirt hugged her lush ass like a second skin. His taste usually ran to tall, lithe women, but this voluptuous drink of water would quench his thirst any day. He warmed to his assignment.

"Reese, I'm a very busy lady, I need to see your package, now." Her eyes narrowed. "If you can't drop your drawers for me now, how the hell are you going to drop them for my camera?"

Too much was riding on him being picked as Skin's first centerfold.

He grinned, a rare gesture given his generally antisocial demeanor. He'd gladly reveal more skin than she could handle. Slowly, he unbuttoned his 501s, his eyes catching her hazel ones.

Reese held her gaze as he slid the denim down his thighs, his muscles slowing the process. Like a stunned rabbit, her nostrils flared. He knew she was more than curious. His eyes continued to hold hers, daring her to look before he was ready to extend an invitation. He'd lay odds she didn't normally allow a model to control the show-and-tell stage of this type of interview. His black boxer briefs followed his jeans to his knees. Reese grinned big.

Warily, Frankie's eyes dipped. She gasped, for a moment unable to control her female response to his male. Her reaction was one of basic attraction, and she was having a hell of a time breathing normally. She'd seen a lot of the male anatomy in her business and more cocks in the last twenty-four hours than she could count, but she'd never seen a package this beautiful, this complete, and never so eager to salute her. The models she'd interviewed the previous day and this morning shriveled up in shyness. Not so this guy. She racked her brain for his name. She was lousy with names. Oh, yeah, Reese.

She cleared her throat. "Nice salute you have there, sailor." Leaning a hip against the edge of her desk, she crossed her arms over her chest. She wanted to touch him, to see if his tan skin was as warm as she suspected. His erection bobbed and she wondered what he was thinking.

Collecting herself, she pursed her lips. Resisting the urge to smile, Frankie silently thanked God for this blessing. "I'm so glad you're not gay."

"What makes you so sure?"

Frankie laughed and cocked a brow, inclining her head toward his impressive erection. "The fact that you haven't shriveled up or failed to rise to the occasion." Her eyes locked with his. "And the fact that your boy there keeps growing."

"He likes what he sees."

Her skin warmed, and while she didn't want to admit it, she was glad on a personal level he was very obviously heterosexual. She allowed her eyes to ravage the smooth, hard planes of his belly and lower to the smooth thickness sprouting from his thighs.

He would do very nicely for what she had in mind.

"Well, tell your little man the only job he's being interviewed for is to perform for my camera. Nothing more."

But Frankie began to think she did want more. She knew if she touched him he would be warm, and she'd feel the thick surge of blood course through him. She squirmed in her heels and quelled the urge to brush her fingertips down his shaft. This was business, and with the one exception she'd paid dearly for, she made it a hard and fast rule not to touch the models, except to position them on a shoot.

"Is there a hands-on segment to this audition?"

His deep, husky voice sent chills cascading along her neck. The guy had trouble stamped all over his arrogant face.

She nodded. "Maybe. Let's see what you have upstairs."

He cocked a dark brow. She smiled when he pulled his form-fitting black T-shirt over his head. "You learn quick, sailor."

His chest was almost as irresistible as his astute cock. Hard, defined, tan. Several pale slash-mark scars tattooed one side of his rib cage. Her imagination ran wild with scenarios of how they got there. Instead of detracting from his maleness, they intensified it.

Thick arms rippled with the slightest movement, his biceps bouncing softly as he smoothed his dark brown hair back into place with both hands. She swallowed hard, the image of his arms up over his shoulders, his chest flexed, and his cock growing inches by the second burning in her memory banks. Warmth infiltrated the moist spot between her thighs. Dormant desire roused deep inside her. Crap. She might run a skin rag for chicks, but she wasn't one to sleep around, especially with her models. Goose bumps coursed down her arms. Even if she was attracted to this guy, she wouldn't go down that road with him. One time had been more than enough. Since the Sean incident two years ago, her knees were welded together when it came to mixing business with the obvious pleasure Reese was capable of giving.

"Do I muster up?"

She gave in to a rare smile. Crossing her arms over her chest, Frankie slowly walked around him. "Very nice glutes." He did have a fine ass. Smooth, muscular cheeks screamed for her hand to test their hardness.

"How'd you get the scars on your chest?"

"Old girlfriend. Really sharp nails."

"Are you Italian?"

"I am if you want some Italian in you."

Frankie gasped. "For someone who's looking for work, you sure are cocky." She snorted. "Pun intended."

She grabbed a digital camera off her desk, focused, and began clicking. As she worked her way back to the most excellent front view of this man, she knew even though she had more to interview, this was the man to launch her magazine into the ranks of Playgirl. He was perfect. He had an edge to his features that inspired women to want to tame him. His tan skin and deep-set crystal-blue eyes contrasted, giving him the predatory look of a lone wolf. A faint, thin scar ran behind his right ear down his throat, stopping just above his collarbone, giving him an air of danger. She needed to capture that danger on film and sell it to delirious women across the country. Her smile widened behind the camera.

