Minggu, 27 Juli 2014

~~ Download PDF Star Trek: Deep Space Nine: Terok Nor: Day of the Vipers, by James Swallow

Download PDF Star Trek: Deep Space Nine: Terok Nor: Day of the Vipers, by James Swallow

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Star Trek: Deep Space Nine: Terok Nor: Day of the Vipers, by James Swallow

Star Trek: Deep Space Nine: Terok Nor: Day of the Vipers, by James Swallow



Star Trek: Deep Space Nine: Terok Nor: Day of the Vipers, by James Swallow

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Star Trek: Deep Space Nine: Terok Nor: Day of the Vipers, by James Swallow

Before the Dominion War and the decimation of Cardassia...before the coming of the Emissary and the discovery of the wormhole...before space station Terok Nor became Deep Space 9™...there was the Occupation: the military takeover of an alien planet and the violent insurgency that fought against it. Now that fifty-year tale of warring ideologies, terrorism, greed, secret intelligence, moral compromises, and embattled faiths is at last given its due in the three-book saga of Star Trek's Lost Era...

A seemingly benign visitation to the bountiful world of Bajor from the resource-poor Cardassian Union is viewed with cautious optimism by some, trepidation by others, and a calculating gleam by unscrupulous opportunists. What begins as a gesture of compassion soon becomes something very different. Seen through the eyes of participants on both sides -- including those of a young officer named Skrain Dukat -- the personal, political, and religious tensions between the Bajorans and the Cardassians quickly spiral out of control, irrevocably shaping the futures of both worlds in an emotionally charged and unforgettable tale of treachery, tragedy, and hope.

  • Sales Rank: #540864 in Books
  • Brand: Brand: Pocket Books/Star Trek
  • Model: 3631313
  • Published on: 2008-03-25
  • Released on: 2008-03-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.10" w x 4.19" l, .54 pounds
  • Binding: Mass Market Paperback
  • 528 pages
Features
  • Great product!

Review
"I have found that good novels have a color one can associate with the tone of the story, and in the case of this book that color is Cardassian grey.... Good and evil are not cleanly divided between people in the book. Some of the Cardassians are good, and some of the Bajorans are bad, in other words." -- The-Trades.com

About the Author
James Swallow is a BAFTA-nominated author of three New York Times bestsellers, including Star Trek: The Fall: The Poisoned Chalice, and he remains the only British writer to have worked on a Star Trek television show. His fiction includes the Sundowners series of original steampunk westerns, the bestselling novelization of The Butterfly Effect, and stories from the worlds of 24, Doctor Who, Warhammer 40,000, and Stargate. His other credits feature scripts for videogames and audio, including Deus Ex: Human Revolution, Disney Infinity, Fable: The Journey, Battlestar Galactica, and Blake’s 7. He lives in London.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent Read
By Michael Brown
I like this book and would recommend it any DS 9 fan. Why? For many reason,it provides greater insight for what happened prior to the arrival of the emissary but far greater then that it give a appreciate for the struggle of Bajor and how the occupations started

14 of 15 people found the following review helpful.
This Exactly What I've Been Waiting For!!!
By T'Pau, High Priestess of Logic
Deep Space Nine is my favourite series of all time, and the Cardassians have become my favourite aliens (sorry Vulcans!). I found the situation of a military based society having to come to a peaceful coexistence (and even being aided by, in the later years) with the very people whom they had occupied and exploited to be endlessly fascinating and insightful in our own culture (this is what Trek has always done, and what many non Trekkers have missed when they deride the series). This book answers all of the questions about the early years of the occupation of Bajor: why it happened, what were the Cardassians' motives towards Bajor and its people and how they changed, the social unrest in Bajor over their caste system prior to the occupation, the evolution of the future Gul Dukat and his career, how many Cardassians opposed the enslavement of the Bajorans, and how a peaceful people like those of Bajor can be transformed into a bloody guerrilla. Everything that DS9 had left you wanting to know more about in concern to the Bajorian Occupation, the cultures of the Cardassian and Bajorian peoples, and the hopes of both for the future are covered here. This is a well written, awesome book that even the most discriminating Star Trek fan will enjoy. I can't wait for the next two in the trilogy!

0 of 3 people found the following review helpful.
The Story of Bajor's Occupation Finally Told
By Marc Klein
Terok Nor Book One: Day of the Vipers is the strongest of the three part trilogy and tells the story of how Bajor came to be under Cardassia rule for fifty years. A lot of the characters we meet have already been seen in various DS9 episodes while others are created and established in this book. The writer sets up the story very, very well with the characters being well established.

We finally get to know the reason why Terok Nor (later to become DS9) was built and the rise and fall of Gul Dukat. The book has many different things going on at once that at times, it is hard to remember who's who and what's what but the book is pretty violent with lots of action.

This is not your typical Star Trek book as it does not have any of the regular characters we have come to know and love. It is essentially a book about Bajor, it's history, culture, religion and why it became occupied by the Cardassians.

In the end though, Day of the Vipers is a must read for any Trek fan who ever wanted to know the story behind Bajor's occupation.

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Sabtu, 26 Juli 2014

^ Download Ebook The Best Teacher in the World, by Howard Books

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The Best Teacher in the World, by Howard Books

Whether you are just beginning your journey as a teacher or have been molding young minds for many years, be encouraged and refreshed as you read the pages of this gift book designed especially for you. You are the best!

  • Sales Rank: #4352416 in Books
  • Published on: 2007-07-10
  • Released on: 2007-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .70" w x 7.00" l, .68 pounds
  • Binding: Hardcover
  • 128 pages

About the Author
Howard Books publishes adult trade fiction and non-fiction books. Our goal is to inspire readers one word at a time. With a reach into both the Christian and general markets, we are the primary imprint at Simon & Schuster for faith-based books. Howard is also home to numerous bestselling authors including Karen Kingsbury, Debbie Macomber, Dave Ramsey, Frank Peretti, Brad Paisley, and more.

Excerpt. © Reprinted by permission. All rights reserved.
ONE DROP IN THE POND

By Carrie Younce

Unlike some in his profession, my sixth-grade English teacher -- Mr. Duncan -- seemed to realize that the true blessing of being a teacher is in the opportunity to help shape a human soul.

Since I attended nine schools in twelve years, it seemed as if I was always the "new kid." After turning in one particularly lengthy poetry assignment, Mr. Duncan asked me to stay after class.

"This is very good," he said. "And very sad. Why are you so sad?"

When I complained that I just didn't fit in, Mr. Duncan folded his hands on his desk and said, "Look at my fingers. They all have a place. They all fit. That's the way God made it. You also have a place. The adventure is in finding it."

"Is the poem really good?" I asked. "I mean, I want to be really good like Stephen King or Shakespeare."

"Why do you want to be like someone else? You are capable of so much more than that. Just be yourself; be spectacular."

He encouraged me to push toward the edge. "There are no boundaries set for excellence," he proclaimed. "There are only guidelines that, if followed, will yield much good fruit." In this, he taught me that I could do whatever I wanted to do -- that the power to become whatever I was called to be already lay within me.

I was fertile ground for the seeds of acceptance that he planted in me.

Mr. Duncan not only believed in me, but he also constantly affirmed that the Greater One in me was doing the work through me.

"All good things come from God. You're the receiver of a gift. Don't try to take too much credit."

I developed appreciation for the grace of God within that simple truth.

When Mr. Duncan passed away three years after I left his class, more than four hundred people attended his funeral. Past students and their parents, fellow teachers, and neighbors all came to mourn and pay respect to the man whom we called teacher, mentor, and friend.

