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Book by Levy, Ariel
- Sales Rank: #1921826 in Books
- Brand: Brand: Simon Schuster
- Published on: 2006
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .67" w x 5.08" l, 1.10 pounds
- Binding: Paperback
- 240 pages
- Used Book in Good Condition
Most helpful customer reviews
118 of 127 people found the following review helpful.
An intelligent and relevant look at gender politics
By Gregory Baird
I discovered "Female Chauvinist Pigs" when its author, Ariel Levy, appeared on an episode of The Colbert Report to talk about her book. I was deeply impressed with her -- an intelligent, funny, confidant, and down-to-earth woman -- and the subject matter of her book, compelling me to go out and buy it. Levy examines the current state of feminism in a society that has been infiltrated by "raunch culture." This term refers to the rise of porn and sexuality into the mainstream, whether through porn star Jenna Jameson becoming a prominent media figure and a bestselling novelist, the success of female-exploitation products like the "Girls Gone Wild" DVD series, women enrolling in cardio striptease classes at gyms across America, or the popularity of instructional lap dance videos and classes. Women have embraced their sexuality as the ultimate expression of empowerment, proclaiming that this is the new face of feminism. But Levy isn't so sure that raunch culture is as feminist as these women seem to think it is, and sets about debunking that belief through a series of interviews and research assignments going back five years. She aims to prove that the women at the forefront of this new movement are not the ultimate feminists but the result of a misguided mutation of the feminist movement that has produced female chauvinists instead of feminists: women who espouse the same stereotypical views about women and womanhood that a male chauvinist would have, sort of like a gay republican. Suddenly women seem to want to be one of the boys and are desperate not to get labelled a 'girly girl' -- the ultimate slander in raunch culture. The way to achieve this, Levy argues, is to dress and act like a stripper. But where is the liberation in this? Men don't have to undress to become powerful beings -- and we certainly aren't under as much aesthetic pressure as women. Instead of liberating themselves, these women are trapping themselves in the very same system that has degraded them for centuries. Wanting to act like a man implies that there is something unpleasant about womanhood that must be escaped from.
The proliferation of sex is particularly troubling to Levy, and in her interviews it becomes astonishingly clear that the women who are pursuing empowerment through a sort of sexual revolution are feeling very empty about their sexuality. Almost all of the women she speaks to admit that they don't get much pleasure out of their intimacies, but keep seeking out meaningless sex for various reasons (they don't want to be seen as a prude, they want to keep adding notches to their belt, they want bragging rights, etc.). What, then, is the point in increasing your sexual productivity if the results aren't gratifying to you? And why go to the extremes of mini-skirts, waxing, cleavage-and-midriff-baring tops, implants, lifts, tucks, and such to attract men if your goal is to develop a sense of self worth? A male interview subject points out that "what girls don't understand is guys always want girls. If every girl dressed casually, you'd still like girls. It's like, you don't have to exhaust yourself." And why emulate strippers and porn stars? Research shows that the vast majority of women in the sex industry are the products of sexual abuse, and in interviews they never mention deriving pleasure from their work so much as a feeling of revenge. Furthermore, strippers and porn stars are paid to simulate sexual gratification -- so how can anyone presume to find sexual liberation in imitating an imitation?
If I have a complaint with Levy's work, it's that she sometimes makes errors in her pop culture references and interpretations. She refers to rapper Snoop Dogg as Snoop Doggy Dogg -- a name he hasn't gone by for years. She also incorrectly identifies the first single from Paris Hilton's album (although I cannot fault her for not wanting to get more specifics on that abomination). These are relatively minor mistakes, but for a young woman like Levy they feel surprising to me. The big one was that I felt that she really misinterpreted "Sex and the City" big time. Yes, the show did start out with Carrie wanting to "have sex like a man" and dealt with sex as a commercial commodity -- but the genius of the show was that its multi-faceted, complex characters really grew and developed over the years, and in the end they all found themselves in serious relationships -- leaving the offensive aspects of raunch culture behind them.
Having said that, I am impressed with the depth of insight Levy offers to her research and her involvement in the subject matter. She makes a very clear, convincing argument (even if I was biased to believe it in the first place), and at the very least she is to be commended for bringing the subject up for discussion (indeed, her thesis is relevant not only to gender politics but to differences of race and sexual orientation as well). It's about time someone did, and thank goodness it was an author with the clarity, wisdom and open-mindedness of Ariel Levy.
20 of 20 people found the following review helpful.
If It Walks Like A Duck and Quacks Like A Duck... (A Middle-Aged Male Perspective)
By Franklin the Mouse
Speaking as an agnostic man who has been happily married for twenty-five years and raising two young boys (ages 10 and 8), Ms. Levy addresses an important issue which I have found very perplexing and disheartening. Raising our sons to respect woman and sexuality flies in the face of what they are exposed to on a daily basis. Short of our family running into the hills and living in a cave, this sexual objectification of women is the environment my boys will grow up in. Against this raunchy juggernaut, it makes our job as parents a whole hell of a lot more difficult.
Ms. Levy, in a highly readable, mildly sarcastic book, lays bare the pretzel-like logic used by women to find validation by being what is essentially a sexual trophy to men's libidinal fantasies. If depicting yourself as a quasi-prostitute is a statement of feminine empowerment, then Paris Hilton must be Betty Friedan...I don't think so. Ms. Levy's book is a sometimes whimsical but ultimately sad eye-opener on women being primarily valued as childish, superficial sex objects. A quick and thought-provoking read.
29 of 30 people found the following review helpful.
Buying it for my girlfriends, my boyfriend and my dad
By Pepper
This is a great book to start a conversation among women and feminists, people who celebrate women's sexual empowerment, and people who deplore the coarsening of our culture. Levy picks apart the extent to which these things are (and are not) related. She has a gift for directly addressing things we've all been aware of but probably haven't thought to inquire into.
This book doesn't have all the answers and it doesn't address all the arguments, but it doesn't profess to: I found it valuable for *stimulating* thoughts on how feminism has (apparently) morphed, what our obligations are to ourselves and to women generally, and the potential larger impact of our individual choices. (I've worn a Playboy-logo T-shirt, thinking of it as shorthand for, or 'taking back' a symbol of, female sexuality...but I was ambivalent about it at the time, and now I wonder whether the actual effect was to undermine my own convictions - what exactly was the point of emphasizing female sexuality anyway?)
Ariel Levy identifies a culture-wide cheapening of female attributes at the same time that we see women succeed as individuals in "non-traditional" fields. She suggests reasons why women and girls are buying into the coarsening messages, suggesting that their motivation is largely selfish - to advance individually in a world that (still) caters to men's desires even at the expense of other women generally, who necessarily continue to get the short end of the stick (in order to maintain the paradigm that's so effective for those exceptional women). Surely that kind of female success cannot be sustainable, since it puts women just as clearly into boxes as did playing by the old rules. When *every* woman seeks to stand out by stepping on top of other women, it's just a jumbled mess.
The first half is better than the second half, when Levy moves from mainstream shifts to fringier elements, but even those are interesting illustrations of a weird, subconscious-seeming, univeral acceptance of the superiority of what we consider to be male.
It's a quick read, but you'll think about it for a while.
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