His body spoke for itself. She could see the handwriting on the wall. The entire staff would want to be in on his photo sessions. An idea sparked. They'd go with location shots. A day in the life of Mr. Skin. She quickly warmed to the idea, then scowled. Time was limited and his agent wanted top dollar -- she was short on both. Unk had hinted there were some accounting issues; so had her father the day before he died.

Her lips drew into a firm line. Since her father's death two weeks prior, she'd been off balance, unsure -- afraid. The turmoil in her personal life and here at Skin sent her control-freak nature into a tailspin. Yesterday, her first day back at the office, she'd forced herself to produce and not lament what she could not change. And the winds of change blew hot and heavy through the family. She always knew her family was dysfunctional, but now they were downright scary.

A shiver skittered across her skin, and her belly flip-flopped. Papa was dead now and playing the rebellious daughter was a moot point. But God, how she wanted to best him, to prove to him she had what it took to be involved in the family business, to change his perception of her after the Sean debacle. Now she couldn't, damn it, and worse, their last words to each other were harsh.

Frankie shook off the malaise. She had a job to do. Pushing past the pain, she gave Reese her undivided attention. She focused and shot, getting every conceivable angle she could of the man who would launch Skin into the stratosphere.

"Tell me about your last job," Frankie said, working her way around him, taking advantage of every angle.

"I spent the last few months in Europe. I did a spread for Mercedes, then hung around and soaked up the local culture."

She bet he soaked up more than historical landmarks. And bet he didn't do it alone.

"Why come back?"

"I need cash."

"You want more cash than I can afford."

"I'm worth it."

For a brief moment Frankie lowered the camera. Her eyes swept him his from boots to the top of his head. He was worth more.

"I have a budget."

"Once my issue comes out, you won't have to worry about budgets."

Raising the camera, she smiled. She would always worry about budgets. For all of her father's money, he was frugal when it came to business. What would Papa do?

Emotion welled when she thought of him. She had so much she wanted to prove to him. So much to make up. She'd not only lost what little respect her father had given her as a businesswoman, but she had become the laughingstock of the family -- proving once again that women were not worthy of the same respect as the male family members. The hot sting of tears caught her off guard. The trauma of the last two weeks caught up with her, realization hitting her hard. She was on her own now, in more ways than just business. She took a deep breath and exhaled slowly. A deep chuckle jerked her out of her musings.

"I have to admit, you're the first, Miss Donatello."

Lowering the camera, her eyes focused on Reese. "First what?"

"The first woman I've brought to tears without laying a finger on her."

Her eyes narrowed and warning bells sounded. The man was too intense, too bold, too distracting. She'd worked with models like him before. She didn't play well with other dominant personalities. Was he worth the hassle and the money? She had a tight window...

Most helpful customer reviews

9 of 9 people found the following review helpful.
This is an excellent book!
By Laurie
A mafia princess unknowingly hires an undercover detective to pose nude for her magazine, while he attempts to figure out who killed her kingpin father. The two end up going on the run to elude whoever is now trying to kill her - in SKIN, the latest offering from Karin Tabke.

Francesca "Frankie" Donatello runs her family-owned magazine, Skin, and while all the rest of this organized crime family's businesses are on the shady side, Frankie's magazine is squeaky clean. Shortly before Frankie's father, Santini, is assassinated, the two had an ugly falling out over Frankie's decision to feature male centerfolds in her magazine. Santini was adamantly opposed to Frankie's determination to proceed, even threatening to write her out of his will. When Frankie's brother, Anthony, makes threats against her unless she desists with her centerfold plan, she shrugs it off to his selfish desire to control all of the family's holdings. The police are working Santini's murder, and in the course of their investigation, have sent detective Reese Barrett to audition for the male centerfold position. Frankie feels a definite attraction to Reese but because she was recently burned by the man she loved, she's hesitant to let herself get attached to anyone. After several attempts are made on her life, and Reese offers to act as her bodyguard and her centerfold, she relents and hires him.

Reese's colleagues are convinced that Frankie played a part in her father's death, but he isn't so sure. Reese plays the part of male model very well, so well in fact that Frankie never suspects him of being a detective, until he does such a stellar job of protecting her, and then there is a slight niggling in the back of her mind that he almost seems to have some police training. When evidence begins to point a guilty finger at Frankie and the attacks against her almost seem staged, Reese starts to have his doubts. Once he begins to fall for her and the threats against her become more brazen, he takes her into hiding.