One of the poems read by the pastor at his memorial was mine. It was a simple free verse, speaking of how a drop of water falling onto the surface of a pond makes many ripples. The pastor closed by saying, "This one man has affected the lives of everyone here. Like in this poem, he was one drop that fell to earth and landed here in this pond, right where he belonged. He rose up here and took his proper place, so that we all might grow."

My poem, the one he had called good but sad, was added to the testimony of his legacy. I guess, in the end, God made teachers of us both.

The Best Teacher in the World © 2007 by Dave Bordon & Associates, LLC

Most helpful customer reviews

1 of 1 people found the following review helpful.
Heart-Warming, Practical, Down-to-Earth and Wonderful
By Stephen R. Tod
One of my five sisters just gave me this book. I taught language arts courses in junior and senior high school and in college for 43 years. If ever there was a confidence-boosting book for teachers, this is the one. If you are ever down, glum, discouraged as a teacher, just a quick dip into one of the very short, very attractively-laid-out articles or quotations - will completely pick you up and fill you to the brim and beyond with good cheer, positivism, and happiness, knowing that your efforts will greatly surmount all of the trouble, the difficulties, the seemingly endless amount of challenges a teacher always faces.

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^^ Ebook Free The Price of Pleasure, by Kresley Cole

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The Price of Pleasure, by Kresley Cole

Kresley Cole returns with a breathtaking romantic saga of love, honor, and passion unbound -- as a man of duty faces his greatest trial, and a young castaway discovers her greatest desire....

A man noted for his courage and integrity, Captain Grant Sutherland journeys to Oceania to find Victoria Dearbourne, an English girl lost at sea a decade before. He's given her ailing grandfather his word -- as a gentleman -- to find and protect her. But one look at a grown Victoria and Grant has never felt less like one.

Tori relishes freedom, untamed passion, and spontaneity above stifling order. Even more so when a proud, cold British captain arrives to rescue her, though she has no wish to be. As Grant tries to convince her to leave her island home, she begins to see in him a man hungering for more. A man who once laughed. A man who desires her but won't take what she offers.

Grant struggles to control his own savage passions -- and fails, Tori must decide what she wants more -- her unfettered independence or the only man who could tame her wild heart....

  • Sales Rank: #2234427 in Books
  • Published on: 2007-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: .97" h x 4.00" w x 7.05" l,
  • Binding: Mass Market Paperback
  • 368 pages

Review
Virginia Henley

A splendid read! The sexual tension grips you from beginning to end.

Heather Graham

Sexy and original! Sensual island heat that is not to be missed.

About the Author
*Sign up for Kresley's email newsletter to receive the latest book release updates, as well as info about contests & giveaways ( kresleycole.com/newsletter/ )
     Kresley Cole is the #1 New York Times bestselling author of the electrifying Immortals After Dark paranormal series, the young adult Arcana Chronicles series, the erotic Gamemakers Series, and five award-winning historical romances.
     A master's grad and former athlete, she has traveled over much of the world and draws from those experiences to create her memorable characters and settings. 
     Her IAD books have been translated into eighteen foreign languages, garnered three RITA awards, and consistently appear on the bestseller lists, in the U.S. and abroad.
     You can learn more about her and her work at kresleycole.com or facebook.com/KresleyCole

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

It was eleven-thirty when Marlie Keen left the cinemaplex with the rest of the Friday night moviegoers. The movie had been a good one, a lighthearted romp that had made her laugh aloud several times and left her in a cheerful mood. As she walked briskly to her car, she thought she could tell which movie people had seen by how they were acting now. It wasn't that difficult; the couples who were holding hands, or even exchanging kisses in the parking lot, had obviously seen the sexy romance. The aggressive bunch of teenage boys had seen the latest martial arts thriller. The well-dressed young professionals who were in earnest discussions had seen the latest Thelma and Louise imitation. Marlie was glad she had chosen the comedy.

It was as she was driving home on the brightly lit expressway that it hit her: She felt good. The best she had felt in years. Six years, to be precise.

In startled retrospect, she realized that she had been at peace for several months now, but she had been so caught up in the sedative routine of the life she had built here that she hadn't noticed. For a long time she had simply existed, going through the motions, but time had done its slow work and eventually she had healed, like an amputee recovering from the loss of a limb and learning to cope, then to enjoy life again. Her loss had been mental rather than physical, and unlike an amputee, she had prayed through dark, endless nights that she never recover that part of herself. At some point in the past six years, she had stopped living in dread that the knowing would return, and simply gotten on with her life.

She liked being normal. She liked being able to go to movies the way normal people did, liked being able to sit in a crowd; she hadn't been able to do that before. Several years ago, when she had realized it was actually possible, she had turned into a movie junkie for a while, visually gorging on the films that she thought were safe. For a long time any degree of violence was unbearable, but for the past couple of years she had been able to watch the occasional thriller, though they weren't her favorite type. To her surprise, she hadn't yet been able to watch any sex scenes; she would have thought that violence would have been immeasurably mote difficult for her to handle, maybe even impossible, but instead it was the portrayal of intimacy that gave her problems. Dr. Ewell had been fond of saying that no one should ever lay bets on the human psyche, and she was amused to find he was right. The violence in her life had been traumatic, devastating, while the sex had been merely unpleasant, but it was the "love" scenes that still had her squeezing her eyes shut until it was over.

She exited off the expressway onto a four-lane street, and of course was caught by the traffic light at the bottom of the exit ramp. The radio was tuned to an easy-listening station and she inhaled deeply, feeling the slow music and the lingering lightheartedness of the movie combine in a delicious, physical sense of contentment --

-- the knife flashed down, gleaming dully. A sodden, muffled THUNK! as it struck. The blade rose again, dripping red --

Marlie jerked back, an unconscious physical denial of the horribly real image that had just flashed in her mind. "No," she moaned softly to herself. She could hear her own breathing, sharp and gasping.

"No," she said again, though she already knew the protest was useless. Her hands were clenched on the steering wheel, white-knuckled, and even that wasn't enough to stop the trembling that started at her feet and went all the way up. Dimly she watched her hands start shaking as the spasms intensified.

-- Black, gloating pleasure. Triumph. Contempt --

It was happening again. Dear God, it was coming back! She had thought herself free, but she wasn't. The knowing was coming closer, growing, looming, and she knew from experience that soon it would overwhelm her. Clumsily, her coordination already deteriorating, she steered the car to the right, so she wouldn't block the exit ramp. A car horn blared as she wavered too close to the vehicle beside her, but the noise was distant, muted. Her vision was fading. Desperately she braked to a stop and shoved the gear lever into park, hoping that she had managed to get completely out of traffic, but then the nightmare image was back, hitting her full strength like a beacon that had brushed by her in search before homing in.

Her hands fell limply into her lap. She sat in the car staring straight ahead, her eyes unblinking, unseeing, everything focused inward.

Her breathing became harsher. Rough sounds began to form in her throat, but she didn't hear them. Her right hand lifted slowly from her lap and formed itself into a fist, as if she were gripping something. The fist twitched violently, three times, in a rigidly restrained stabbing motion. Then she was quiet again, her face as still and blank as a statue's, her gaze fixed and empty.

It was the sharp rapping on the window beside Marlie that brought her back. Confused and exhausted, for a terrifying moment she had no idea who she was, or where, or what was happening. An unearthly blue light was flashing in her eyes. She turned a dazed, uncomprehending look at the man who was bent over, peering into the window as he tapped on it with something shiny. She didn't know him, didn't know anything. He was a stranger, and he was trying to get into her car. Panic was sharp and acrid in her mouth.