Karin Tabke doesn't write sweet romances. Her characters are passionate about every aspect of their life, be it work or play. They take their beliefs and their actions very seriously, and are selective about who they share them with, striving to always be the best. I can't give a high enough recommendation for SKIN and strongly encourage anyone who loves an edgy, suspenseful romance with shamelessly intense passion to run out and get a copy.
COURTESY LAURIE/ROMANCE JUNKIES

8 of 8 people found the following review helpful.
Very hot, very steamy
By Jill James
The story is hot, the characters are hotter, and the love scenes are hottest.

Francesca "Frankie" and Reese burn up the pages. Frankie wants to save her magazine SKIN, bring respect to one business run by her Mafia family, and not fall for her latest model for the magazine, Reese. Too bad in her world all is not as it seems. Bad guys are around every corner and she and Reese must run for their lives and run from their feelings for each other.

Ms. Tabke has written a very hot, very steamy police procedural with enough twists and turns in the plotline to keep you guessing to the last page. Definite 4 star read.

5 of 5 people found the following review helpful.
exciting sizzling police procedural romance
By A Customer
The only legitimate business that the Donatello family owns is Skin, which Francesca "Frankie" Donatello is turning into a skin magazine for women. Her father Santini doesn't like his only daughter being involved in such an enterprise and at their last meeting harsh words were exchanged that could never be taken back because someone killed him soon afterward. Frankie is looking for a spectacular model to boost sales and gain more advertisements and Reese Bronson fits the bill.

Frankie has doubts about the hunk because he stimulates her hormones until she feels like she is in a Bronson fever. What she doesn't know is that he is an undercover officer who works the case of who killed Santini. Frankie is the only honest person in her dysfunctional family but it takes her a while to believe someone has taken a hit out on her. Reese's colleagues believe the mafia princess killed her father for embezzling funds from the magazine and she arranged it to look like her life was in danger. Reese doesn't want to believe it because he has fallen for Frankie but the evidence starts pointing to her being a stone cold killer.

SKIN is an exciting sizzling police procedural romance that will appeal to readers who like a lot of sex in their romantic suspense novels. Karin Tabke is a first rate storyteller who creates characters that the audience will like. It is fascinating to watch the heroine be surrounded by criminals and stay honest and clean with nary a parking ticket to her name. Yet the author plants seeds of doubt in the form of evidence that makes the audience wonder if the mafia princess is a sociopath or a framed innocent.

Harriet Klausner

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Jumat, 11 Juli 2014

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Hand of Evil (Ali Reynolds Series), by J.A. Jance

In this heart stopping New York Times bestseller, Jance weaves a masterful story of suspense that travels over generations, revealing two very different women with one horrifying secret.

With his hand trapped in the door of a speeding car, a man struggles to remain upright as he’s dragged along a deserted stretch of San Juan Road in Phoenix’s South Mountain Preserve. It’s the perfect place to drive a man to his grave—literally. Starting with a crime so gruesome even prowling coyotes keep their distance from the remains, a killer begins crisscrossing the Southwest on a spree of grisly murders.

A hundred miles away, Ali Reynolds is grieving. The newscasting job she once delighted in is gone and so is the philandering husband she loved and thought she knew. When a wealthy but distant member of her family unexpectedly asks her for a meeting, Ali wonders what it can mean. Before she can satisfy her curiosity, though, Ali receives another startling call: a friend’s teenage daughter has disappeared. Ali offers to help, but in doing so, she unknowingly begins a quest that will reveal a deadly ring of secrets, at the center of which stand two undiscriminating killers...

  • Sales Rank: #346653 in Books
  • Brand: Pocket Star
  • Model: 4684581
  • Published on: 2008-11-18
  • Released on: 2008-11-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.10" w x 4.19" l, .43 pounds
  • Binding: Mass Market Paperback
  • 416 pages
Features
  • Great product!

From Publishers Weekly
Jance keeps former L.A. TV news anchor Ali Reynolds in her native Arizona for her third lead appearance (following Web of Evil). Ali, still recovering from the murder of her not-quite-ex-husband, is aided by her parents and her old high school chum, newly divorced detective and marine reservist Dave Holman. Meanwhile, wealthy, reclusive Arabella Ashcroft, whose family's college scholarship program supported Ali as an undergrad, has read Ali's grief-filled blog, cutlooseblog.com, and wants Ali's help in writing an incest memoir: elderly Arabella says that her childhood was despoiled by a late stepbrother, Bill, and that she's being threatened by his son should she go through with writing about it. Soon after, Dave's daughter Crystal disappears from the Las Vegas home of his ex- and her new husband; Dave seeks Ali's counsel before barreling out there. Jance crowds the book with subplots, and her characters air a lot of opinions about sexual abuse and health care. But sparks between Ali and Dave and an upbeat ending keep this latest Ali outing on track. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Jance starts her books fast...and keeps things moving with cinematic panache...engaging and entertaining." -- Los Angeles Times

"Jance delivers a devilish page-turner." -- People

"Chilling.... an expert in the tricks of her trade." -- The Tennessean (Nashville)

About the Author
J.A. Jance is the New York Times bestselling author of the Ali Reynolds series, the J.P. Beaumont series, and the Joanna Brady series, as well as four interrelated Southwestern thrillers featuring the Walker family. Born in South Dakota and brought up in Bisbee, Arizona, Jance lives with her husband in Seattle, Washington, and Tuscon, Arizona. Visit her online at JAJance.com.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wonderful!
By Grandma
Enjoyed this book immensely. There were so many things happening in this story that it was continuos questioning of who did what and how they were going to get to the bottom of things. Great read.