Then identity, blessed identity, returned with a rush and brought reality with it. The shiny thing the man was using to rap against the glass transformed itself into a flashlight. A glint on his chest became recognizable as a badge, and he, frown and commanding voice and all, was a policeman. His patrol car, Mars lights flashing, was parked at an angle in front of hers.

The images of horror were still too close, too frighteningly real. She knew she had to block it out or she wouldn't be able to function at all, and she needed to get control of herself. Some vague danger was threatening, some memory that danced close to the surface but wouldn't quite crystalize. Desperately she pushed away the fog of confusion and fumbled to roll down the window, fighting for the strength to complete even that small act. The exhaustion was bone-deep, paralyzing, muscles turned to mush.

Warm, humid air poured through the open window. The officer flashed the light beam around the interior of her car. "What's the problem here, ma'am?"

She felt cotton-brained, thought processes dulled, but even so she knew better than to blurt out the truth. That would immediately get her hauled in on suspicion of being under the influence of some kind of drug, probably a hallucinogen. Yes, that was it; that was the vague danger she had sensed. A night in jail, for a normal person, would be bad enough; for her, under these circumstances, it could be catastrophic.

She had no idea how much time had passed, but she knew that she must look pale and drained. "Ah...I'm sorry," she said. Even her voice was shaky. Desperately she sought for a believable explanation. "I -- I'm an epileptic. I began to feel dizzy and pulled over. I think I must have had a slight seizure."

The flashlight beam sought her face, played across her features. "Please step out of the car, ma'am."

The trembling was back; she didn't know if her legs would hold her. But she got out, holding to the open door for support. The blue lights stabbed her eyes, and she turned her head away from the brightness as she stood there pinned in the glare, a human aspen, visibly quaking.

"May I see your driver's license?"

Her limbs were leaden. It was an effort to retrieve her purse, and she dropped it immediately, the contents spilling half in the car, half on the ground. Innocuous contents, thank God; not even an aspirin bottle or pack of cigarettes. She was still afraid to take over-the-counter medications, even after six years, because the mental effects could be so unpredictable.

By concentrating fiercely, holding the crippling fatigue at bay, she managed to pick up her wallet and get out her license. The policeman silently examined it, then returned it to her. "Do you need help?" he finally asked.

"No, I'm feeling better now, e-except for the sh-shakes," she said. Her teeth were chattering from reaction. "I don't live far. I'll be able to make it home."

"Would you like for me to follow you, make sure you get there okay?"

"Yes, please," she said gratefully. She was willing to tell any number of lies to keep from being taken to a hospital, but that didn't mean she had lost her common sense. She was incredibly tired, the aftermath worse than she remembered. And there was still the nightmare image -- knowing or memory, she couldn't tell -- to be dealt with, but she pushed it out of her mind. She couldn't let herself think about it; right now she had to concentrate only on the tasks at hand, which were remaining coherent, upright, and functional, at least until she could get home.

The policeman helped her pick up her belongings, and in a few moments she was behind the wheel again, edging back onto the pavement, driving with excruciating care because every movement was such an effort. Twice she caught herself as her eyes were closing, the darkness of unconsciousness inexorably closing in.

Then she was home, turning in to the driveway. She managed to get out of the car and wave at the officer. She leaned against the car, watching him drive away, and only when he turned the corner did she set herself to the task of getting inside the house. To safety.

With weak, shaking, uncooperative hands she looped the strap of her purse around her neck, so she wouldn't drop it. After pausing for a moment to gather strength, she launched herself away from the car in the direction of the front porch. As a launch, it was spectacularly lacking in power. She staggered like a drunk, her steps wavering, her vision fading. Every movement became more and more difficult as the fatigue grew like a living thing, overwhelming her muscles and taking them from her control. She reached the two steps leading up to the porch and stopped there, swaying slowly back and forth, her blurred gaze fixed on those two steps that normally required no effort at all. She tried to lift her foot enough to take the first step, but nothing happened. She simply couldn't do it. Iron weights were dragging around her ankles, holding her back.

She began to shiver, another familiar reaction from before, in that other life. She knew she had only a few minutes to get inside before she completely collapsed.

She dropped heavily to her knees, feeling the resulting pain as only a dull, distant sensation. She could hear her own harsh, strained breathing, echoing hollowly. Slowly, torturously, she dragged herself up the steps, fighting for each inch, fighting to keep the darkness at bay.

She reached the front door. Keys. She needed the keys to get in.

She couldn't think. The black fog in her brain was paralyzing. She couldn't remember what she had done with her keys. In her purse? Still in the car? Or had she dropped them? There was no way she could retrace her steps, no way she could remain conscious much longer. She began fumbling in her purse, hoping to find the key ring. She should be able to recognize it by touch; it was one of those stretchy bracelet things, the type that could be slid onto the wrist. She could feel metal, but it eluded her grasp.

Bracelet...She had slipped the keys onto her wrist. It was a habit so ingrained that she seldom even thought about it. The shaking was worse; she pulled the key ring off her wrist but couldn't manage to fit the key into the lock. She couldn't see, the blackness almost complete now. Desperately she tried again, locating the lock purely by touch, concentrating with her last fierce vestige of strength on the herculean task of guiding the key into the lock...Got it! Panting, she turned the key until she felt the click. There. Unlocked.

She mustn't forget the keys, mustn't leave them in the lock. She slid the bracelet back onto her wrist as she twisted the doorknob and the door swung open, away from her. She had been leaning on the door, and with that support suddenly gone she sprawled in the doorway, half in and half out of the house.

Just a little more, she silently urged herself, and struggled to her hands and knees again. Get in far enough to close the door. That's all.

It wasn't really crawling now. She dragged herself in, whimpering with the effort, but she didn't hear the noise. The door. She had to close the door. Only then could she give herself over to the blackness.

Her arm waved feebly, but the door was out of reach. She sent a command to her leg and somehow it obeyed, slowly lifting, kicking -- a very weak kick. But the door swung gently shut.

And then the darkness overwhelmed her.

She lay motionless on the floor as the clock ticked away the hours. The gray dawn light penetrated the room. The passing morning was marked by the path of sunlight, shining through a window, as it moved down the wall and across the floor to finally fall on her face. Only then did she move in a restless attempt to escape the heat, and the deep stupor changed into a more normal sleep.

It was late afternoon when she began to rouse. The floor wasn't the most comfortable of sleeping places; each shift of position brought a protest from her stiff muscles, nudging her toward consciousness. Other physical complaints gradually made themselves felt, a full bladder protesting the most insistently. She was also very thirsty.

She struggled to her hands and knees, her head hanging low like a marathon runner at the end of the race. Her knees hurt. She gasped at the sharp, puzzling pain. What was wrong with her knees? And why was she on the floor?

Dazedly she looked around, recognizing her own safe, familiar house, the cozy surroundings of the small living room. Something was tangled around her, hampering her efforts to stand -- she fought the twisted straps and finally hurled the thing away from her, then frowned because it looked familiar, too. Her purse. But why had her purse straps been around her neck?

It didn't matter. She was tired, so tired. Even her bones felt hollow.

She used a nearby chair to steady herself and slowly got to her feet. Something was wrong with her coordination; she stumbled and lurched like a drunk on the way to a common destination: the john. She found the comparison faintly humorous.