0 of 0 people found the following review helpful.
Excellent read. I love the JA Jance books
By Marilyn
Excellent read. I love the JA Jance books!

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Five Stars
By Patricia Frangos
loved the whole series, but where is # 10??

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Rabu, 09 Juli 2014

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Now in paperback, from the New York Times bestselling author of Clemente and When Pride Still Mattered, here is the blockbuster story of the 1960 Summer Olympics in Rome, seventeen days that helped define the modern world.

Legendary athletes and stirring events are interwoven into a suspenseful narrative of sports and politics at the Rome games, where cold-war propaganda and spies, drugs and sex, money and television, civil rights and the rise of women superstars all converged to forever change the essence of the Olympics.

Using the meticulous research and sweeping narrative style that have become his trademark, maraniss reveals the rich palette of character, competition, and meaning that gave rome 1960 its singular essence.

  • Sales Rank: #747317 in Books
  • Published on: 2008-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.38" h x 6.78" w x 9.58" l, 1.84 pounds
  • Binding: Hardcover
  • 496 pages
Features
  • Hardcover

Amazon.com Review
Amazon Best of the Month, July 2008: Armed with the same engaging narrative found in Clemente and When Pride Still Mattered, Pulitzer Prize-winning author David Maraniss chronicles the triumphs, tragedies, and treacheries of "the Olympics that changed the world" with Rome 1960. The same Games that announced the greatness of icons like Cassius Clay, Wilma Rudolph, and Rafer Johnson, also exposed a growing unrest between East and West, black and white, and male and female. Even the host city of Rome, Maraniss recounts, was "infused with a golden hue...an illuminating that comes with a moment of historical transition, when one era is dying and another is being born." With moving portraits of the Games's remarkable personalities woven among tales of espionage and propaganda, Rome 1960 explores an Olympics unable to fight off the troubles of the modern world. Cold War sniping and issues of social inequalities were spilling into fields and stadiums, and the face of sport was rapidly changing. History buffs and sports fans alike will appreciate Maraniss’s quiet reporting, as he deftly removes himself from a storyline that is still relevant today. --Dave Callanan

From Publishers Weekly
Overshadowed by more flamboyant or tragic Olympics, the 1960 Rome games were a sociopolitical watershed, argues journalist Maraniss (Clemente) in this colorful retrospective. The games showcased Cold War propaganda ploys as the Soviet Union surged past the U.S. in the medal tally. Steroids and amphetamines started seeping into Olympian bloodstreams. The code of genteel amateurism—one weight-lifter was forbidden to accept free cuts from a meat company—began crumbling in the face of lavish Communist athletic subsidies and under-the-table shoe endorsement deals. And civil rights and anticolonialism became conspicuous themes as charismatic black athletes—supercharged sprinter Wilma Rudolph, brash boxing phenom Cassius Clay, barefoot Ethiopian marathoner Abebe Bikila—grabbed the limelight while the IOC sidestepped the apartheid issue. Still, we're talking about the Olympics, and Maraniss can't help wallowing in the classic tropes: personal rivalries, judging squabbles, come-from-behind victories and inspirational backstories of obstacles overcome (Rudolph wins the gold, having hurdled Jim Crow and childhood polio that left her in leg braces). As usual, these Olympic stories don't quite bear up under the mythic symbolism they're weighted with (with the exception perhaps of Abebe Bikila), but Maraniss provides an intelligent context for his evocative reportage. Photos. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
David Maraniss has demonstrated great range throughout his writing career. His latest effort is a timely and, for the most part, a well executed look at the 1960 Rome Olympics. Although the book’s subtitle may be a bit of a reach, Maraniss has much to say about the implications of the Rome Games as a microcosm of the political, financial, and humanitarian forces shaping the world at the time. Only the New York Times Book Review opined that the event’s obscurity today suggests that nothing was, in fact, world-changing about it. Rome 1960 combines the author’s passion for sports with his keen eye for sociopolitical connections to offer a compelling portrait of the “Olympics that changed the world.”
Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

2 of 2 people found the following review helpful.
For the Ages
By CC Coach Mike
Mr. Maraniss takes us back to the Rome Olympics in 1960. With loving detail he recreates that watershed moment when the Cold War first seriously collided with the sporting world. He reintroduces us to the sporting heroes of a bygone era. Greats like Wilma Rudolph, Ralph Bunch, Abebe Bikila and Rafer Johnson are recognized for their place in history. We meet the young Cassius Clay (Muhammad Ali)in all his brash insecurity. This is the moment when drugs first creeps onto the Olympic stage and when amateurism is being questioned. This a fascinating read.