After she had taken care of her most pressing need, she ran a glass of water and gulped greedily, spilling it down her chin in the process. She didn't care. She couldn't remember ever being so thirsty before. Or so tired. This was the worst it had ever been, even worse than six years ago when --

She froze, and her suddenly terrified gaze sought her own reflection in the mirror. The woman who stared back at her had her face, but it wasn't the soothingly ordinary face she had become accustomed to. It was the face from before, from six years in the past, from a life that she had thought, hoped, was finished forever.

She was pale, her skin taut with strain. Dark circles lay under her eyes, dulling the blue to a muddy shade. Her dark brown hair, normally so tidy, hung around her face in a mass of tangles. She looked older than her twenty-eight years, her expression that of someone who has seen too much, lived through too much.

She remembered the stark, bloody vision, the storm of dark, violent emotion that had taken control of her mind, that had left her empty and exhausted, just as the visions always had. She had thought they had ended, but she had been wrong. Dr. Ewell had been wrong. They were back.

Or she had had a flashback. The possibility was even more frightening, for she never wanted to relive that again. But it suddenly seemed likely, for why else would she have seen that flashing knife blade, dripping scarlet as it slashed and hacked --

"Stop it," she said aloud, still staring at herself in the mirror. "Just stop it."

Her mind was still sluggish, still grappling with what had happened, with the aftereffects of the long stupor. Evidently the results of a flashback were the same as if she had had a true vision. If the mind thought it was real, then the stress on the body was just as strong.

She thought about calling Dr. Ewell, but a gap of six years lay between them and she didn't want to bridge it. Once she had relied on him for almost everything, and though he had always supported her, protected her, she had become accustomed to taking care of herself. Independence suited her. After the encompassing, almost suffocating care of the first twenty-two years of her life, the solitude and self-reliance of the last six had been especially sweet. She would handle the flashbacks by herself.

Copyright © 1994 by Linda Howington

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42 of 47 people found the following review helpful.
A Sensual Pleasure
By M. Rondeau
At the age of 13, Victoria "Tori" Dearbourne, had learned to endure. Surviving a shipwreck, Tori, her mother, who sustained a broken back and later died; and her governess Camelia "Cammy" Scott, would be marooned on a deserted island in the middle of Oceania for the next eight years. Living alone Tori developed skills of survival including building, hunting, and catching fish. The one time they thought they might be rescued, the sailors attacked them and after Tori and Cammy barely escaped rape were left stranded once again.

Grant Sutherland, is captain of the ship that has finally reached Tori's island, having been sent on the latest expedition in search of the missing Dearbourne family. Spying the young woman racing across the beach, Grant was so surprised and overwhelmed at locating her he immediately raced after her. With Tori's past experience with sailors, being far from pleasant, she was taking no chances on being caught and Grant found her eluding him at every turn. For the very unemotional and stodgy Grant, his experience with the very unladylike antics of Tori were hard to digest and yet, he couldn't help but feel powerless to prevent his imagination from running wild with desire for her. The journey back to civilization would be a test of will as Tori battled Grant for his affections, and Grant battled his sense of propriety and honor over his passion for Tori!

*** Kresley Cole has once again crafted a marvelous tale featuring the brother of Derek, her first hero in THE CAPTAIN OF ALL PLEASURES. Grant was first introduced in helping to bring Derek and Nicole together and I looked forward to the promised sequel which proved him to be as hot and sensual as his brother, even if it took another very original and delightful heroine (Tori) to straighten him out and loosen him up! The pace is quick, the adventure is both exciting and sensual, and the chemistry between the two was marvelous. Additionally, you get to revisit some old friends from the first book, and have your appetite whetted for what looks like another adventure featuring cousin Ian who has mysteriously disappeared. I loved the original plot, delightful characterizations and excitement this author creates in a book that is sure to bring the reader plenty of `pleasurable' reading. --- Marilyn, for [...] ---

22 of 25 people found the following review helpful.
Romance, adventure, and the high seas
By TheSchemer
The only child of explorers, thirteen-year old Victoria Dearbourne travels the world with her parents, accompanied by her governess, Miss Camellia Scott. But Tori's carefree life changes forever when the Serendipity goes down during a storm in the South Pacific, taking her father to his watery grave. Tori, her gravely injured mother, and Cammy are the only ones to survive, washing ashore on a deserted island. When it becomes clear her mother will not survive, she makes Tori promise never to give up hope that her grandfather will send someone to find her. But eight years pass in their paradise prison, and the few times sailors have come upon their island, rescue was not their goal. Now wary of men, Tori is determined to elude the latest batch who've arrived on their shores.

Like everyone else in England, Grant Sutherland and his crew are well acquainted with the tragic story of the Earl of Belmont's family. Although his son, daughter-in-law, and only grandchild were presumed lost at sea nearly a decade ago, the elderly earl refuses to believe they are dead and has beggared himself sending out countless search parties. Commissioned by the ailing nobleman to do one last search, in exchange for the earl's estate after he dies, Grant has almost given up when he sees a beautiful young woman running on the beach of an isolated island. Convinced he has found the missing Dearbournes, Grant quickly mobilizes a team to go ashore and retrieve the survivors.

Instead of being greeted by grateful castaways wanting to leave, Grant and his men find themselves outmaneuvered time and time again by their quarry. For Grant, frustration gives way to respect, along with a growing attraction for this impetuous island woman. The feeling is mutual for Tori, and gradually she comes to believe that rescue finally has come. It is on the voyage back to England that the awareness between captain and passenger finally explodes into passion. But while Tori unabashedly revels in their intimacy, Grant finds himself torn between logic and desire. Having seen how love had nearly destroyed one brother and killed another, Grant has sworn never to care too deeply for a woman. With Tori, however, it is all or nothing.

THE PRICE OF PLEASURE is only Kresley Cole's second book, but it cements her position as a rising star of historical romance. While the lush islands of the South Pacific come to life in her narrative, it is her complex characterization of the lead characters that capture the reader's attention. Practical, ingenious, and brimming with life, Tori is no demure Victorian lady. Grant, on the other hand, is more complex. At first glance, he is the epitome of a dark, brooding hero, but the reader sees him evolving as the story unfolds. Intriguing secondary characters abound, including Derek and Nicole from the previous book in the series (THE CAPTAIN OF ALL PLEASURES), and the stage is set for the next installment.

TheSchemer

14 of 16 people found the following review helpful.
Better Than The First!!!
By Kristi Ahlers
I really enjoyed Ms. Cole's first novel "The Captain of All Pleasure" and anxiously awaited her latest effort. Trust me it was well worth the wait, and in my opinion better than the first.

The characters, action, and chemistry all combined to make a this read not only a pleasure to read, but fun. Victoria and Grant were wonderful main characters. Their angst and conflict was not over the top and was actually true to form for both characters. Victoria was a true free spirit, and Grant could not have been more uptight. I know how could these two different people fall in love? You'll just have to read the book. Secondary characters such as Cammy, and Grant's family (yes, they are all back) only add to the story. They are not "behind the scene" characters used as filler. They actually play a very important and at time funny parts. I laughed and I cried. A true sign that a book is excellent if you can care about the characters enough to feel an emotion. Also a sign of a talented author that can draw that reaction from a reader!

Ms. Cole is truly a talented author, and one that I will now buy simply because her name is on the cover. I am hoping her next effort won't be long in coming and that it might just be Ian's story (hint, hint...). In any event this is a read that I highly recommend that you add to your "must read" list. Trust me you won't be sorry.

Official Reviewer for [...]

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Jumat, 25 Juli 2014

? Download Ebook Oh My Goth, by Gena Showalter

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Oh My Goth, by Gena Showalter

A fiercely individualist Goth girl wakes up to discover that the whole world has gone Goth and she's actually -- gag -- popular.

Jade Leigh is a nonconformist who values individuality above all else. She has a small group of like-minded Goth friends who wear black, dabble in the dark arts, and thrive outside the norm. They're considered the "freaks" of their high school. But when Jade's smart mouth lands her in trouble -- again -- her principal decides to teach her a lesson she'll never forget.

Taken to a remote location where she is strapped down and sedated, Jade wakes up in an alternate universe where she rules the school. But her best friends won't talk to her, and the people she used to hate are all Goth. Only Clarik, the mysterious new boy in town, operates outside all the cliques. And only Mercedes, the Barbie clone Jade loathes, believes that Jade's stuck in a virtual reality game -- because she's stuck there, too, now living the life of a "freak." Together, they realize they might never get back to reality...and that even if they do, things might never be the same.

  • Sales Rank: #1622995 in Books
  • Brand: Showalter, Gena
  • Published on: 2006-07-04
  • Released on: 2006-07-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .60" w x 5.00" l, .39 pounds
  • Binding: Paperback
  • 256 pages

About the Author
Gena Showalter is the New York Times and USA TODAY bestselling author of more than fifty novels and multiple series, including the spellbinding Otherworld Assassins, Alien Huntress, and Lords of the Underworld series, her wildly popular young adult novels—Firstlife and Alice in Zombieland—and the highly addictive Original Heartbreakers series. Visit her at GenaShowalter.com and Facebook.com/GenaShowalterFans.

 

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

When people look at me, they automati-

cally assume I'm dark and weird. Why

can't they see the truth? I'm just a girl,

trying to find my place in the world.

-- From the journal of Jade Leigh

God, I hate school.

I'm sitting in trig, listening (not really) to Mr. Parton drone on and on about angles and measurements. As if I care. As if I'll ever use that stuff outside of this classroom.

Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?

With my elbows resting on my desktop, I dropped my forehead into my upraised palms and closed my eyes. Mr. Parton continued to blah, blah, blah (or, as he'd tell you, talk), and his superior, I-know-the-answers-therefore-I-am-God voice grated against my nerves.

Was I surprised? No. He always talked to us like that, as if we were dumb for not already knowing how to work math equations we'd never encountered before. He even got mad when we asked questions -- God forbid we actually learn, right? -- and generally treated us like total dumbwits.

Fifteen minutes, thirty-seven seconds before bell. Translation: fifteen minutes, thirty-seven seconds of me wishing for an apocalyptic destruction of the universe so my misery would end.

What had I done to deserve this kind of torture? Talk back to my dad? Who didn't? Ditch a few classes? Show me one person who hasn't. Pierce my nose? Well . . .

"If Miss Leigh will give me the honor of her attention," Mr. Parton snapped, "I'll explain the relation between sins and chords."

I didn't glance up, didn't want to encourage him. Really, when would this end?

"Are you paying attention, Miss Leigh, or are you praying you never come into contact with a wooden stake?"

Several students chuckled.

I still didn't bother looking up, but I did react to his taunt. "No, I'm not," I gritted out. I think the man enjoyed making fun of me more than he liked teaching. Not a single day passed without a snide comment from him: Why don't you do everyone a favor and stay home tomorrow, Miss Leigh? You're the reason I need ulcer medication, Miss Leigh. Your poor father, he must need a lot of therapy, huh, Miss Leigh. I'd heard it all. "FYI," I added, "your comment doesn't make you fright, Mr. Parton."

"Fright." Avery Richards snorted. "That's such a dumb word."

"Just say cool like the rest of us," someone else said.

I felt my cheeks heat with embarrassment -- and hated myself for letting them see any hint of upset.

Mr. Parton tapped his foot impatiently. "Mind sharing with us what you were doing that's more important than listening to what I have to say? If anyone in this classroom needs to learn, it's you."

Okay. Now I'm officially pissed. "If you must know, I'm thinking of less painful ways to kill myself than from your lesson. Kevin."

My classmates erupted into laughter, and I heard the shuffle of their seats as they turned to glance at me. They may not like me, but they always found my irreverence amusing.

Mr. Parton glared. "You will address me as 'Mr. Parton' or not address me at all. You do not call me by my first name. Ever. I don't want someone like you even thinking it."

How's this for a math equation: the wooden stake comment plus the someone-like-you comment equals a ready-to-throw-down Jade Leigh. His words assured one thing: I would not allow myself to back down now.

"Is it okay, then, if I call you Kevie?" I said. I'm Goth; that doesn't make me a vampire. If I were, I would have drained Mr. Parton a long time ago.

Honestly, I'm not evil. I liked to dabble in the magical arts (upon occasion), yes, and I dressed to set myself apart from the ultratraditional norm. There's nothing wrong with expressing my individuality.

"There will be a quiz on this information," he growled. "While I'm happy to give you an F, I'll be even happier to give you detention if you don't start paying attention."

He expected me to shake with fear over the thought of detention. If he'd said something about "extreme makeover" or "an hour of shopping with the Barbie clones" . . . maybe. But an hour alone with my thoughts?

Yeah, I'm quaking.

Just keep your mouth shut, Jade, my common sense piped in. Ignore him. You can't afford to be in trouble again. I looked up at last, facing him, determined (finally) to remain silent and end our battle. He wouldn't get in trouble for it, but I would. Yet, when my gaze locked with his, his too-thin lips curled in a smug smile and his green eyes glowed with triumph -- as if he'd already won.

"That's what I thought," he said, his voice as smug as his grin.

"Detention sounds like fun," I found myself saying, all sense of preservation annihilated by his premature smugness. "Sign me up. I can hardly wait to start."

His eyes narrowed to tiny slits, and his face darkened to an angry red, clashing with his white button-up shirt (no wrinkles) and brown dress slacks (again, no wrinkles). So neat. So tidy.

At one time, I bet he'd been military.

That's probably why he'd taken an instant dislike to me at the beginning of the school year. Military men, like my dad, liked things precise, nothing out of place. I usually wore a black vinyl shirt lined with cobweb lace, fishnet gloves, and ripped jeans. Or, like today, a frayed black mini and black Victorian corset. Soooo not "precise" and completely out of place. My black lip liner and nose ring probably didn't help.

What do you think he'd do if he saw the symbol of infinity tattooed around my navel?

"You want detention so badly I'll sign you up for the entire week." He crossed his arms over his chest, obviously expecting me to rush out an apology. "How would you like that?"

When would he learn I wasn't like the other kids at this school?

"Mr. Parton," I said, studying my metallic blue nail polish as if I hadn't a care in the world. Inside, though, I hadn't forgotten that I stood on the edge of a jagged cliff, trouble waiting for me if I fell. But I couldn't seem to help myself; I despised this man too much. "Do you mind getting back to your lecture, so I can get back to my nap?"

Another round of laughter erupted.

"That's it!" Scowl deepening, he pounded toward me and slapped his hand against my desk, causing the metal legs to vibrate. If he didn't learn to control his stress level, he'd burst a vessel in his forehead. "You've been nothing but a nuisance for three weeks. You have the worst grades in the class -- in all your classes, actually. I checked."

My back straightened, and my shoulders squared. How dare this "role model" discuss my grades with the entire class. "I have an A in creative writing," I informed him staunchly.

"Well, good for you." The sarcastic edge in his voice grated against my every nerve. "You know how to write in your native language. Woohoo. Let's all give Miss Leigh a round of applause."