27 of 28 people found the following review helpful.
Terrific Reading about the World at a Crossroads - and Glimpses of Sports Superstars, too!
By David Crumm
The world is changing so fast right now that most of us can barely keep up with the daily news that affects our lives, jobs and future. So, it's a rare and wonderful treat when a book comes along that carries us back to a time and place when the world changed more slowly - to show us one of those events that truly did change our global culture. When such books come along, they're usually about wars - but not this new gem by Pulitzer Prize-winning writer David Maraniss.

Given my own background as a journalist, I'll confess that I was puzzled by Maraniss' decision in selecting "Rome 1960" for a thick new book of nearly 500 pages (that's counting all the extras at the end). As I picked up the book, I kept asking myself: Why did he call this particular meet -- "The Olympics that Changed the World"?

As a specialist in religion and culture, I've immersed myself in histories of other Olympics: the 1924 "Chariots of Fire" Olympics, the 1936 Nazi-dominated Olympics, the 1972 Olympics when terrorists killed 11 Israeli athletes - and even the 1964 Tokyo Olympics that were a milestone in global culture in part because of Kon Ichikawa's historic documentary film.

But having read Maraniss' new book, I've got to agree - Rome in 1960 ranks right up there as a milestone in world culture.

I had not considered the roles of the major players who all collided in Rome that year - including the now-infamous anti-Semite and pro-Nazi American czar of the Olympics movement: Avery Brundage. If you don't find yourself drawn to "Sports" - but you are fascinated by 20th-Century history, especially the 1930s, Fascism and the Holocaust - this is a "must read" book for you. Think of it as a "sequel" to books about the controversial Nazi Olympics in which Hitler, Goebbels and Riefenstahl essentially pulled a fast one on Brundage in convincing him to help them celebrate their glorious new Reich.

As a journalist, I'm a longtime follower of new research into that earlier era - and Maraniss picks up the Brundage story in 1960 and pretty much nails the man and his many levels of hypocrisy - and lets us see how this antique figure collided with many of the realities of later-20th-Century culture. Among the key details Maraniss adds to our understanding of Brundage are personal jottings he made during the Rome Olympics that, among other things, complained of the emergence of "Jews ... demanding restitution for everything lost and lot more." (Of course, Brundage somehow managed to continue at the helm through 1972 in Munich, where controversy continued to surround his decisions.)

What's great about this new book is that everything I've said about the Brundage sub-plot is just one of many compelling storylines that Maraniss explores in these 500 pages. Among other things: These were the Olympics in which Cassius Clay exploded onto the global stage, later to transform himself into Muhammad Ali. These were the games of Wilma Rudolph. These were the games in which commercial interests were knocking down old-school barriers that claimed to be preserving an "amateur" tradition. Doping became an issue at Rome. Two Chinas and two Germanys jostled at these games.

This is summer reading at its best. The next Olympic games are looming. The world is no longer merely tilting on its axis. No, global culture now is spinning at a topsy-turvy rate, it seems.

Pick up "Rome 1960." If you're like me, you won't stop until you've read the whole thing - and you'll come away understanding just a little more about how we all got to this place we're standing in this strange new century.

2 of 2 people found the following review helpful.
Rome 1960
By William A. Bormann
The writer did a excellent job telling about the background of the atheletes who partipated in the games. The story
of Rufus Johnson and Wilma Randolph were excellent examples. I grew up in the 1960's, some of
the things he wrote about I remember. ihave enjoyed all his books.

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>> Download PDF The Pravda Messenger: A Novel, by Robert Cornuke

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The Pravda Messenger: A Novel, by Robert Cornuke

In 1825, Czar Alexander I of Russia was buried—but many did not believe that the body in the coffin was that of the czar. Rather, they believed that he had slipped away in disguise and was walking the roads of Russia as a humble monk.
 
In 1975, a Russian named Yuri and his adolescent daughter Tanya approach a Soviet-era monastery in Leningrad, where an ancient tomb is opened—inside is the ancient, dessicated body of a monk—and a golden snuff box is removed and given to them. Tanya has a special gift—the Pravda: she can always recognize when someone is telling her the truth. But Soviet soldiers arrive, and Yuri is wounded and captured. Tanya flees.
 