More laughter (no longer in my favor), followed by the sound of enthusiastic hand clapping and whistling. Traitors! I should have expected nothing less.

My eyes narrowed, and I think Mr. Parton realized I was about to rip into him. He slapped my desk again. "We're done with this conversation. I've had enough of you, and I want you out." He jerked a finger toward the door. "Get out of my classroom. Go straight to the principal's office. Do not talk to anyone. Do not stop in the bathroom."

What, should I collect two hundred dollars if I passed Go?

Tomblike silence claimed the room as I bent to retrieve my books and red velvet purse from the floor. "Don't you need to write me a note or something?" I said, purposefully keeping my tone light. No way I'd give him the "please let me stay" reaction he craved.

His nostrils flared before he stomped to his desk, scribbled something on a piece of paper, and thudded back to me. He smacked that sheet into my outstretched palm. "Out!"

"Thanks," I said, proud of myself. I hadn't backed down, hadn't let him intimidate me. As my mom once said, "If you don't stand up for yourself, Jade sweetie, no one else will. Be strong. Be brave. Be you."

She'd uttered those words right before she died.

Two years ago, a distracted driver had slammed into our car, propelling us into the one in front of us. I'd been fifteen at the time, and she had been teaching me how to drive. I lost my mom that day, as well as the illusion of immortality. I had almost died myself and still bore the scars on my abdomen, so I understood how short life could be. I would not allow a man like Mr. Parton to ruin a single day of mine.

I may only be seventeen years old, but that doesn't mean I'm stupid. That doesn't mean I'm powerless. Mr. Parton enjoys taking his frustrations out on his class. He spills coffee on his shirt, we get a quiz. He locks his keys in his car, we get ten pages of homework.

What's more, I (obviously) can't stand the way he talks to me, as if I'm less of a person than he is because I'm younger, because I dress differently. Should I be punished for not liking math (and sucking at it)? Should I be punished for dabbling in what others considered the darker side of life?

"Pick up the pace," he told me irritably. "The sooner you're gone, the sooner the rest of the class can enjoy the lesson."

I pushed to my feet and adjusted the bag over my shoulder. "I don't think you have to worry about anyone enjoying it."

The comment earned several snickers.

His teeth bared in a scowl, and he took a menacing step toward me. The man looked ready to snap -- my neck, that is. A little tremble worked through me, but I quickly squashed it. If I showed any weakness, he would only use it against me in our next skirmish.

And there would be another one. There always was.

I remained in place, taking ...

Most helpful customer reviews

20 of 22 people found the following review helpful.
Entertaining.
By Betty
I thought the book was cute. The plot was interesting. However, while reading the book I got a sense that the author did not quite understand the Goth subculture. To me it felt like she just went on Google and searched the word "Goth" and used whatever she found as a reference. An example of this would be how Jade kept referring to other Goths as cemetary Goth, asian Goth, and etcetera. In real life most Goths are not that easy to pin point. Most are rather varied in their interests and would fall under many different categories. I was also annoyed at how cheesy and cliche some of the Goths in the virtual world were. For instance, one girl walks up to Jade and says "Darkness rules!". Being a Goth myself I know for a fact that in real life a Goth would not say that to another Goth unless they were joking. I was also annoyed when one girl asked Jade to start a black magic club. Oh come on! Now, if she would've wanted a Peter Murphy or Siouxsie Sioux fan club then that would've been better. It would've been cool if the author could have slipped a few references to bands like Bauhaus, The Sisters of Mercy, The Mission UK, and Sex Gang Children in the book. Also, I think it would've been entertaining to see some new classes added to the virtual high school. Classes like Goth Rock Music History, DIY 101, and Proper Make up Application. Overall this is a very cute book. I would recommend renting it from your local library if you are bored and need something to do.

20 of 24 people found the following review helpful.
Eh...
By Steph
I'm so surprised that I'm writing a negative review of this book. When I first got Oh My Goth, I thought it'd be one of those books that I'd recommend to all my friends. The premise was great! I mean--here's to showing everyone is human on the inside and labels/appearances should not be the defining factor of a person or their worth.

And then...

Well, first off, we get this huge contradiction right at the opening. Each chapter is prefaced with a blurb from Jade's private journal--here's the first one:

"When people look at me, they automatically assume I'm dark and weird. Why can't they see the truth? I'm just a girl, trying to find my place in the world."

I thought, Okay, we're off to a great start. This character has strong likeable potential. But then the narrative began. Three paragraphs down the first page and we've got:

"Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?"

So, Jade complains about being judged based on her appearance, but here she is doing the exact same thing. Is it any wonder people think that about her?

The book went on. Some passages were funny in a teen-angsty way. Others were bland. But mostly, my thoughts went elsewhere while I was reading. By the last page, I didn't care what Jade did, what the book's message was, or even how it ended. I won't say I was happy that it ended. I wasn't. I wanted to like this book. But I didn't and here's why:

Jade was impenetrable. I couldn't figure her out or relate to her at all. In fact, I thought she was highly superficial, which is not something I want from any character, especially one I'm reading about in a first-person narrative. I'll even go so far as to say this book was superficial. It meandered along the surface, never really digging deep enough for me to get any substance. Some passages were unbelievably contrived, like the ones describing all the types of goths there are and how they dress, like it's one big institution. Is this what this girl considers being a noncomformist? Comforming to the "norms" or noncomformity???

Which brings me to my next point. Jade "expresses her individuality" because her mother, at the exact moment before crashing with another car and dying from the collision, told her to always be herself, no matter what. And now Jade thinks she has to be unlike everyone else to be herself. Someone please tell this girl that dressing differently doesn't make you original.

Overall, didn't like the main character; thought the book's message was botched; didn't care much about about anything that happened. I had hoped this book would've gone to say something about how a person's essence is more important than their outer shell. It didn't. It focused exactly on the opposite, which makes it pointless.

Rating: 3/10

6 of 6 people found the following review helpful.
Judge Not Lest Ye Be Judged?
By Tez Miller
Dr John Laroque has the fascinating idea of changing problem teens for the better using virtual reality, and Jade Leigh and her nemesis Mercedes Turner are forced into the game with parental consent. For someone who's supposed to be a heroine, Jade demonstrates contradiction, hypocrisy, double standards and whatnot, and I was close to quitting this book early on. Never have I felt such a negative reaction towards a protagonist within the first three pages. But with Chapter 3 came the "field trip", and things got interesting from there, where Goth was popular - as was Jade - and Mercedes the Barbie was a "freak".

Jade claims to be a non-conformist, though she's proud to be a punk Goth - meaning while she doesn't conform to the Barbies, she still conforms to Goth standards. And while she claims that everyone always judges her, she judges them right back. I realised this straight away, but it took much longer for Jade to figure it out.

Reading about an American high school was somewhat of a culture shock to me. In my Australian public high school we wore uniforms; there were strict rules about hair colour, piercing and make-up; and cheerleaders did not exist. So I had trouble connecting with these fictional teens and their superficial attitudes. Since when can teens seemingly without jobs afford Sidekicks? Mooching off their hard-working (or rich) parents, of course. They just seemed to lack respect for others, and I hated Jade's holier-than-thou attitude. She feels like a teacher is picking on her, but she sinks to his level and serves him right back. Where is the maturity?

While so much about this book annoyed me, it was still interesting enough to read in basically one sitting.