Seven years later, Tanya is living in Colorado on a goat farm, but her ability as an investigator—aided by her Pravda gift—has already proven useful to the local sheriff. Then the Bible of the Bell Messenger comes into her life, and all of the mysteries and dangers of her past life erupt again: the golden snuff box, the identity of the monk in the coffin, the location and welfare of her father—and Tanya embarks on a world tour, partly fleeing, partly kidnapped, partly in an effort to solve the mysteries herself. Will Tanya, now in her late teens, be able to discern which of the new people who enter her life at his point can be trusted? Will she fulfill her destiny as the girl with the gift? And how will the Messenger’s Bible help her?

  • Sales Rank: #2028965 in Books
  • Published on: 2009-09-01
  • Released on: 2009-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .80" w x 5.50" l, .53 pounds
  • Binding: Paperback
  • 272 pages
Features
  • ISBN13: 9781416549840
  • Condition: USED - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author

Robert Cornuke is the author of several books and an internationally recognized expert on biblical history and archaeological investigation. He has appeared on the History Channel, National Geographic Television, CBS, MSNBC, CBN, Fox, and TBN’s Ripley’s Believe It or Not.

Alton Gansky is the author of twenty novels and six nonfiction works. Previously a firefighter and an architect, he has spent twenty-two years in pulpit ministry.

Excerpt. © Reprinted by permission. All rights reserved.
chapter 1
THE TOMB

JANUARY 22, 1975
MONASTERY OF THE HOLY MARTYRS, LENINGRAD, U.S.S.R.

YURI TUCKED HIS chin under his coat collar, trying to ward off the stabbing wind that gusted across the frozen Neva River. The street slithered with white rivulets of snow as Yuri and his young daughter stepped around an old man struggling to shovel a narrow pathway up the monastery steps. Fat snowflakes churning in the raw evening wind accumulated faster than the old man could scoop them away with his one good arm. A pinned-over coat sleeve covered the stump of his other arm. A row of ribbons and war medals hung from his chest.

As Yuri and his daughter approached, the man paused, squinted against an icy gust and leaned on the broken end of his shovel. "The monks have bread for the hungry," he said, then bent over again and scraped his flat, rusted spade over the hard-packed ice that covered the path.

Yuri and Tanya moved up the steps and arrived at a pair of locked, cedar-plank doors. Yuri pounded the wood with a leathergloved hand. A few moments later, the door creaked open, exposing bone-thin fingers that held a thick chunk of brown bread.

"We are not here for food," Yuri said.

A voice wafted from behind the door. "Then why do you come here?"

"I bring the girl. She has the gift."

"Gift?"

"The gift of the Pravda legend." Yuri waited for a response.

The thin fingers unfurled and the brown bread tumbled to the floor. The monastery door moved, widening the gap between it and the jamb.

Yuri and his young daughter stepped inside. A gray-bearded priest wearing a brown floor-length cassock, a black Byzantine klobuk perched upon his head, watched them with sunken eyes. A large, ornate, silver cross dangled from his neck. He lifted a flickering paraffin lamp and bowed in silent greeting. He then turned and pushed the heavy door shut against the invading blast of cold, and latched it with a large sliding bolt.

"I am sorry, but I usually tend to the welfare of men's souls -- not the digging up of their bodies, as we are about to do." His words flowed over blue lips and lingered in a vaporous mist.

Yuri had no desire for small talk. "We must hurry. The KGB is looking for the girl. We must conduct our business and leave quickly. I will take the girl across the border to Finland and escape the madness of this vile government."

The priest nodded, then waved for them to follow in the flickering glow of his light.

Two rats nibbled at the fallen chunk of bread on the floor, unconcerned as the priest limped past. Yuri and Tanya followed the priest's lamplight and descended a steep set of stone stairs. The cold seemed to follow, pushing from behind.

At the bottom of the stairs was an arched stone chamber, its floor covered in a thin veneer of frozen scum that crackled with each footfall. Green water dripped from the ceiling.

The priest pointed to a dark corner, where a large gray granite sarcophagus rested.

Yuri felt Tanya pull his coat sleeve as she released a muffled sob from under her woolen neck scarf. Chiseled on the face of the crypt, in old Russian Cyrillic, was the moss-encrusted name of Feodor Kuzmich, with the date of 1864 carved below.

A monk, head bowed and hooded canopy shielding his face, stood on each side of the stone coffin, murmuring somnolent prayers.

The old priest bent to the girl. "You are the awaited one of the legend...the girl with the Pravda." His lamplight reflected in her small, troubled eyes. Tanya took a step back and brushed away a tear. The old cleric spoke slowly, his lips slipping over tarnished brown teeth. "The man entombed here has a message for you."

Yuri stared at the smooth granite casket. "I bring my daughter at the request of my wife, Natalia."

"Where is your wife?" the priest asked.

"She has died. Three weeks ago."

The priest closed his eyes in a moment of reverent reflection. "You have done well to bring her." Placing his hand upon Tanya's black hair, the priest asked, "So it is true? I must know for certain. You can hear when a voice speaks an untruth? Do you truly have the Pravda?"