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Senin, 21 Juli 2014

* PDF Download Them: A Novel, by Nathan McCall

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Them: A Novel, by Nathan McCall

The author of the bestselling memoir Makes Me Wanna Holler presents a profound debut novel -- in the tradition of Tom Wolfe's Bonfire of the Vanities and Zadie Smith's White Teeth -- that captures the dynamics of class and race in today's urban integrated communities.

Nathan McCall's novel, Them, tells a compelling story set in a downtown Atlanta neighborhood known for its main street, Auburn Avenue, which once was regarded as the "richest Negro street in the world."

The story centers around Barlowe Reed, a single, forty-something African American who rents a ramshackle house on Randolph Street, just a stone's throw from the historic birth home of Dr. Martin Luther King, Jr. Barlowe, who works as a printer, otherwise passes the time reading and hanging out with other men at the corner store. He shares his home and loner existence with a streetwise, twentysomething nephew who is struggling to get his troubled life back on track.

When Sean and Sandy Gilmore, a young white couple, move in next door, Barlowe and Sandy develop a reluctant, complex friendship as they hold probing -- often frustrating -- conversations over the backyard fence.

Members of both households, and their neighbors as well, try to go about their business, tending to their homes and jobs. However, fear and suspicion build -- and clashes ensue -- with each passing day, as more and more new whites move in and make changes and once familiar people and places disappear.

Using a blend of superbly developed characters in a story that captures the essence of this country's struggles with the unsettling realities of gentrification, McCall has produced a truly great American novel.

  • Sales Rank: #244083 in Books
  • Brand: Washington Square Press
  • Published on: 2008-08-19
  • Released on: 2008-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.31" l, .74 pounds
  • Binding: Paperback
  • 368 pages
Features
  • Great product!

From Publishers Weekly
Starred Review. The embattled characters who people McCall's trenchant, slyly humorous debut novel (following the 1994 memoir Makes Me Wanna Holler and a 1997 essay collection) can't escape gentrification, whether as victim or perpetrator. As he turns 40, Barlowe Reed, who is black, moves to buy the home he's long rented in Atlanta's Old Fourth Ward, the birthplace of Martin Luther King Jr. His timing is bad: whites have taken note of the cheap, rehab-ready houses in the historically black neighborhood and, as Barlowe's elderly neighbor says to him, They comin. Skyrocketing housing prices and the new neighbors' presumptuousness anger Barlowe, whose 20-something nephew is staying with him, and other longtime residents, who feel invaded and threatened. Battle lines are drawn, but when a white couple moves in next door to Barlowe, the results are surprising. Masterfully orchestrated and deeply disturbing illustrations of the depth of the racial divide play out behind the scrim of Barlowe's awkward attempts to have conversations in public with new white neighbor Sandy. McCall also beautifully weaves in the decades-long local struggle over King's legacy, including the moment when a candidate for King's church's open pulpit is rejected for linguistic lapses... unbefitting of the crisp doctoral eloquence of Martin Luther King. McCall nails such details again and again, and the results, if less than hopeful, are poignant and grimly funny. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Former Washington Post reporter Nathan McCall’s previous work includes a memoir and a collection of essays. Like the characters in this debut novel, reviewers agreed that the ground covered in Them is valuable, but they disagreed over how it should be treated. While all critics thought that Barlowe is a complex protagonist and a fascinating black voice, many thought that McCall’s white characters are little more than stereotypes. Some reviewers interpreted these characters’ lack of depth as satire; others saw it as a realistic portrayal of how some people behave in a racially charged environment. The novel’s subject matter, gentrification, is a problem that few in America, white or black, have really figured out how to solve. As a result, most critics were willing to forgive the work’s shortcomings in the hope that its readers will learn to forgive as well.
Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
Forty-year-old Barlowe Reed is a hardworking printer, renting a house in the Old Fourth Ward of Atlanta. His nephew Tyrone is his only steady companion, now that his erstwhile girlfriend has dumped him. He feels adrift, chafing at the limited opportunities for a black man with less than a high-school education and aggravated by Them—bureaucrats, bosses, ex-girlfriends, but mostly white folks. Wondering about his next step in life—whether he should buy the house he lives in or switch to a higher-paying job—Barlowe discovers that his new next-door neighbors are white. The couple, Sean and Sandy, have joined the ranks of yuppies gentrifying the area. Sandy makes tentative approaches to Barlowe as her husband steams under every negative incident. The neighbors are a microcosm of what is happening throughout the community, as whites assert their desire to change the area and blacks assert their desire for things to remain unchanged. McCall, author of Makes Me Wanna Holler (1994), offers a sensitive look at the dynamics of gentrification. Bush, Vanessa

Most helpful customer reviews

35 of 39 people found the following review helpful.
Awesome book for a discussion...
By Jason Frost
I read Mr. McCall's 'Makes me Wanna Holler' when I was a younger and still not yet a man. I read it and throughout the book I was saying "yeah", "that's right", and "exactly". It was very good for me to read something from someone who knew EXACTLY how I felt. When I saw he had a fictional book coming out I knew I had to read it.

This book is an awesome novel about "them". The question is who is "them"? Are you a "them"? Is your neighboor a "them"? Is your boss a "them"? Well, it all depends on who YOU are. Unlike other books on race relations this one gives us a view from both sides while slightly favoring one side. Entertaining, a little political, at times gritty, eye-opening, very well written, and a great book to read for your book club, to/with your kids, and discuss with co-workers.

Hopefully this won't be this authors last work of fiction.

27 of 30 people found the following review helpful.
There Goes the Neighborhood
By M. P. McKinney
Nathan McCall's novel, Them, depicts the gentrification of Atlanta's Old Fourth Ward neighborhood. Barlowe Reed, a single, middle-aged loner, and his nephew Tyrone, have been residents of the Old Fourth Ward for several years. Barlowe is wary of Caesar in all forms: government, bureaucracy, law enforcement, even flags. His feelings of distrust are deepened with the influx of new, white residents into their neighborhood which is rich with the history of the Civil Rights Movement and the memory of Dr. Martin Luther King, Jr. The racial tension in the neighborhood escalates, pitting black residents against white residents.

One white couple, Sean and Sandy Gilmore, buy the house right next door to Barlowe. Sandy and Barlowe hesitantly begin chatting over the backyard fence attempting to find understanding and common ground amidst the growing confusion and resentment building in the neighborhood.

McCall pulls no punches in Them as he excavates the multiple layers of struggle, history, pride, and hope that the neighborhood holds for its' residents. Them poses many questions about the gentrification process, yet offers little in the way of concrete answers. McCall's use of dialect, well-developed characters and detailed setting encourages readers to become invested in the residents of the Old Fourth Ward. Them is an excellent choice for individuals looking for a thought-provoking read and a great catalyst for book club discussions.

Reviewed by M. P. McKinney
APOOO BookClub

21 of 25 people found the following review helpful.
The perspective of the gentrified
By Richard A. Jenkins
McCall's book interested me because I used to live in another gentrified Atlanta neighborhood, Kirkwood and unlike previous accounts of gentrification, the emphasis was on the gentrified. I'd also read and liked McCall's "Makes Me Wanna Holler". When I first looked at houses, my broker had suggested looking at the Old Fourth Ward, which then was just beginning to see redevelopment. The area didn't appeal to me because it lacked "amenities"--the rapid transit was inconvenient to most of the neighborhood and the shopping didn't amount to much beyond neighborhood mini-marts, plus it would have meant an even more inconvenient commute than the one I already had. Basically, like much of intown Atlanta, it was carbound and not very "urban" even though the "urban" location was supposed to be the appeal. Over the next 7 years, I frequently drove through the Old Fourth Ward on my way to other places and watched its rapid evolution.