Tanya looked at her father, whose eyes relayed his approval. She then turned back to the priest, and nodded.

The priest sighed. "At long last the legend breathes."

Yuri asked, "How did you know that the girl and I would come?"

"Your wife knew the legend. It tells of a girl born with the Pravda -- a girl who should be brought here and given a message from the tomb."

"My wife would have brought the girl, but she was gravely ill for some time." The memory of his wife's passing drove a hot blade through Yuri's heart.

The priest gave a comforting smile. "Do not mourn. She awaits your arrival in Heaven, and Heaven is never far away. Her ears will be able to hear, and her lips able to speak words of love for you." He returned his attention to the girl. "It is a mystery why your daughter was born with the Pravda gift when her mother lived her entire life stone deaf."

Yuri studied the priest for a moment, long enough to remember the day his wife told him that when their daughter was old enough, they would visit the monastery. That was seven years ago. At the time Yuri hadn't understood his wife's words. Now he did.

The old priest clapped his weathered hands. The two monks standing by the stone coffin stepped forward, and, in unison, curled their fingers under the edge of the stone lid. They slid it slightly to one side. The scraping sound broke the chamber's silence. The lid refused to move easily. With a few more muscle-straining pushes, the heavy slab scooted a few more inches.

The priest turned his wizened face to the girl. "Remember this night well, child. Remember the legend. There is no secret in this world that time and Heaven does not unlock."

Stepping to the sarcophagus, he held the glowing paraffin lamp over the narrow gap between the grave's lid and stone side, and peered into the coffin's cavity.

Yuri moved to the priest's side and craned his neck to see what lay within. He saw a skull topped with a coarse, tangled tuft of gray hair. The tomb's occupant stared back with black, empty sockets. The skull had no jaw. His head, a stub of a spine, and a pair of arms was all Yuri could see. A full-length peasant chemise blackened with aged fungus covered the skeleton. In the naked bones of the right hand rested an old, golden snuff box.

The priest pulled back the sleeve of his cassock, then slid his arm through the space between the lid and side of the sarcophagus, until his searching fingers found the golden object. It was fused to brown, curdled skin. He pulled again and the relic came free, the connected dry sinew disintegrating into gritty granules. The priest drew the box slowly from the coffin and held it close to his light for a moment. Despite a layer of dust, it glinted in the light. He held it out to Tanya.

Tanya looked at Yuri. He nodded. Her hands trembled as she took the box. "What is it?"

The priest spoke softly, as if muttering a prayer. "It is a snuff box, child -- a gold snuff box. Inside is a message from long ago -- a message for you."

"Message?" Yuri asked.

"Yes, a message and a small glass vial of bread from Heaven -- the manna of God."

Yuri took the box and examined it. It was heavier than he expected and ornately crafted. Delicate filigree edged the golden lid and a double-headed eagle decorated the middle: the imperial seal of the royal Romanov family.

"What's a snuff box?" Tanya asked. She looked confused and frightened.

The priest explained. "Long ago, men ground tobacco into powder. The wealthy kept their powder in a golden snuff box."

Yuri gazed at the box resting in his gloved hand, his mind whirling with questions. "Who is the man in the grave? What does he have to do with us?"

The priest stepped away from the sarcophagus. "He once lived as a czar, his soul lost to the wind, but he died a monk saved by the cross of Jesus."

"The czar?" Yuri said. The words drained him of strength.

"Yes -- "

A loud pounding on the upstairs vestibule door rumbled down the stone steps. They froze in silence; the only sound Yuri could hear was the gulping breaths of his daughter.

They heard more pounding, followed by a muffled, harsh voice. "KGB. Open the door, priest."

The priest's forehead creased. He motioned for the two attending monks to go up the stairs and tend to the visitor. As they turned to go, the priest spoke in a reassuring tone. "In Christ, to die is gain." The hooded monks nodded, but said nothing. Their dark forms ascended the stone steps.

The priest turned to Yuri. "Bring the girl."

Without waiting for a reply, the priest turned and started down a narrow, low-arched tunnel that snaked into darkness. He was old and bent over, but he moved with urgency. The passageway's floor and walls felt slick. Yuri assumed the tunnel also served as drainage for the wet tomb. He gripped Tanya's hand.

Light from the priest's lantern reflected eerily off stone cavities cut in the walls. Stacked skeletons in various stages of decomposition plugged each cavity. A sour, pungent odor hung in the air. Yuri saw Tanya pulled her scarf over her face to keep from retching.

After a minute of shuffling and slipping in the icy maze of darkness, they reached the end. Yuri saw the faint blue hue of falling snow through the tunnel's exterior opening. A moment later, they stood in the monastery's courtyard.

The priest gulped for air -- more from exertion, Yuri assumed, than fear. The old man pointed to a dark clump of trees at the edge of the courtyard. "The evil one comes to take the child, so run; run with Godspeed."

Yuri led Tanya by the hand and had made fifty trudging strides in the snow when he heard a shot split the howling wind. Yuri turned and caught sight of a flashlight beam scanning the courtyard. The beam silhouetted the old priest as he held out his arms in a desperate attempt to stop the man's advance. The man easily shoved the old cleric aside, his frail form crumpling to the snow.

Yuri heard the crack of another gunshot,...

Most helpful customer reviews

3 of 3 people found the following review helpful.
It's the truth
By Tim George
For seven years, Tanya Novak has lived in obscurity with a local goat farmer in rural Colorado. Tanya, an immigrant from Russia, is a normal teenager living with her guardian and caring for the livestock. Normal except for the fact her father is imprisoned in Siberia, she has come into possession of a mysterious Bible, a humiliated former KGB agent sees her capture as his ticket to restoration, she might know the location of a golden snuff box containing a portion of manna from Israel's wilderness wanderings, and she has been gifted with the Pravda. It is that gift, the ability to tell when others are truthful or deceitful, that becomes both her blessing and her curse.

The Pravda Messenger is a loose sequel to The Bell Messenger with a Bible being the connector between the two stories. Robert Cornuke's background as both a police investigator and world class archeologist lend authenticity to the sub-plot of Russian Czars and the shadowy world of antiquity traders and smugglers. In a relatively short novel, the author spins a great story of legends, international intrigue, and personal obsession. But the real star of the story is Tanya. Her innocence, devotion to the truth, and yearning to be reunited with her father carry the day. Cornuke does a good job of weaving Tanya's story with that of her father's plight in the bitter north of Russia.

Though it feels a bit rushed, the ending packs the kind of twist every good suspense story needs. And like most such novels, if I said any more you would be screaming at me for giving away the plot. It is sufficient here to say the cast of characters is diverse and believable: attorney Shannon Reed (a true believer), billionaire R.C. Cooper (a man obsessed with the secrets contained in an old family Bible), David Murk (a skeptic who can't help but believe), and a range of other secondary characters including a cameo appearance by Fidel Castor. Add to that a tight plot, fast passed story, and surprise ending. What more could you ask for in a suspense novel?

Sometimes it is a kiss of death to label a novel as smart in this day of increasingly shallow fiction but The Pravda Messenger is a smart story. Don't misinterpret that to mean it is not exciting or captivating because it is both. It is smart because the characters, dialogue, and well told story carry the day. Thought it is not necessary, you would do well to obtain the Bell Messenger to add yet another layer to an already great read. If you are gifted with the Pravda you will know I am telling you truth about this novel. Otherwise, I guess you will just have to read it for yourself.

2 of 2 people found the following review helpful.
Inspiring, unique and special
By A Customer
The Bell Bible is a divine journal ending up with people chosen by God. That person is the messenger and in the right hands has the power to change things for the good of its temporary owner. Through an unusual set of circumstances, the bible comes to Tanya of Colorado Springs after it was found on the ground following a plane crash and a thief stole it expecting riches.

Tanya immediately recognizes the bible having seen it seven years ago hidden in the tomb of Feodor Kuzmich, believed to be czar Alexander who left his pampered life to become a monk. She also recalls noticing a gold snuff box believed to hold manna inside it. In the present the Soviets want the manna to study it so that the scientists can increase food production; they reject any divine creation of manna. The Cubans want Tanta because she is the PRAVDA MESSENGER, a woman who can hear lies when they are spoken. Tanya's father is in a Gulag Camp C-23. People are working to free him so he can be used to blackmail Tanya into cooperating with her enemies.

There are many more villains in this intriguing work. This includes a Soviet spy who failed to obtain the snuff box seven years ago, which is the only blight on his record so he is obsessed with getting a second chance to recover it; an American working for a top secret agency whose desire for money supersedes his loyalty to his country and the Russians are willing to pay for his cooperation. Tanya is much more mature than her age as she understands the blessing she has received, but also knows the Lord will protect her. There are many heroes willing to become martyrs to keep her safe, but the most important is the Bell Bible given to God's chosen for his purpose. Inspiring, unique and special, fans will appreciate the PRAVDA MESSENGER.

Harriet Klausner

1 of 1 people found the following review helpful.
A really great adventure!
By ey96
I thoroughly enjoyed this second installment of the "Bell Messenger" series! Cornuke and Gansky never fail to grab one and hold them hostage in their novels! I stayed up all night and all day on a plane with the first one and didn't take my nose out of this one until I was finished. The characters are original, the writing is descriptive and sometimes humorous and the story is very adventurous!
The only complaint I have is that I missed the layout of the first book: How it took you from the 1800s to 1980 with each chapter. This book was solely in the 1980s.

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