McCall is at his best when he takes the perspective of Barlowe, a middle aged African-American man who finds himself with two not-always-well-meaning White gentrifiers next door. The changes in the neighborhood are reflected in Barlowe. He considers home ownership, deals with the puzzling motives and behavior of his neighbors and grapples with change. The couple next door are less well drawn. The wife is characterized as a former campus activist who works for a social service agency in Atlanta, yet has no experience with people like her neighbors. One would have expected her to seek out neighbors like her Black middle class colleagues or to show the naive, sometimes condescending attitude of many junior people in the helping professions. Instead, she comes across as good natured but unable to draw on her activist or occupational background. The motives and personality of her husband are put together even less well. The two of them are somehow short of money, but able to afford contractors to do expensive renovations.

Some events in the book draw from real life. For example, the rather unfocused effort by a clergyman to organize against gentrification seems to be based on an effort that had taken place in Kirkwood before I moved there. That effort failed mostly because the clergyman was an outsider and had made no effort to engage local people. In the book, it's less clear why things failed. Atlanta is a place with little history of collective action (beyond isolated examples such as lynchings and the rally against the Klan mentioned in the book), so this is not surprising. Unfortunately, it would be more understandable if McCall provided more context. He does mention the social changes in the city, the lack of middle class African-American interest in inner city communities, but doesn't really hit on the essentially neo-feudal social structure of the city and the surprising lack of real civil rights (or other activist) history, even though Dr. King and his lieutenants used Atlanta as their base. While McCall highlights the role of White realtors' solicitations in the Old Fourth Ward, it's likely that many more early houses came on the market because of a law that allowed people to take title to houses if the taxes have been delinquent for a particular period of time. The middle men who took advantage of this and turned houses over to realtors in my area were mostly African-American. Atlanta has plenty of sleazy would-be Donald Trumps, but unlike the realtor in the book they don't drive Cadillacs and they don't make house calls.

In general, the motives and personalities of the gentrifiers tend to be rather sketchy and the range of people who gentrify is not well reflected. Most people who'd gone into neighborhoods like the Old Fourth Ward had been priced out of already gentrified areas like Midtown and Virginia Highland, but had had little incentive or desire to commute from newer, far out suburbs. People like me wanted some semblence of city living, how ever meager. Many early gentrifiers were artists, gay, or otherwise outside the mainstream. Many of the people I encountered were as cringe-worthy as those in the book; people who frankly had no understanding of their surroundings or how to build a functional urban environment. In Kirkwood, there was much interest in attracting the kind of overpriced, mediocre restaurants that typify Atlanta's walking neighborhoods and less concern with attracting a bank or a pharmacy (businesses that everyone in the area needed and could use) or with improving mass transit. OTOH, many people approached their new neighborhoods with much more sensitivity and engaged neighbors in a more hospitable way. Even Barlowe's motivations seem murky at times. It's not always clear how he's reading his new neighbors and when he votes against local rabble rousing, the reasoning isn't entirely convincing.

Despite the drawbacks, McCall picks up on the knowing details of living in a gentrified neighborhood: the disappearance of useful businesses, the sudden appearance of joggers and bikers, and the willingness of children to engage new neighbors in a way that adults often don't. He misses, though, the ways in which people slowly establish a place in the community--for me, it was the waves hello when I sat on my front porch or the editorial commentaries I received when I painted my porch or fence.

The book ends on a tragic note for Barlowe's neighbors and, to some extent, for Barlowe, himself. I found it a bit overwrought, especially in relation to the experience of most people I'd known in areas like the Old Fourth Ward. Shortly before I left Kirkwood and Atlanta, I spoke to a new neighbor who had over-reacted to the kind of vandalism one would easily encounter with a new house in the suburbs. They seemed more annoyed than re-assured that little "bad" had happened to people during my time in the area and that my experience with neighbors had been positive. I was tempted to tell them that the shoddy construction of their infill mini-mansion was a going to cause more grief than anything else. Isolated petty crime and encounters like mine with these neighbors are more typical than the melodrama that ends this book.

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Sabtu, 19 Juli 2014

! PDF Download Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe

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Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe

Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe



Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe

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Great Tales and Poems of Edgar Allan Poe (Enriched Classics), by Edgar Allan Poe

Enriched Classics offer readers accessible editions of great works of literature enhanced by helpful notes and commentary. Each book includes educational tools alongside the text, enabling students and readers alike to gain a deeper and more developed understanding of the writer and their work.

The melancholy, brilliance, passionate lyricism, and torment of Edgar Allen Poe are all well represented in this collection. Here, in one volume, are his masterpieces of mystery, terror, humor, and adventure, including stories such as The Tell-Tale Heart, The Cask of Amontillado, The Black Cat, The Masque of the Red Death, The Murders in the Rue Morgue, and The Pit and the Pendulum, and his finest lyric and narrative poetry—The Raven and Annabel Lee, to name just a few—that defined American romanticism and secured Poe as one of the most enduring literary voices of the nineteenth century.

Enriched Classics enhance your engagement by introducing and explaining the historical and cultural significance of the work, the author’s personal history, and what impact this book had on subsequent scholarship. Each book includes discussion questions that help clarify and reinforce major themes and reading recommendations for further research.

Read with confidence.

  • Sales Rank: #107135 in Books
  • Brand: Poe, Edgar Allan/ Brower, Charles (CON)/ Johnson, Cynthia Brantley (EDT)
  • Published on: 2007-06-19
  • Released on: 2007-06-19
  • Format: Deluxe Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.20" w x 4.19" l, .44 pounds
  • Binding: Mass Market Paperback
  • 432 pages

About the Author
Edgar Allan Poe (1809-1849) was an American writer, poet, and critic.  Best known for his macabre prose work, including the short story “The Tell-Tale Heart,” his writing has influenced literature in the United States and around the world.

Most helpful customer reviews

11 of 12 people found the following review helpful.
GREAT, MOST OF THE BEST ONES
By AL
I got this book because I wanted to read certain of the Poe stories, such as
THE BLACK CAT, PURLOINED LETTER etc. This book is just right for that intended
purpose as it contains most of his most famous ones. Also my eyes are old & I
was happy that the print is a reasonable size. Great book if you are interested
in the stories it contains. If you want to read all of his stories, "the complete
stories" books are also available.

13 of 16 people found the following review helpful.
Poe is the best
By John I. Stoeppel
Edgar Allen Poe is the essential for any horror enthusiast. He was the true master of the macabre and his stories have a truth about them that reaches into everyone's mind and soul. If you are a student of horror then you need to take the time to research Poe. Every story and poem of his is a classic to be admired for the ages. Poe has undoubtedly unlocked realms he was not sure existed until his mind explored them. From his detective which started a new age of police work to the inner workings of ones mind that gave away his deep routed secrets.
The Raven is a piece of work that no matter who you start to speak the beginning to they will know the poem. The Murder of the Rue Morgue was a brilliant way to drag you through the crime scene and how he worked out the problem was intriguing. The Tell Tale Heart was a great way to interpret the way you are not safe even with ones own mind. The Pit and the Pendulum was his best way to keep you on the verge of suspense.
I would recommend that you read everything that Poe has written and that you read it more then once.

5 of 5 people found the following review helpful.
"A dream within a dream"
By A Customer
A wonderful compilation of the works of Edgar allen Poe. Complete with a beautiful introduciton that describes Poe in his worst and in his best days. twenty-one of his best short stories, and thirty-four haunting poems. Recomended to anyone interested in reading true horror.

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